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A wide-angle lens is considered an essential piece of gear for any landscape photographer because it gives you a perspective that you cannot achieve with any other lens. You’ll not only be able to photograph grand vistas, but you’ll see lines in a different way, and emphasize subjects by getting super close.
So if you haven’t tried one yet, borrow or rent a wide angle lens and get ready to make images with a different flavour using these tips.
Camera lenses are defined by comparison to the field of view that the eye naturally sees – which is 50mm on a full frame camera or 35mm on a crop sensor camera. This is known as a normal focal length. Any wider than that is a considered wide-angle.
My favourite wide-angle lens is in the 10-20mm range on my crop sensor camera, or 16-35mm on a full frame camera.
Many people think the purpose of a wide-angle lens is to photograph grand vistas and get a lot in the frame. While that is one purpose for a wide-angle lens, its real power is in using its perspective to emphasize objects that are very close to you and de-emphasizing objects that are farther away.
Wide-angle lenses allow you to get really close to something in the foreground, which will emphasize it and make it look larger and more important than the background elements. A wide lens has a way of changing the relative size of the objects in the frame, so that things that are closer to the lens appear larger, and things in the background appear smaller proportionally.
Try using a low angle and getting very close to your main subject. By close, I mean inches away. You’ll be surprised when you look through the viewfinder and discover that objects don’t appear quite so close through the lens.
My favourite way to use the lens is to get very close to my main subject so it is large in the frame, as mentioned above, but also include other elements in its environment in the frame. This is a great way to create a story-telling image that provides context for the main subject.
Another great power of a wide-angle lens is its ability to have incredible depth of field. You can get everything from two feet away to infinity in focus. Of course, this depends on the exact lens and the aperture you choose, but all wide-angle lenses have a greater ability to get more in focus than a telephoto lens (which is excellent at shallow depth of field by blurring the background). You’d be hard pressed to blur the background with a wide-angle lens.
You can use a hyperfocal distance calculator to figure out exactly what will be in focus for your lens at the aperture you choose. But generally speaking, if you focus on something close to you and use a small aperture like f/18, everything from front to back will be in focus.
Since wide-angle lenses include a lot in the frame, you’ll need to be extra vigilant to make sure there are no distractions. Everything that is in the frame should have a purpose.
Check your composition to make sure there is nothing in the foreground that you didn’t notice, since objects just inches away from you will be in the frame. As well, check the background to make sure there you haven’t included something unintentional.
Ideally, your composition should clearly show what the main subject is, what the supporting elements are using an interesting graphic design, and not include anything else. Simplify the composition as much as possible.
Because the frame contains such a wide field of view, it will have a lot in it, so it is especially important that the main subject is obvious.
Wide-angle lenses are notorious for displaying distortion around the edges. Anything with straight lines at the edges of the frame will appear to lean inwards. To avoid or minimize distortion, keep the camera level with the ground and don’t angle it up or down.
On the other hand, you can use this distortion to your advantage! Just make sure it is intentional and you are using it to emphasize something. For example, by angling the camera upwards you can emphasize the sky, and any clouds in it will appear to point towards the center of the frame.
Similarly, if you angle your camera downwards you can emphasize leading lines on the ground and create a perspective that really draws the viewer in.
Whenever you are in an enclosed space, making images with impact can become difficult, since you cannot get far enough away from your subject. If you are in a tight situation, a wide-angle lens is a necessity!
You may already know that polarizing filters can darken skies, emphasize clouds, and saturate colours when you are photographing in a 90 degree angle to the sun. If you are photographing with the sun directly in front of you or behind you, the filter does not have this affect.
With a wide-angle lens, you may find that part of the scene in the frame is at a 90 degree angle and is affected by the polarizing filter, and the other side is not. When this happens, it is better not to use the polarizing filter at all (it will give you an uneven sky which is darker on one side).
When photographing landscapes with a wide-angle lens you’ll frequently encounter varying amounts of light in the frame. Often the sky in the background is much brighter than your foreground. When this happens, you can use a graduated neutral density filter to darken the top portion of your image and even out the exposure.
A wide-angle lens is often the favourite lens in the kit for landscape photographers and with these tips it may become your favourite lens too.
What do you like to shoot with your wide lens? Please share your tips and images below.
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