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Planning how to back up your images while you travel isn’t nearly as exciting as planning your itinerary or buying gear for your upcoming trip. But it’s an important step in the travel planning process. Especially if you’re going someplace rugged and amazing like Iceland in the dead of winter, having a plan for uploading and backing up your images while you travel will help you ensure that all of your images are securely stored in multiple locations. After all, if you finally get a chance to photograph ice caves and the aurora borealis, you don’t want to worry about getting those hard-won images safely home with you.
Following is a step-by-step plan for backing up your images starting with preparing to travel, guidelines for backing up during your trip, and how to complete the process once you return home.
Before you leave on your trip, make sure that you have plenty of memory cards. I budget approximately two 32gb cards per day. You may need more or fewer, depending on your style of shooting.
First, examine all of your memory cards for damage. If any are visibly bent, warped or deeply scratched, it might be time to retire them.
Next, reformat all your memory cards in your camera. Take and save several images on each memory card and then upload the images, one card at a time. This test verifies that each memory card is still in good working order. If a memory card does not pass the upload test, retire it.
If you need to buy additional memory cards, evaluate using smaller cards like 32gb and 64gb. You have to change memory cards more often while you’re shooting but if one memory card goes bad, you’ll have endangered far fewer images than if a huge 256gb or 512gb memory card corrupts.
Use stickers to indicate if memory cards are full or empty.
Create a system to keep full memory cards separate from empty memory cards. An easy method is to buy a memory card case or folder with clear pockets. Put blue sticker dots on one side of your memory cards. Put red sticker dots on the other side of your memory cards.
Blue sticker dots mean used or full cards. You can remember this mnemonically since blue, used and full all contain the letter U in them. Red sticker dots mean empty cards. You can this remember this mnemonically since red and empty all contain the letter E in them.
Before placing the stickers on the cards, I also like to number the sticker dots one through however many cards I have. I file the memory cards numerically in the case. On day number one of my trip, I’m using cards numbered one and two. On day number two of my trip, I’m using cards three and four. By numbering the cards, I ensure I rotate them which further reduces the chance of corruption since no one card is used excessively. Then if I do lose a card, it’s also easier to keep track of which card from which day has gone missing if the memory cards are numbered sequentially.
Lastly, if a card does corrupt, it’s easy to keep track of which one because it’s numbered. I usually pull it out of my case and stow it separately in a secure pocket elsewhere in my bag. If memory card number four goes bad on a trip, I want to ensure I don’t accidentally reformat it or save more images to it before I’ve tried to recover the images.
After you test, number, and sticker all of your memory cards, place them in the case with the red sticker dot facing up. While you’re traveling, place full (used) memory cards back into the case sequentially with the blue dots facing up. If you’ve budgeted the amount of cards you need for your trip correctly, on the last day of your trip, all of the memory cards in your case should have blue dots facing up.
If your camera has two memory card slots, evaluate carefully whether or not you want your main memory card to back up to the second card while you’re shooting. My Canon 5D Mark III has two memory card slots. One is a CF card slot and the other is for an SD card. I typically only use the CF card slot because they write faster than SD cards. Since I photograph horses and wildlife and set my camera to high-speed burst mode, I want my images to write to my memory card as fast as possible. Since my camera defaults to the write speed of the slowest card, I leave the SD card slot empty.
While this method works for me, your camera might function differently than mine. You may also have different priorities than I do when you shoot. Landscape photographers, for example, don’t use high-speed burst mode very often. Neither do macro photographers. If you specialize in landscape or macro photography, automatically creating a backup in camera by writing your RAW images to two memory cards simultaneously might be a good failsafe for you.
I recommend uploading your travel images to two identical, high-quality, portable hard drives. I use 1TB drives. One terabyte is typically enough for my style of shooting since I rarely travel for more than 10 days at a time. Digital storage is inexpensive these days. So evaluate the best size portable hard drive for you by reviewing your image files from past trips. Buying more storage than you think you need is more effective in the long run. So if you think you need 500gb drives, buy 1TB. If you think you need 1TB, buy 2TB.
Now that you have two new hard drives to keep your images safe, you need to physically protect them. Use rubber bumpers or cases to protect the drives in case they fall out of your bag or are dropped. If you’re shopping online, you can usually find the correct size bumper or case listed on the same web page as your hard drive.
When you are setting up your new portable hard drives, label each one clearly. I literally use a thick permanent marker to do this. Keep the names consistent since you’ll be referencing these drives frequently. Mine are simply called Travel #1 and Travel #2.
Format your new portable storage drives according to your operating system – usually OSX or Windows. When you’re formatting the hard drives, you’ll probably also be prompted to register them with the manufacturer. Registering your new drives might seem like a silly step but it often activates your warranty or image rescue software so don’t skip it.
Once my new portable hard drives are set up and working, I create a folder on each drive called Travel Photos #1 (on drive Travel #1) and Travel Photos #2 (on drive #2). I use a software program called Chronosync (for Mac) to create a recipe that when it is run, backs up drive Travel #1 to drive Travel #2. There are many options for backup software and I would encourage you to do a little research to find the software that’s best for you.
Right before you go, back up the entire contents of your laptop. I use a MacBook Pro so I run Time Machine. After the backup finishes, I have an up-to-date copy of everything on my laptop on a small hard drive that I leave at home. That copy will come in handy if my laptop is stolen or damaged while I’m traveling. Also, I check for software updates – especially any related to security – and install those as well.
I skip beta versions or major operating system upgrades since sometimes those are glitchy. I want my laptop software as safe and secure as possible while I travel but I don’t want to have to deal with any new OSX headaches.
Now that you’ve done all that prep work, it’s time to pack, hit the road and make some memorable images.
I know that after a long day of travel, the last thing you want to do is unpack your laptop, upload, and duplicate your image files. Get in the habit of doing it anyway. After a while, it will become routine, like brushing your teeth or washing your face, and you won’t dream of skipping it.
When your friends tell you their horror stories about losing images while they travel, you’ll have to work hard to wipe the smug look off your face because you’ll know you’ve minimized your chances of that happening to you.
My first step when I upload images is to plug in my hard drive called Travel #1, then I plug in my CF card reader, insert the memory card and open up Lightroom CC. I always use Lightroom to catalog all of my images. When uploading, I tell Lightroom to import the day’s images to the folder called Travel Photos #1 on the portable hard drive called Travel #1.
In the Import Dialog, you can check a box to tell LR to “Make a 2nd copy to” and duplicate your images by importing them to two locations at once. If you check that box, you also want to click the tiny arrow to the right, click Choose Folder and select the location you want the duplicate images to be stored.
In my case, I would choose the folder called Travel #2 on the portable hard drive called Travel #2. I normally do not duplicate on import because I only have two USB ports on my MacBook Pro. During the import process, both are in use: one for the hard drive Travel #1 and one for my CF card reader. If you have space in your camera bag, you can carry a USB port hub that enables you to attach more drives to your laptop at the same time.
Since I don’t carry a USB port hub, instead of checking the “Make a 2nd copy to” box in the LR import dialog, I use Chronosync to sync one drive to another. This is the backup recipe we set up above. After the images are loaded to my first drive, I run my Chronosync recipe to duplicate them to the second drive. Once I’m done, I have three copies of each image; one on the original memory card and one on each of my portable hard drives, Travel #1, and Travel #2.
If possible, don’t erase the images on your memory cards while you’re on the trip. Instead, save them in the memory card holder you prepared in Part I.
When you travel, I encourage you to upload and back up images after every shoot. If you have one shoot per day at sunset, upload and back up before you head out to dinner.
Tip: This is a good time to plug in and charge your batteries too.
Before you head to bed, verify that the image files are mirrored on each drive. Swap the batteries in your charger before bed too to make sure you’ll be all set to shoot again in the morning.
If you have two photo shoots per day, follow these same steps, except do them twice a day. In addition to uploading before dinner, I upload before lunchtime. I usually sneak in a quick nap then too.
If you have an excellent Wi-Fi connection you might also consider syncing to your cloud service. I normally don’t have very strong Wi-Fi service when I travel so I don’t waste time with this step.
Now that you’ve done all this work setting up this system to back up your travel images, you have one more step to ensure their safety while you travel. You want to keep each of your two drives in different locations. For example, keep one drive in your camera bag and keep one in your luggage.
Always make sure to keep one drive in the bag on (or very near) your person. Keep your luggage with your second drive in your hotel room (or locked in the trunk of the car if you are traveling between locations). In the case of theft, accident, or fire, one copy of your images will be safely stored on the drive in the alternate location.
Once you return home, you need to move your images from Travel Drive #1 to your main photography hard drive. The easiest way to do this is to do it inside Lightroom.
Here’s a step-by-step guide for moving your images from your travel drive to your main photography storage drive:
Since I travel often, I find it easiest to keep my entire Lightroom catalog on my MacBook Pro. If I need to work on a bigger screen, I connect to an external display.
If you keep your main Lightroom catalog on a different computer than the one you travel with, rather than dragging and dropping as I’ve instructed above, attach your travel hard drive and your main photography storage drive to your home computer, open Lightroom and go through the complete import process to your main storage drive. After you’ve imported your travel images to your main Lightroom catalog on your home computer, in addition to formatting your memory cards and wiping your travel hard drive, I’d recommend completely removing the images from the Lightroom catalog on your laptop.
Now you can go unpack and do laundry. Or, if you’re like me, you can start to cull, edit, and create collections with your travel images.
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