I think most people have seen motivational posters in their travels. You know the ones – they have an image in the middle – a large word underneath and often a saying or quote that is supposed to inspire and motivate you for your day ahead.

This weekend your challenge is to create a motivational poster of your own and to share it.

Image by kkimpel

You might choose to make a serious motivational poster or do a funny one (my personal favorite)- the choice is completely up to you.

Once you’ve taken your shot and created your poster come back to this post

Once you’ve taken your photo and created your poster, upload it to your favourite photo sharing site and either share a link to it below or embed it in the comments using the our new tool to do so.

If you tag your photo on Flickr, Twitter or other sites with Tagging tag it as #DPSMotivate to help others find it. Linking back to this page might also help others know what you’re doing so that they can share in the fun.

As equally important to success in photography as knowing your camera, equipment and light – and being a good marketer – is developing within yourself an attitude of success. It’s something that separates and elevates the photographers that are popularly admired today including Chase Jarvis, Jasmine Star and Joe McNally, to name a few.

I wanted to use this post to give extra attention to two skills I think sometime see less awareness than other components of photography – kindness and hard-work. Combined, the two are an incredibly powerful force. The reason behind this post came after asking a few Facebook fans what I could help them with from my own experiences as I continue to forge my own path into the professional arena. The overwhelming response …

They say never work with animals or children but who can resist those cherub like faces? Here are a handful of hopefully helpful pointers that one can try when it comes to framing tots and toddlers:

1. Most children will have the patience of a fly so start by netting the ‘safe shots’ first, such as a few well composed, nicely lit portraits with a 50mm prime, before diving into the most adventurous ideas. Suggestions for such could be to: opt for some tight crops of the tot’s face, vary depth of field to avoid distraction, or get creative with shutter speed to some exciting ‘movement’ effects. When their attention levels start to dissipate, try following them around. Not only do you get a glimpse into their world but this can make for

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3-D is the biggest craze in Hollywood at the moment. Avatar, Toy Story 3, A Christmas Carol and even Nanny McPhee have gone (or are going) 3-D this year. So how can we harness this concept in our photography?

The most basic principal of three-dimensional art is a foreground/subject which stands out from the background in such a way that you can actually feel the space between them. Obviously, a picture is flat. But if you can edit it in a way to create that space, you can make the effect on it’s viewer memorable. The concept translates into the editing process simply: edit the subject and the background entirely independently of each other. The way in which I feel most successfully achieves that is to make a darker, richer background and a lighter subject.

1.} Choose an image carefully. Not just any image will do. Try to find one which already has a sense of space between the foreground and background. Some far off background action would be great. I chose one where the subjects were almost fully shown (not just their upper halves).

2.} I duplicated the image for safe measure. As I usually do for step 1 of my editing process, I separate the foreground from the background by using the quick selection tool  and typing ctrl+j to create a new layer. First, though, I feather the selection out in select > feather > 0.5 px.

The northern and southern polar lights have fascinated and hypnotised man for as long as we have graced the planet. The unearthly flame-like lights have been the inspiration of folk tale and legend for generations and since the invention of the camera a holy grail-like conquest for many enthusiast photographers.

Image by Orvaratli

Named after the Roman Goddess of Dawn (Aurora) and the Greek name for north wind (Boreas) the Northern lights AKA Aurora Borealis, are seen in areas that are within or surround the Arctic circle, for example: Norway, Sweden, Finland, Canada, Alaska etc. Equally the southern counterpart ‘aurora australis’ is visible from high southern latitudes in Antarctica, South America and Australasia. The mesmerizing wisps are actually solar charged particles reacting with the magnetic field as they make contact with the upper atmosphere gases. The most common lights star-gazers are likely to see are the green variety, with the red variant only appearing in tandem with the green. Sometimes the lights lie horizontally like an expanse of neon fog, other times in vertical streaks dancing their way across the night sky – whatever the colour or form the results are quite awe striking and will make for the most wonderful of subjects.