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As the coronavirus crisis drags on, you may find that you’re getting out less to make photos. You could probably use some fresh and fun photo ideas as a pleasant diversion from the gloomy news. Whether you call these photo tricks, techniques, projects, or whatever, I suggest you give them a try and see what new and interesting photos you can make.
My intent here is not to get into great detail or give much “how-to” for these tricks. For some, I’ve already written complete articles and, where that is the case, I have linked to those articles so you can do a deeper dive into the subject.
For a few other tricks, I may not have written about them in-depth, but others have. The idea is that while these tricks may not be unheard of, this is a collection of photo tricks all in one place; it’s a jumping-off point for your photo exploration.
You may have heard of accessories called Lensbabies, a collection of adjustable and specialized lenses designed to give artistic, soft, blurred, and other looks to your image.
Now, I won’t pretend this trick will do for a few cents what specialized gear costing a few hundred dollars can do. But here’s a way to bag some interesting, Lensbaby-style images for dirt cheap.
Here’s what you do:
Get a plastic sandwich bag and tear a ragged hole in the bottom of it. Pull the bag over your lens so that portions of the bag intrude into the edges of the image. Focus on your subject.
Viola, you have “Baggie FX.”
Play with the positioning, the size of the hole, various apertures, and lighting. Photo accessories don’t get any cheaper than this.
Pronounce it how you like; bokeh refers to the look and quality of out-of-focus elements in a photo. Bokeh becomes especially noticeable when the out-of-focus elements are specular highlights.
Different lenses with different optics, different aperture blade shapes, and different numbers of blades will produce different kinds of bokeh, as will the photographer’s choice of aperture.
Here’s a way to go a step further and make patterned bokeh. Lay a filter the size of lens you intend to use on a piece of cardboard, trace around it, and cut out the cardboard. Now cut a shape, such as a small star, into the center of the cardboard disc you made. Place the disc over the lens and tape it there, or sandwich it between the lens and a filter.
With a wide aperture (a 50mm f/1.8 prime, the “nifty fifty,” works great), shoot something with some specular highlights and ensure those highlights are out-of-focus. The highlights will now be the shape of your “bokeh filter.”
Rather than make your own bokeh filter, you can also buy patterned bokeh filter kits with more elaborate shapes than you could probably cut yourself. For folks into 3D printing, this could also be a good project.
You can take a still-life or product photo up another notch by shooting it on a reflective surface. You might think a mirror would be a natural choice for this, but because both the glass surface of a mirror, as well as its silvered backing, are each reflective, you will get two sets of slightly separated reflections if you shoot objects on a mirror.
A better choice is a piece of acrylic plastic sheet, also known as plexiglass. You can get this in many colors, but I find a very dark black plastic sheet creates a look I like. (A piece of black tile would work well too, but I’ve not been able to find larger tiles.) Shoot with a black backdrop and you can isolate your subject nicely.
When we used film or less-sensitive digital cameras, big and often hot lights were needed for indoor photography. With the advent of LED lighting coupled with cameras offering low noise capabilities, we can now make images with very little light.
Also, when doing still-life photos, shutter speed can be anything you like: full seconds, or even minutes, if necessary. Now almost any lighting instrument can be used with some ingenuity. Small LED flashlights can also be used for light painting.
I have a collection of various flashlights (aka “torches”) and other LED lighting gear, which I’ve typically bought for just a few dollars online or at the local hardware store. Finding new ways to creatively use these little lights has allowed me to make some creative images. Take a look at this article which explores this topic further.
Before you toss that scratched CD, add it to your bag of photo tricks. Mount a macro lens on your camera, or use whatever means you have to get close to your subject. Put the CD down with the reflective, non-printed side up. Then, with an eyedropper or other tool, place small water droplets all over the surface of the disc.
Focus your shot and get creative. The lighting is purely up to you. Perhaps try some shots in direct sunlight where the intense light will really pop the rainbow spectrum. Maybe try a small flashlight. Try a long exposure and light-paint the droplets. Anything goes when you’re making abstract images.
I wrote a complete article on this technique, which is another way to get some interesting and colorful abstract images. With minimal equipment and whatever lighting you like (even shooting outdoors with natural light), you can have a whole afternoon of fun.
Add this to your collection of photo tricks to make some smokin’ hot images. An incense stick and some care with your lighting will get you going. Then take your shots to the computer where you can add additional effects. Have a look at my article here on DPS, “How to Make Interesting Abstract Smoke Photos,” for a full write-up on this technique.
Find historic images of early photographers, and you might see them standing behind their cameras with black capes thrown over their heads. They did not have DSLRs, where the image entering the lens is reflected onto a mirror, through a prism, and then into the viewfinder right-side up. Instead, early photographers used the first “mirrorless” cameras, and the image came through the lens and displayed upside down on a ground glass at the back of the camera. The image was quite dim, which explains the need for the cape to better see the projected image.
We won’t require you to take a course in optical physics so you can understand the behavior of lenses, light, reflection, refraction, or the differences in light transmission through various mediums. Just break out some glassware, pour in a little water, maybe use that piece of black plexiglass we mentioned earlier, find an interesting background, and go for it.
If you do want to dive deeper into understanding light behavior, take a look at my article “How to Understand Light and Color to Improve Your Photography.” Maybe take a look at this one as well: “Just Dew It – Fun with Macro Dewdrop Photography.”
In our collection of photo tricks, this one is hardly a secret. You probably have done it before. No? Well, if not, and you have a zoom lens, it’s high time you tried the zoom blur effect.
The technique is simple enough. Set your exposure so you can get at least a one-second shutter speed, if not longer. This ought to be easy enough at night if you set the ISO to its lowest setting (such as ISO 100) and stop down the aperture to a small size (such as f/16 or f/22). If you’re shooting in the daytime and these settings alone don’t get you down to a second or more of exposure time, try adding a polarizing filter or a neutral density (ND) filter to reduce the light still further.
You can do this technique handheld, but a tripod helps. Set your camera so you get the 2-second shutter delay, then with one hand on the zoom ring, trip the shutter. When you hear it click, zoom in (or out) during the exposure. Play with starting zoomed tight and then pulling out during the exposure, or starting wide and then zooming in. Lights at night can make for great looks. Try only zooming during the first or second half of the exposure. There’s no single way to do this, so play and discover what you can create.
An interesting background can add to the story of your photo. If you have a good-sized computer monitor and are shooting a smaller object, being able to create a background on your computer screen opens all kinds of possibilities.
Photographing screens would seem a simple process, but can be more tricky than you think. If you plan to do much of this, reading up on the best camera techniques for shooting screens would be time well spent.
The title said 10 photo tricks, but I’m going to throw in two more for free and make it an even dozen. I really like the looks I can get with these last two.
I wrote the article “Make Easy Panoramic Images with Microsoft ICE,” which focused primarily on how to use this free and very powerful tool from Microsoft to make panoramic images. That is good fun in itself and a very useful technique.
Toward the end of that article, I touched on something else you could do with ICE: sequential action images. These are great for showing the progressive steps of action, and ICE makes the technique quite easy. Follow the link, read through the article, and see how you can make images like this:
Here’s an alternative way to make sequential action photos with a completely different technique, one that’s more well-suited to capturing very fast action: “How to Use Multi-flash to Capture Compelling Action Photos.”
You don’t have to understand what’s going on, and this isn’t hard to do. It just works and looks cool. Here’s what you’ll need to do:
Now, get ready to say “Wow!” Place your subject in front of the LCD light source. Bring up an image that will create a totally blank, white, bright screen so that light backlights your subject. You won’t see anything until you look through the camera viewfinder and through the attached polarized filter. Cool, huh?
Now rotate the filter. The computer screen will be white, black, or intermediate shades, while the plastic subject will show the rainbow birefringence effect. The patterns will be showing the mechanical stress within the plastic, with tighter patterns where the curves of the object are tighter.
Just a tip when you are seeking potential subjects for this kind of photography:
Your LCD cellphone screen is a polarized light source. If you have a pair of polarized sunglasses, objects held in front of a blank white screen on the phone and viewed while wearing the glasses will show the effect if they are the right kind of material. You may have to tilt your head to get the same effect as rotating a circular polarizing filter.
So there’s a dozen new things to try with your camera. You will also find that these kinds of photography will force you to use different exposure, focusing, camera control, lens selection, and editing skills than perhaps you normally might use.
Remember, even failed experiments can be lessons when you seek to determine what went wrong and then try again to get it right. Now go try some of these photo tricks, have fun, and post some of your images in the comments section. If you have any questions, feel free to post those, too.