Environmental Portraits
Note: this post is an extract from our Essential Portrait Photography Tips E-book – Grab Your Copy Today!
On the birth of our first child we were given by a friend a gift certificate for a photographic family portrait. The deal included one photo shoot in a studio and some prints.
While I had taken thousands of shots of our baby I thought it’d be fun to go in for our photo shoot – after all it was free and I’m always interested to see how other photographers work.
There is a lot that I could say about the shoot and the photographer (I’ll refrain from getting too picky) but one of the main things I came away reflecting upon is how much more I prefer location oriented (or environmental) portrait photography than studio based photography.
While I know a good photographer can work wonders in a studio (I’m not so sure the photographer we had fit in the ‘good’ photographer category) shooting in a location where the subject is comfortable and has some familiarity with has a lot going for it.
By ‘on location’ or ‘environmental’ portraits I mean portraits taken of people in a situation that they live in (work, rest or play) and/or a place that says something about who they are. Before I get into some ‘how to’ tips for taking environmental portraits let me chat a little about ‘why’ I like them.

Image by Sukanto Debnath
Why do I prefer environmental portraits?
- they give context to the subject you’re photographing
- they give points of interest to shots (something you need to watch as you don’t want to distract from your subject too much)
- they help your subject relax
- they often give the viewer of your shots real insight into the personality and lifestyle of your subject
These shots sit somewhere between the purposely posed shots of a studio portrait (they are posed and they are unmistakably ‘portraits’) and candid shots which capture people almost incidentally as they go through their daily life.
So lets turn our attention to some ‘how to’ tips on environmental portraits.
How to Take Environmental Portraits – the Tips:
Spend time getting to know your subject
Before you select a location and start shooting, spend some time getting to know your subject. Find out where they spend their time, what the rhythm of their life is like and observing their personality. Out of this you’ll not only find appropriate locations but will begin to get a feel for the style of shots that might be appropriate and you’ll begin the process of helping your subject relax into the photo shoot. If possible it might even be helpful to accompany your subject to some possible locations to see both how they look but also how your subject behaves and interacts there.
Choosing a Location
Sometimes a location chooses you (it’s easy) but on other occasions you need to be quite deliberate and purposeful in making your choice (and it can take a lot of searching). When choosing your environment you ideally want to get one that:
- says something about your subject – after all that’s what this style of photography is all about
- adds interest to the shot - as I’ve written in previous tutorials – every element in an image can add or detract from your shots. The environment that you place your subject in needs to provide context and be interest without overwhelming the shot
- doesn’t dominate the shot – sometimes the location can dominate the image so much that it distracts your viewer away from your main focal point (the subject). Try to avoid cluttered backgrounds (and foregrounds), colors that are too bright etc. Keep in mind that you might be able to decrease the distractions with clever use of cropping, depth of field and subject placement.
Props?
Props can make or break an environmental portrait. If they are subtle and naturally fit within the context of the environment they can be very appropriate and add to the image nicely but you’ll want to avoid anything that doesn’t quite fit or that potentially distracts the attention of viewers.
The same goes for the clothes that your subject wears. Try to be true to the context without getting too outlandish.
Posing
What sets the environmental portrait apart from candid portraits is that you post your subject (it’s a fine line and you might end up doing a bit of both in any given shoot). Don’t be afraid to direct your subject to sit, stand or act in a certain way that fits with the environment that you’re shooting in. Some of the poses might seem slightly unnatural and dramatic but it’s often these more purposely posed shots that are more dramatic and give a sense of style to your shot.
The expression on the face of your subject is also very important in environmental photography and you should consider how it fits with the overall scene. For example if you’re shooting in a formal environment it may not be appropriate to have your subject with a big cheesy smile and you might like a more somber or serious look. Again – mix it up to see what does and doesn’t work.
Image by Carf
Camera Settings
There is no right or wrong way to set your camera up for an environmental portrait as it will depend completely upon the effect you’re after and the situation you’re shooting in. You might find that shooting at a smaller aperture (larger numbers) will be appropriate as it will help keep the foreground and background in focus. I generally shoot with a wider focal length in these situations also to give the environment prominence in the shot. Of course this doesn’t mean you can’t shoot more tightly cropped or with a large aperture and shallow depth of field – ultimately anything goes and you’ll probably want to mix up your shots a little.
Have you done any environmental portrait photography? What tips would you give other readers? Feel free to share your tips below in comments.
Image by Diego DeNicola





16 Responses to “Environmental Portraits” - Add Yours
April 9th, 2009 at 12:34 am
Great article! Perfect timing too as I was only discussing the merits of environmental portraits over studio based portraits earlier today.
I have recently found a real passion for it. I think it offers so much more to an image. In fact i’ve realised the only studio portraits i really like usually involve props of some sort to give the image some kind of purpose and environment.
Another bonus is that it’s usually much cheaper for us photographers. There’s some examples of my latest environmental portraits taken outdoors on my flickr account.
http://www.flickr.com/photos/mattprestonphotography/
All i had was a external flash and a gold reflector. In some of the shoots I didn’t use either. Depending on the location and time of day you really don’t need all that much to produce compelling results.
April 9th, 2009 at 12:54 am
I fell totally in love with the example in this article. Splendid works.
I recently bought a compact camera (gx200) which allows me to be more “agile” when I “hunt” around for photos.
One of the first one I took was actually an environmental portrait of a garage worker, here it is –
http://www.ilanbresler.com/2009/03/night-shift.html
Even though it was dark, I tried to have the background even darker, the create a feeling of gaping mouth – The late work “swallowing” the diligent work and thus covering some of the pointers (# says something about your subject # adds interest to the shot etc) in this post.
Great read!
April 9th, 2009 at 3:01 am
Brilliantly illustrated! The shots of the weaver and the very pregnant mother are wonderful, but for me the old man in his store gives us everything we need to understand about the environmental portrait. The hopeless clutter of the store contrasts perfectly with the serenity in the face of the (perfectly lighted) subject. You look and you just know how very long this scene has been there and you appreciate the photographer who realized his opportunity. And the violation of the Rule of Thirds is absolutely appropriate here.
April 9th, 2009 at 3:25 am
This is one I took in the Distillery District in Toronto, Ontario.
http://www.flickr.com/photos/keith_watson/2459929966/
April 9th, 2009 at 10:05 pm
Greats tips. This was also featured in the latest issue of Digital Camera Magazine (from Future Publishing) to arrive in the USA. Those tips combined with these tips make it much easier to attempt these shots. Thanks! Very well written and illustrated.
April 9th, 2009 at 10:56 pm
Good piece, thank you Darren.
By a strange coincidence, I was exploring similar areas, in a minimalist way, last night.
April 10th, 2009 at 1:13 pm
Thx, great article !!
April 10th, 2009 at 10:26 pm
Great article! I didn’t even know they were called “environmental portraits” until know! and I will have to do some serious stuff in May. Because of an article I did a while ago on
a pioneer village,
I am now their photographer, and my first assignment is to take shots of their 40 or so interpretation staff.
I feel that this article just got me started, and now at least, I know what they’re called!
I thought the comments were also good, and I invite any tips from the commenters.
April 12th, 2009 at 10:00 am
Great tips, will sure to use them.
April 12th, 2009 at 1:09 pm
Great tips. I love photos that show real life.
April 14th, 2009 at 1:40 am
This approach to photography is precisely what I love most.
April 15th, 2009 at 3:54 pm
iam at school doing acourse in photography and my teacher is giveing us the same project on environmental portraits indoor,your insight is good.
April 25th, 2009 at 6:07 am
DAREN
YOUR A JEM YOUR PHOTOGRAPHS WERE BRILL,I HAVE JUST STARTED TO TAKE AN INTEREST IN DIGITAL PHOTOGRAPHY.
ALBERT
June 18th, 2009 at 12:20 pm
I think both styles have their place. It doesnt need to be either / or. You can appreciate both styles.
July 22nd, 2009 at 9:48 am
Darren,
Is it possible to have a photo sent in for critique? How might I do that ?
July 22nd, 2009 at 7:34 pm
Thank you so much for your absolutely fantastic points of view. I’m so glad I found your site.
It’s safe to say, Mr Rowse, I’m a big fan!
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