How to Create a Winter Wonderland Holiday Photo
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How to Create a Winter Wonderland Holiday Photo

There is so much to photograph during the holidays from religious symbols, to beautiful outdoor lighting displays, a well decorated tree, and the gathering of family and friends. You might already photograph and print your own holiday cards or a personal calendar, and each year you might be thinking of new and unique ideas for next year’s images.

With the holidays soon over and all those displays being packed away until next year, many Christmas trees will soon be recycled. But before you recycle your tree, consider using it for a unique photography opportunity: an illuminated Christmas tree in an outdoor setting. It could be that new and unique photo for next year’s holiday card!

Winter wonderland holiday photo tree 14a

If you happen to reside in an area that enjoys wintery and snowy conditions, you have a setting ready to create an illuminated holiday tree similar to this one. But it is worth noting that even if you don’t live in a wintry or forested area you can still create a holiday light photo anywhere with a little imagination. A cactus in the desert, a shrub in your yard, a roadside mailbox, a rusty old car in a field, or anything you can attach lights to. You’re only limited by your imagination!

To create a winter wonderland holiday photo like the one above, here’s what’s needed:

Christmas lights for the tree

You can use regular tree lights that use AC power if you have a location to plug them into. I needed 3 long extension cords to reach my garage, for power to run these lights.

There are also battery power lights available that will work wonders if you prefer to photograph further out and away from power sources.

A tree

Ideally, it would be great to head into the forest and find the perfect tree sitting in the perfect spot. Just add the lights, and wait for snow. But finding the perfect tree, in the perfect place can be challenging. When you’re looking to create a well composed image, where the illuminated tree stands prominently in your composition, the search for that perfect tree can be elusive.

Instead, I have found it easier in most cases to bring my own tree and put it right where I want it, in front of a suitable background. Since we live on this property we often cut our own Christmas tree and once the holidays are over, I take the tree outside, still in its tree stand, and place it to fit my composition. I then adjust the lights and wait for snow, which is never long.

Exposure

Exposure for the scene can be a bit challenging because you are working with two constant light sources. It’s similar to photographing a city skyline where you have constant light that does not change, such as street lights and building windows, and you have constant light that does change: the setting sun and darkening ambient light.

For this winter tree photo you have the same: the tree lights, which remain constant in their brightness level, and the diminishing natural light. After the sun has set there is a ‘window of opportunity’ where these two light sources are closely matched for the perfect exposure: the darker background and the perfectly exposed tree lights.

I set f/16 as my aperture so the tree lights will have that ‘starburst’ or sparkle and then bracket my shutter speed throughout that ‘window of opportunity’ shooting period. I also drop my white balance down to 4000k (if your camera doesn’t offer White Balance adjustments by degrees Kelvin, choose Tungsten or Incandescent from the WB presets) to increase the blue tone of the overall picture, which enhances the feel of ‘cold and winter’. To ensure that I take advantage of that window of opportunity, I start photographing about 15 minutes after sunset and continually evaluate the exposure.

Winter wonderland holiday photo tree 20

If the ambient light brightness level has not darkened enough the tree lights will not stand out as the image above shows. The lights are not bright enough in relation to the background and surroundings, so the solution is to wait a little longer. To achieve that cold winter feel the snow cannot be exposed as white or even slightly grey, but rather closer to middle grey. I often start using Aperture Priority mode with a -1 exposure compensation setting, and continue to use auto bracketing (AEB). Once the ambient light brightness level is perfect, the tree lights will glow brightly and not blow out against the background.

winter-wonderland-holiday-photo-tree-14a.jpg

ISO 100, f/16, 12 second exposure

This was my final image choice because the lights glow nicely, even those under the snow, and are not blown out, while leaving some glow on the ground level snow at the base of the tree. The exposure of 12 seconds at f/16 maintained great detail in the background as well.

The time to stop shooting is when the background becomes too dark in relation to the tree lights exposure, which will start blowing out as the shutter speed gets longer.

Winter wonderland holiday photo tree 17

The image illustrates just that. The tree lights are still exposed properly but the surrounding ambient light is border line too dark, as details in the darker area of the trees are beginning to merge. Of course, it is a matter of taste but for me at this point it is time to pack up and head indoors and review the images.

Plan ahead by testing

As you prepare to venture out and create a Holiday lighting image, a few steps before you leave will guarantee better results:

  1. A day or two before you plan your photo venture, place your lights outside, even around your home, plug them in and wait for sunset
  2. Set your aperture to f/16, place your camera on the tripod, and attach your cable release
  3. 15 minutes after the sun has set take your first picture and bracket your shutter speeds: normal (0), -1, and +1
  4. Wait another 10 minutes and take another set of three pictures
  5. Continue testing until you find the ambient light is to low and you determine that by looking at your Normal test exposures in the series and an image showing the lights blowing out against a very dark background
  6. Download your images and select the image you feel has great background exposure and perfectly exposed lights
  7. Once you find that perfect exposure, review the metadata for the shutter speed used and the time of capture. Then if you plan to shoot in the next day or two you will have a guide for the best time of day, and the best shutter speed, so you can head outdoors with a great starting point for the best exposure.

There are so many subjects that would work well with Christmas lights outdoors and to create something unique it pays to develop an idea first. Then decide on a suitable location that supports the subject rather than detracts from it. If you plan to head out into cold winter conditions be sure and dress warm, protect your gear, and most importantly, have a great time!


Editor’s note: this article is just in time for the Weekly Photography Challenge this week which is WINTER!  If you need more inspiration check out these 30 images of winter photography.

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Charlie Borland Charlie Borland has been a commercial photographer for 30 years and completed architecture photography assignments for hotels, commercial buildings, developers, home builders, and realtors. You can find his online course: Mastering Architecture and Real Estate Photography here.

  • http://islandinthenet.com/ Khürt L. Williams

    Ok. This project seems nearly impossible. The advice amounts to

    1. Put a real tree outside somewhere with battery operated lights or connect to your electrical outlets.
    2. Pray for snow fall after dusk or before sunrise.
    3. Run outside as soon as it starts snowing, so you can turn on the lights.
    4. Wait for the snow to cover up your shoe tracks.
    5. Take photos.

  • Charlie

    Hi Khurt–
    Your points pretty much echo what I wrote in the post, but the idea is not ‘nearly impossible’, at least for anybody who does not mind putting a little effort into their photography. You place the tree, light it, wait for snow, and then shoot when light is balanced. I think I waited about a week for the next snow fall at our home, which is in the mountains. Quite simple! In fact, I just saw the December 2013 issue of the magazine: VITAJOURNAL where the photographer who created the cover used pretty much the same technique. They placed a Christmas tree in what looks like it could be an urban park or maybe a large backyard, lit it, and waited for snow. The tree was most likely placed there because it was ‘groomed’ and a different species the the background trees. While they didn’t get that much snow, the effect is the same. Check it out by searching for VITAJOURNAL DECEMBER 2013 and you will see it on ISSUU.com. Happy Holidays!
    Charlie

  • Darlene Hildebrandt

    Hi Khürt – I will echo what Charlie has answered as well. Sometimes that best shots DO take more work which is why the pros get paid the big bucks. A good landscape photographer doesn’t just show up and it’s always perfect. They stay at a location sometimes for day just to get one shot with the perfect light. Or go back to the same location over and over again, sometimes over years – to get it just perfect. Doing what is more challenging or difficult (not impossible) is what sets the great photographers apart from the good ones. IMO.

  • http://islandinthenet.com/ Khürt L. Williams

    Hi Charlie,
    My frustration wasn’t really about you. I guess I’m skeptical given that fir trees don’t naturally grow in Princeton, New Jersey. That means buying a tree and putting it in a forest somewhere with battery operated lights. That means somewhere not near home.

    It’s snowed twice in the last two weeks but always during the work week and it’s night outside by the time I get home from work. The snow is gone within a day. This week the temp is in the 70s(°F). I can count on one hand the number of times it snowed last year — which is actually a good thing since it would have made commuting to work very challenging.

    Truth be told when I look at all the variables involved — I spent a lot of time thinking about how to do it — I felt defeated. There’s just too much luck involved.

  • Edward Millership

    The moral of this story appears to be, “Sometimes, snow happens”

  • http://islandinthenet.com/ Khürt L. Williams

    I agree, a pro is willing to go beyond “limits” to get the shot. But … I’m not a professional photographer. I’m an cyber security professional who’s an avid photographer. I love this site because … it’s digital photography schoool. :)

    In this area we’ve had about 5 days of snow for 2013. Wish me LOTS of luck.

  • Barry E Warren

    Great Read… I took this photo at a local potato chip company.This was one of many I took that night.Most people drive there cars threw the large display around there corporate offices. I do it on foot, camera and tripod in hand. It was a shame there wasn’t snow on the ground when I was there.

  • Charlie

    I see your challenge Khurt. I have done other lit-up winter shots as late as March since we still get snow. I have the lights and am ready to go. I just would not have a cut Christmas tree and would have to use a live one in the ground, but it works. The days are longer as well and that might work for your schedule. I hope you can make it work. Charlie

  • Charlie

    That is awesome Barry!

  • Barry E Warren

    Thanks Charlie

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