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Failure is an indication that you’re not good at something, but it’s not a sign that you should give up.
Many people let failure stop them from moving forward. But you should use it as a guide to growth. If the taste of failure has convinced you to give up in the past, let me show you how to use it for your benefit.
Failure in photography can be defined in a number of ways, so let’s look at how failure can help you improve your photography.
Maybe you wish you were a ‘natural’ and capable of taking amazing photos without lots of practice and disappointment. But I think it’s better that you have to struggle to get good.
Yes, some people seem to have a knack for picking up a camera for the first time and taking gorgeous photos without even knowing what they’re doing. But because people who are naturals don’t really know what they’re doing, they’re going to hit their limits pretty quick. Their photos may all look the same and they won’t know how to improve. But because you had to struggle to get good, learning tough new things will be comfortable and normal for you.
I started out as a kid with a film camera and almost all of my photos were terrible. I made very little progress over the years until I found people to teach me.
If you’re terrible at photography then you need a teacher. You can find teachers online or in person. Usually, a combination of online and in person learning works well.
Failure should lead you to learn more.
It can be so humiliating to fail at something simple! You might feel dumb or completely incompetent, but don’t give up.
When you fail at something you thought would be simple, you probably just underestimated how difficult it would be. You found out it would be tougher than you thought and you have a little more to learn.
As long as you understand what made you fail at something simple, you can learn how to improve.
Maybe you have good photography skills, but you always seem to fall short of your vision.
That is perfectly normal. Nobody who aims high achieves their goals or vision easily. Most of your journey will be learning failure, but it will be so sweet when you do achieve it.
Even though I failed to work well with toddlers at first, learning how to do it helped me to hone my vision under pressure.
Follow failure until it leads you to success.
Perhaps you pour your heart and soul into your photography only to lose competition after competition.
I actually recommend that at first, don’t enter competitions to win, but enter for the valuable feedback from the judges. Put your photos up against photographers who are better than you and listen to the feedback you receive. Learn to express your unique vision in a way that pleases viewers with high standards. In this way failure will be your guide, telling you exactly how to improve.
I had a “second runner up” photo that might have won first place, but one of the judges brought my score down a lot. He said the light was bad in my photo. At first, I was hurt by his comments. But to be honest, I hadn’t even thought about light when I took the photo. Light was the very next thing I learned about.
Invite failure to be part of your journey and you won’t mind it so much.
If you find it difficult to live with technical imperfections then there are two things you should do.
The first is to relax your attitude toward standards a bit. At the very least don’t expect every photo to be perfect. Most photographers are thrilled if 10% of their photos turn out. But perhaps only 1% will be worth keeping. If you keep having the same technical problem then you should learn how to fix it.
The second is to occasionally embrace imperfections as part of your photo. Perhaps extreme conditions (light, weather, etc.) will inevitably lead to imperfect photos. Is that so bad?
Change your attitude toward technical failure.
“Don’t like the high-ISO noise? Make a photograph that’s so good, so captivating, that no one notices it! If noise is what people notice, noise is not your biggest problem.” – David DuChemin
I’ve gone through long periods of boredom with photography and my photos. At times it has become a mechanical process. In those times I’ve plunged deeper into why I even take photos to begin with. I’ve come to realize that for me photography is an exploration of human nature – explaining man to man and each to himself, as Edward Steichen puts it.
Wrestling with why your photography fails to move you may actually take you deeper into your pursuit of photography. It may help you to understand what excites you about photography and get you back on track.
My wife paid a lot of money to surprise me with a mentoring session with a famous Canadian photographer. He told me that my photos are technically fine but they don’t move him. He referred to them as saccharine (super sweet fake sugar).
Imagine putting it all there and paying big money to have a person tell you how terrible they think your photos are! He didn’t say it to be mean, he was just being honest.
If other photographers aren’t interested in your photos or editors reject them for publication, it doesn’t mean you’re a failure as a photographer. Your photos just didn’t interest them or weren’t useful to them. But listening to their critique or advice might help you to take photos that are more universally pleasing.
When others think you have failed, try to learn something from their perspective.
Failure should lead to refinement.
Perhaps you’re stuck because you need a teacher, or you’re stuck because you’re afraid to fail, or haven’t bounced back from failure.
Each type of failure has the potential to make you throw up your hands and quit. You’re more likely to quit when you believe that failure is a sign that you lack natural talent.
But failure also has the potential to help you grow, perhaps in ways you wouldn’t have grown without the failure.
Failure isn’t a reason to give up but a reason to go deeper.
Feature image: pixabay