Capturing Personality in Portraiture
The following guest post on capturing personality in portraiture was submitted by Christina Dickson, a portrait photographer and photography instructor from Portland, Oregon. Her work can be seen at: www.christinanicholephotography.com.
Question: What’s the difference between the generic “take your pictures in 20 minutes” portrait studio’s in every mall, and the portrait artists who make hundreds of dollars on a single portrait session?
Personality
The end goal of many generic portrait studios is to make a sale.
For successful portrait artists, capturing personality is the end goal.
Great portraitists know how to capture personality, and that is how they make their money.
Capturing personality is an exciting challenge, but it is not impossible. All it takes is attention to detail, and genuine care about your subject as an individual.
First, Investigate
Spend some time getting to know your subject
Before every shoot, ask questions with sincere interest. Is your client dramatic, or laid back? Do they like quiet moments, or bold statements? Are they more likely to be found surfing a wave, or sitting in a library? Imagine how unprofitable it would be for you to take portraits of a book-worm in the middle of a skate park! You won’t find out about these details unless you inquire.
When I met up with Nicole (pictured left), we spent some time scoping out the location of our shoot at the Dallas Arboretum. As we walked, we talked about her interests, and her pursuits. I found out that while she was a very chic and adventuresome girl, she also had a really soft feminine side that could be captured perfectly in a garden setting. I also noticed that she had a tendency to brush back her side-swept bangs when she was feeling shy. Though this motion seems to be spontaneous in the portrait, it is actually very signature to her personality.
Second, Observe
Watch your subject as you interact with them
Find out their little tendencies. Do they favor one side of their face more than another? Do they blink a lot? Do they like a serious expression more than a smile? If you can find these hidden “signatures”, you will be empowered to capture your client’s personality like no one else.
Third, Engage
If you truly want to highlight your clients’ personality, you will draw them out of their skin.
While you are shooting, guide them through the emotions you want to capture with your conversation. Talk to them. Laugh with them. Entertain them. People are most readily themselves with someone they can be comfortable with. Endeavor to be that person.
Unbeknownst to me, Caleb (pictured right) was an aspiring filmmaker who liked very few portraits of himself. As I shot, I chatted with him as friend-to-friend, catching smiles and glances that really defined who he was as an every day person. When Caleb received the prints, he told me that this was his favorite portrait ever taken, because it reminded him of a portrait of his icon, and role model, film maker Mel Gibson.
If you want to be a successful, high income, portrait photographer, remember that your job is to show people the way they see themselves … their personality – and in the most flattering way possible. If you capture the personality of your subjects well, they will tell their friends about you and will continue coming back to you again and again.


18 Responses to “Capturing Personality in Portraiture” - Add Yours
February 15th, 2008 at 12:37 am
I agree it’s easier to shoot portraits if you know something about your subject. Great tips!
February 15th, 2008 at 1:16 am
I agree it’s easier to shoot portraits if you know how to use a camera. Great feedback!
February 15th, 2008 at 2:14 am
I think, on the other side, that portraits can also highligh one aspect of the personality. For example, I wanted a portrait to make me look dynamic, interesting and trustful, although I’m not the best example of these kind of guy. (Even if I’m not totally the oposite) My girlfriend took a lot of pics, so we could choose the best one: http://peixefresco.net/autor/ (And yes, I know the background is cluttered)
Nice article, thanks!
February 15th, 2008 at 2:22 am
Agreed – the best snaps comes when you know the person who is being photographed. Also helps if the person is comfortable with you. Well written article.
February 15th, 2008 at 3:14 am
Managing the light is always a challenge in portrait photography. Good tips.
February 15th, 2008 at 5:48 am
Thank you. A very well written article that oozes enthusiasm. Nice photos too.
February 15th, 2008 at 6:10 am
good article. i think portraits can be very hard or very easy depending on how you engage the subject. i think (i hope…) the “say cheese” type ones should be obsolete…
February 15th, 2008 at 6:41 am
I really like what you have to say, and would love to hear more from a technical standpoint how the photos are acheived. What lens is best for what situations? Are they all natural light? etc.
The author is definitely a fan of off kilter framing and taking pictures at very harsh angles. I almost got sea sick watching the slideshows on the website. But the locations and colors are fantastic and you can definitely see personality.
Cheers
February 15th, 2008 at 6:58 am
This is why I resist (or maybe de-emphasize) a lot of the general guidelines for posing (hand position, head tilt, etc). You could spend a lot of time adjusting these things and the subject is so focused on their posture they can’t possibly be themselves. The point of engaging is great advice. That’s what I’m finding is so fun about doing social photography, the interaction and capturing the reaction.
February 15th, 2008 at 7:17 am
I would also add that it’s not just how your subject “is”, but how he sees himself, and how he wants to come across. If he’s struggling to develop confidence, if he sees himself as adventurous, and you capture that side of him, then he should be happier, and talk a lot more about your work and will probably showing it to everyone at every chance.
February 15th, 2008 at 7:18 am
Soime good tips. (I need all the help I can get!) I find my grandson can never smile naturally for a picture. He thinks he is though and it never looks like him. I started sitting around holding my camera and taking him when he was unaware. Might not be a professional portrait but when I have zoomed in close it works. What it lacks in professional quality it makes up for with naturalness.
February 15th, 2008 at 8:02 am
Exactly why all my portrait photos are of people I know :]
February 15th, 2008 at 9:52 am
Very helpful especially for a novice photographer like me whose interest in capturing the inner beauty of a person through my lenses. Great advice.
February 16th, 2008 at 12:00 am
Thanks for posting. I shoot portraits of only my friends so I can capture their spirit, and I’ve never known how to capture someone I don’t know. The example questions are terrific and will help, and make me think of many more. Maybe I’ll try to shoot someone whom I don’t really know, and get inside their soul.
February 16th, 2008 at 2:48 am
There is so much more in the picture by way of technique
eyes- around a 1/3 down from the top
head- cropped ,100% ok to do this
arm- raised to show the background,avoiding white shirt blob,and giving some indication of size
shoulders- different hights ,nearest always lowest
and above all depth of field seperating subject from background to stand out.These are all fundamentals which underpin the process here
February 16th, 2008 at 8:23 am
Great advice, l’m not a talkative person but i’ll give it a try.
February 22nd, 2008 at 11:07 am
Your first “portrait” of the young lady is such a clumsy effort
that I would be embarrassed to even show it – much less to
present it as a “good” example of portraiture !!!
Her pose is unflattering and UN-graceful.
She’s lost in the busy-ness of the garden.
Her hand gesture to her face is awkward.
…and WHY a full-length photograph with a non-professional
model?
Deliver me from such amateurish arrogance as you!
March 5th, 2008 at 8:00 pm
Dear Mr. Larry Thomas:
Deliver me from such amteruish arrogrance as you! Sound advice indeed.
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