Review of the Wine Country Camera Filter Holder System

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In this article, I will go over why I switched to using the Wine Country Camera filter holder system from others I’d previously used. As well I’ll cover some of the system’s key features so you can decide if it’s right for you as well.

Since the late 60s and early 70s photographers have been using drop-in (slide-in) filters in front of their lenses. The holders which accept such products are usually used for neutral density filters, polarizers, color filters, and sometimes effect filters.

But there has been a problem with this type of holder, even since its inception.  They’re usually poorly made with cheap plastic or mixed aluminum materials. And that’s just the holder’s materials. Other problems are the placement of the polarizers which can cause vignetting, manufacturing errors, and much more.

Review of the Wine Country Camera Filter Holder System

The Wine Country Camera filter holder and vaults.

Although I inherited a Cokin filter kit from my grandfather, my first self-purchased kit was a Lee Filter Foundation Kit. The product is made of plastic, which makes it light weight. But it also makes it vulnerable to bending and breaking.

Eventually, Formatt Hitech released their newer aluminum filter kit, and I made the switch and used it for a couple of years… until now.

Wine Country Filter Holder Materials

Review of the Wine Country Camera Filter Holder System

One of the many tactile points of contact on the holder.

Wine Country Camera was born out of the need for quality filter systems and ongoing standards. Every aspect of the filter kit has been deeply considered and well thought-out from the bottom up, or backward to forward.

Instead of plastic or aluminum, premium materials are used, with purpose. For example, instead of a standard dial, a wooden dial is used, so your fingers don’t freeze in cold weather. That can also be said for the wooden grips on the front of the holder. Every part of the holder is tactile so you know when you’re turning, rotating, and pushing. It’s so tactile that you can even maneuver the holder and filters while wearing gloves.

How It’s Unique

By now you likely already recognize that the holder system from Wine Country Camera is unique. But to reiterate why I thought so, I wanted to point out some of the features that are unlike any other holder on the market.

Coin locks

Many locations around the system carry the Wine Country Camera logo, a wine glass. At first, you might think it’s about branding. While that might be true, the more important reasoning is so that you know when items are right side up. For example, the filter vaults have this beautiful coin which is turned to lock or unlock the filter. When the wine glass is upside down, the vault is unlocked. When it’s standing on its stem, the vault is locked.

Review of the Wine Country Camera Filter Holder System

The coin which locks and unlocks filters from the vaults.

Vaults

Speaking of the vaults, these are a new concept, already mastered. The vaults are made of a polymer, similar to that found in a Glock. They’re extremely strong. No joke – they can’t be bent. The moment I filled one of my vaults with a filter, I dropped it (I got it on video too). To my surprise, there was no damage to the glass filter inside. The vault serves multiple purposes.

  • The vault seals the space between filters and the holder so that you do not need those annoying foam gaskets.
  • Makes it extremely easy to insert and remove filters from the holder with or without gloves.
  • Protects the filters from normal wear and tear and minor dings.

Vaults are available for 100mm square filters as well as graduated filters. Along with the vaults are two red buttons on the holder. The buttons are designed to remove the friction holding the two outer filters in place. That way you can safely move graduated filters up and down with ease, safely.

Review of the Wine Country Camera Filter Holder System

The red buttons which help adjust how the filters sit in the outer two slots.

Customer service above and beyond

It’s worth noting that due to the high-quality standards of Wine Country Camera, they have identified a flaw of other manufacturers. Although there are so-called standards among filters, they’re not always followed precisely while making the filters. Here is what they said:

Service Advisory: We are noticing that some Lee grads have been produced at a thickness outside of their specification. If you experience difficulty installing your grad, contact us immediately and we will resolve it for you.

As you can see, Wine Company Camera is replacing their filter vaults with new ones, for customers experiencing an issue of their filters not fitting. It’s not their fault, but they’re correcting the issue for their customers. Lots of thumbs up for that customer service decision!

Using the filter holder

The holder allows for three filters to be used at any given time. The reason for this is that the Wine Country Camera filter holder uses an internal polarizer. Because the holder keeps the polarizer in the back, instead of the front like most filter holders, it opens the doors for a third filter.

Typically when a Circular Polarizer is placed in front of the Neutral Density filters, you lose a slot and have a giant 105mm ring to attach a Circular Polarizer (CPL) too. But with the Wine Country Camera system, the polarizer is easily removed with two red clips and turned using the beautiful wooden dial.

Review of the Wine Country Camera Filter Holder System

The wood dial which turns the internal polarizing filter.

Last, and not least is that because of the extremely low profile of the filter holder, and the polarizer being in the back, there is a reduced the risk of vignetting. The system has been tested as wide as 17mm without any vignetting. That’s a huge jump from the 24mm limit I had with the Formatt Hitech and Lee systems (even with the wide angle adapter rings). I photograph at 20mm quite often and have always experienced vignetting, although minor. Until now.

Is it worth the price?

I’ll be the first to admit when the Wine Country Camera filter holder system was initially announced I was shocked by the price. Especially when compared to systems from other manufacturers. But after getting my hands on it, I understand why.

The amount of pride, thought, and effort that went into every millimeter of the product is the highest possible quality. It’s not cheap plastic. It’s not cheap metal. But for the curious minded, I thought I would include a price comparison on my kit before and after. I will leave out my Neutral Density filters for right now I’m still using my Formatt Hitech Firecrest ones in the Wine Country Camera holder. (I’ll likely switch to WCC once they have their own ND filters)

Wine Country Camera System

  • Holder with internal polarizer, two vaults, and one Adapter Ring: $449
  • Two extra 100x100mm square vaults (I have four square filters): $75
  • One 150x100mm rectangular vault: $35
  • Three Adapter Rings: $150
  • Total: $704

Formatt Hitech

  • 100mm Aluminum Holder: $47.99
  • Four Wide-Angle Adapter Rings:
  • Polarizer Ring: $19.99
  • 105mm Firecrest Circular Polarizer SuperSlim: $229.99
  • Total: $481.92

As mentioned, the price for the Wine Country Camera system is more. But keeping in mind the advantages of the system, the materials used, and that you have the vault advantage, it’s worth the extra money up front. The $257.08 savings on a different system might save you up front but could cost you in the long term. Maybe on parts falling apart, lower quality materials breaking, light leaks on your photographs, and potentially more.

But I know that not everyone can afford the kit, so it may not be for you. But if you are like me and want the best of the best when it comes to your photography, then you’ll save up and take the plunge when it’s right for you.

Review of the Wine Country Camera Filter Holder System

Bonus for high megapixel cameras

Something else to keep in mind, for anyone with a high megapixel camera, like a D810, A7RII or a medium format camera – is that many polarizers have an issue with reflections on higher resolution sensors. The one from Wine Country Camera does not have this issue. The polarizer fits inside the holder body, eliminating reflections and allowing geared rotation. Wine Country Camera worked with a high-end optics manufacturer to develop the highest possibly quality polarizer. Their polarizer uses 2.5mm thick Schott optical glass that is fire polished, and free of surface aberrations. Considering their CPL is less expensive (when purchased alone) than the previous one I was using, it’s nice to know my optics are protected.

Keeping it together

Before theWine Country Camera system, I was using the Mindshift Gear Filter Hive to hold everything in one place. The small bag is incredible, can be stored in a backpack, clipped to a belt, or hung from a tripod.

I was happy to find the Wine Country Camera system almost completely fits in the same bag. Everything but the holder itself fits inside. But fortunately, Wine Country Camera provided a very protective case for the holder and its attached polarizer.

Review of the Wine Country Camera Filter Holder System

Final thoughts

As I mentioned earlier, I was originally a skeptic for the Wine Country Camera system. But I have fallen in love with it. I am so gratefully that this company has now taken steps to improve the lens filter system, as the industry has needed this change for a long time.

I love that every adjustment possible on the holder can be done with the left hand.  That way the right hand can be kept on the camera. To me, the price is worth it, the features are worth it, the quality in craftsmanship is worth it. I hope you recognize the same.

Have you taken a look at the Wine Country Camera filter holder yet? What are your thoughts?

Summary
Review Date
Reviewed Item
Wine Country Camera Filter Holder System
Author Rating
4.5

Read more from our Cameras & Equipment category

Scott Wyden Kivowitz is the Community & Blog Wrangler at Imagely, a father, photographer blogger, and educator. Scott is also the author of multiple photography ebooks including the topics of long exposures, panoramics, and street photography. Get his free Lightroom video series, Fundamentally Lightroom, to help you simplify your Lightroom workflow, and also receive his free photography guides collection as a thank you.

  • I’ve made 104,000 thousand dollars in 2016 by working from my house a­n­d I did it by wo­rking in my own time f­­o­­r 3+ hrs on daily basis. I was following work model I stumbled upon online and I am so amazed that i was able to make so much money on the side. It’s very beginner friendly a­n­d I’m just so blessed that i learned about it. Check out what I do… http://twitter.com/StinnettMargar1/status/835822769971437569

  • Why are only high res sensors susceptible to reflections? That doesn’t make sense to me.

  • Joel

    In a word “No.”. Too big, too complicated and too expensive for the first part. For the second part the photos you posted weren’t worth $1000.00 more than this one I took with my phone. https://uploads.disquscdn.com/images/863a704183a6456d03f25a3972880d11795af918e64aa3492c80a96cb532fb93.jpg

  • whyiaskwhy

    A lot more opinion than fact in this “review”, more like an advertisement. Did you get this for free to review or did you pay for it?

    And where this fails miserably is not to be able to be used on a Nikon 14-24.

  • Francesco Gola

    It looks more an hipster accessory than a professional product.
    Price is nonsense, and do you really expect to use a wooden holder in snow or under the rain? 🙂
    I will continue to use my NiSi one (strange that the comparison is made on Cokin and Formatt and not with NiSi that is the actual standard..), that is made in alluminium, it cost 1/3 of the price and I can use it without vignetting with 3 filters and a polarizer up to 16mm (an not 17mm with just 2 filters).

  • Steve McKenzie

    I purchased a Wine Country Camera kit some months ago and will die with this system. The quality has to be seen to be believed. The WCC kit makes the Nisi and Lee equivalents look like toys.

    I was previously using the Nisi system for some years (and Lee for years before that) and now find most of my filters are scratched from trying to force them into the Nisi holder. Lee filters hardly fit the Nisi holder at all. Moreover, the CPL within the V5 kit is about as useful as a choclate teapot (i.e. extremely weak).

    Interesting that Nisi has just released an upgrade to fix the problems inherent in the original V5 system. Of course they want few hundered dollars for the privelege. Contrast this with WCC with Rod offering free upgraded vaults to compensate for the slack tolerances of the filter makers.

    I have vaults for all my filters and the vaults fit nicely in my Terrascape filter bag. Never have to handle my filters again which means the risk of damage is significantly reduced.

    Yes, I could take the same images with the Nisi and Lee systems (after all I’m still using their filters) however the WCC system just makes the process easier. Importantly, I haven’t to date experienced the light leaks that plagued many of my long exposures using previous systems.

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  • john BUFORD

    How true and we know it can be done.

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