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Over the last couple of weeks we’ve been launching a new dPS eBook – Natural Light: Mastering a Photographer’s Most Powerful Tool. The response has been fabulous and we’ve seen it selling faster than any other eBook we’ve produced so far.
With one week to go to save 25% on the price of Natural Light (and to go into the draw to win $1000 of lenses) I thought it’d be good to chat with author Mitchell Kanashkevich and explore a little more on the topic of Natural Light to give those of you still thinking about buying it a little more insight into the topics covered and Mitchell’s approach.
It also gives us a chance to show off a little more of Mitchell’s amazing photography.
The main reason is because, as the subtitle of the e-book says–natural light is “a photographer’s most powerful tool.” As much as I love off-camera artificial lighting setups, they don’t come close to natural light in terms of versatility. What’s also great, is that everyone has access to this tool, it’s free, and, in most cases we don’t need any special gear to harness it, only the camera that most of us already have.
I also wrote the e-book because I felt that there wasn’t enough information out there on how we can make the most of natural light photographically. When searching for material in books and online, I mostly found that the whole matter was either over-simplified or made unnecessarily difficult. I wanted to write a guide that struck the right balance between being comprehensive, yet very accessible.
The idea that natural light or any light for that matter is a tool for visual communication comes from the fact that the core aim of every photograph is to communicate something visually. With a click of the shutter we aim to convey what something looked like, what it felt like to be in a certain place or with a certain person, or, we might want to do all of those things at once.
Composition is the primary way in which we communicate visually. The frame of the camera viewfinder is the tool to do that. We choose what to include into the frame, what to exclude, what to put emphasis on and so on. The way we work with light is the next most important factor in this process of visual communication. Light can radically change the way that the same scene looks. Particular types of light can heighten a sense of drama within the frame or, can evoke a very specific mood.
Look at the image above, it works precisely because of the lighting scenario in which it was shot. The colorful, lit-up, cloudy sky communicates just how beautiful and magical the moment, the nature is, the surfer is secondary, under other circumstances the same scene wouldn’t work. The point is that light can be largely responsible for what a photograph communicates and in that sense, it’s an important tool that can and should be used when communicating visually through photography.
I feel that making natural light less abstract and more tangible makes it much easier to understand. There are certain common natural lighting scenarios, for example – light during the golden hour, twilight, or light produced on an overcast day. There are characteristics that are typical to these lighting scenarios and there are emotional associations that come with those characteristics. If we understand what they are, we can harness the light in the various scenarios much more effectively.
So, in short, I break down natural light into tangible segments to make it easier to understand it and hence, to help photographers use it more effectively in their visual communication.
That is absolutely true and, I can’t stress this fact enough. I used to be obsessed with only photographing at sunrise and sunset. I wanted all my photographs to look beautiful, the image above is a typical example of a scene beautified by the golden light. As you can see, all the colors are looking particularly vivid and lively and this is great, when you want to communicate that something is beautiful and to give off an overall lively and positive mood with the photos you create.
At some stage however, I realized that photography is not only about communicating the beauty of a place or people. There are also stories of hardship, stories that evoke sombre or melancholic moods. If we photograph everything in the same, beautiful, golden light, those stories will not be communicated effectively.
The image above is of fishermen extracting fish from a drained artificial fish-pond. Their work is hard, dirty, wet and the weather is miserable, the overall mood is not a positive one–this is what I wanted to communicate. In large part because of the diffused, almost grayish light produced on a cloudy day, the story and the mood are communicated effectively. There’s no beautifying effect from the light, and that’s the way it should be.
There are countless examples where light, which makes everything look beautiful is not the ideal light for the story unfolding in front of your camera. So once again–there’s no good or bad light, just the right or wrong light for what we are trying to communicate.
The simple answer is “Of course, yes”, but the more complete answer is “it depends on the circumstances.” We can’t do anything about a clouds blocking the sun, but we can still “direct” whatever light we have, if we get indoors during that cloudy day. We can’t diffuse the harsh midday sun, but we can find a more diffused kind of light, if we move into a shaded area.
Ultimately, there’s a lot that we can do to the way that natural light impacts what we intend to photograph, but there are limits. If we are photographing a vast landscape for example, or if we are out in the open with no shade or buildings in sight, there is not much that can be done about the light that we’re dealt.
I adapt to whatever light I have. By adapt I mean that I look to communicate visually whatever works best in the kind of light that I’ve been dealt. I generally have a few ideas on what to communicate floating around and when I can’t do anything about the light, I allow it to dictate which one of those ideas will come to life. Having more than one idea increases the chances that I’ll be able to effectively communicate through a photograph, no matter the lighting conditions. Below are a few examples and stories about how I adapted to certain lighting scenarios that I came across.
The diffused, flat light that I had for the entire day due to a cloudy sky didn’t in itself create any interest or drama. As a result, in this situation, before anything else, adapting to the light meant communicating a story that didn’t rely on the light to be interesting. This meant that I needed an interesting or a dramatic subject. Thankfully, I found this little guy. Having him in the photo already meant that I had a potentially strong image, but I also wanted to communicate some sense of mood, what it was like to be there. When the neutral, diffused light was combined with the cool and subdued colors at the scene (through the way I framed the image), it helped me communicate what I felt when making the photograph–a somewhat sad mood and the coolness of the air.
Here I had a very dramatic lighting scenario, the sun was in its last stages of descent and the scene was filled with a beautiful orange light. Adapting, or visually communicating what worked best, meant finding a subject or finding a way to show a subject where I could convey the beauty of this natural phenomena without taking much attention away from it. I found that if I photographed the fishermen and children pulling the boat ashore as silhouettes, I’d have the perfect visual compliment to the lighting scenario at hand. The subject was shown in a dramatic manner, yet it was rendered simple enough not to take away from the raw, natural beauty around.
Bright, bleaching midday light is great for communicating hardship and tough living or working conditions. Such a lighting scenario was perfect for visually communicating the daily hardships faced by the sulfur miners at the Ijen crater in Indonesia. I adapted to this light by photographing a moment of hardship against a backdrop and with elements which, when illuminated by the harsh, bleaching light allowed me to essentially say – this is not a nice place to work in.
There are also situations when the ideas I have about what to communicate must be abandoned because a certain lighting scenario inspires me to come up with something new. It might be because the light is so distinctly and surprisingly dramatic, or, it can just be because there’s something special in the way that it interacts with what it illuminates.
In the case of the above image, I initially wanted to convey the beauty of the monastery complex on the mountain in a pretty straight-forward manner, but, when I saw this interesting interplay of shadow and light, the way that the shadow cut through the mountain and made the buildings jump out of the scene, I was compelled to make a photograph that might not have been as beautiful as possible in the conventional sense, but certainly very dramatic.
That’s exactly right. It’s incredible how much we can do with the simplest of cameras, if we know what we’re doing, as far as light is concerned. I’d say that the only prerequisite is for the camera to have some sort of control over the exposure. Even the iPhone, with certain Apps will allow us that.
The above image is just one of the photographs that I recently took with my iPhone. There are a few more examples in the e-book as well. I really wanted to make the point that we don’t need the fanciest, most advanced gear to make great photographs, as long as we understand how natural light, our next most powerful tool after the camera works.
There is just 1 week to go to save 25% on this brand new eBook. If you pick up a copy in that time you’ll also go into the draw to win $1000 worth of lenses. Grab your copy here today.
June 11, 2013 08:51 am
Hi there. I bought this ebook a while back and went to open it recently and it says the file is corrupt and cannot be repaired. Is there any way it can be re-sent to me. I must have deleted the email with the link. I have recently become serious about photography and this book would really be useful.
May 30, 2012 11:21 am
can this book be purchased on paper back or hard copy
May 23, 2012 10:00 pm
natural light is awesome... really can be utilized for awesome stuff... recently i've been trying to improve my own photography by focusing on light and the finding subjects:
May 20, 2012 01:55 am
Thanks for a very informative and inspiring interview. If there's one thing India has plenty of (apart from people !), it's light (with heat, dust, ice, snow, humidity and rain thrown in for good measure, depending on where one is). This interview unshackles me from the 'Golden Hour' syndrome, and hopefully will empower me to take some memorable photographs now and then. That is my main takeaway from here, and thanks a million for advising me to get over my mental blocks. i find it hard to believe initially that some of my best photos shot in harsh sunlight were taken with my little Sony DSC-H70 and not my Nikon(s) ! http://www.flickr.com/photos/75991357@N05/page2/
May 19, 2012 01:33 am
Nice article and love the photos too :)
May 18, 2012 10:02 pm
Does the book help us to meter? Does it give technical details? Thank you Darren,
May 18, 2012 12:18 pm
I love this article. I need all the help I can get on lighting. I love the picture of the little boy. Thanks!
May 18, 2012 10:40 am
Dabo here from the Manila, Ph. I recently joined your mailing list only this week. I'm not really a photographer nor do have a camera to boot, not even a point & shoot camera.
I clicked on the link on my email, I saw the blog post and the first image was like: "Wow!" (Anyway I really exclaimed an expletive in my local language hehe.)
I bought the book yesterday.
You guys awesome!
May 18, 2012 07:49 am
Photo means light, graph means drawing in old Greek, so we are drawing with ligh. Indeed light is the most important factor in photography. Thank you very much for the stunning book, the beautiful photographs and the excellent interview.
May 17, 2012 04:48 pm
Oh my goodness, what a thing to strive for! I feel so emotional from looking at these beautiful pictures, I can't believe how moving they are. I am starting out with my first DSLR, but if I can ever make a photo that evokes in others what these have made me feel, I'd feel like I succeeded. Thank you for these tutorials and introducing us to such wonderful photographers!
May 17, 2012 12:12 am
Hi Darrin,Is this ebook about the mood of light with certain photo's only.? What i'm asking is this book informative as in how the light metering was applied to these shots. I have bought ebooks before and have been disappointed as to the content. Nice as it is to see good photo's,but if there's no info about them. well.
May 16, 2012 02:27 pm
I think being able to shoot in natural light and capture stunning images is a talent that is developed over the years unlike mastering certain technical skills that can be done in the beginning. I found this interview highly inspiring and informative.
May 16, 2012 12:39 pm
Brian - yes. Simply download the ebook to your computer and upload via iTunes to your iBooks app. Some people have also had luck downloading direct to iPads but for some reason it doesn't work for all with the direct download.
May 16, 2012 12:38 pm
Gary - I'm assuming they can read PDFs? I don't have one but have not had reports that it cannot be. if you do find it doesnt read on your device simply ask for your refund.
May 16, 2012 12:37 pm
Afraid not Karen (see above comments).
May 16, 2012 12:37 pm
Keenone - this is a PDF eBook. It can be read on a computer or any other device with a PDF reading capability.
May 16, 2012 12:36 pm
Joe - I'm afraid not, just as an eBook.
May 16, 2012 09:34 am
just wondering if it available on ordinary book? soft or hard copy? i would like to buy this book.
May 16, 2012 09:18 am
Great photos in the article, makes a book tempting....
May 16, 2012 07:53 am
I don't have means of reading an E book - it it also available as an ordinary book?
May 16, 2012 07:49 am
Is it possible to buy this in hardcopy rather than as an ebook..?
May 16, 2012 06:28 am
Will this work on an Android tablet? The e book.
May 16, 2012 05:00 am
A lot of my photos are taken on route as I travel a lot. I do not have the luxury of choosing the light as I have to take the photo quickly before moving on again.
I totally agree, therefore, that there is no such thing as bad or good light (ok maybe it is true that there is better light) but you just work with the light you have
May 16, 2012 04:39 am
Every photo in the post is remarkable. Stunning use of natural light and stunning photography, I think it is more than the light though. Amazing.
May 16, 2012 03:57 am
I love natural light. I'm constantly looking for awesome natural light in my line of work (I'm a Disney Vacation Photographer)
Here's an awesome example of great natural light: http://www.disney-photography-blog.com/2012/03/daily-spotlight-2.html?m=0
May 16, 2012 02:28 am
Can you tell me if I will be able to put this ebook on my iPad for reading? I checked iTunes and it's not available.
May 16, 2012 02:25 am
Photography is all about light, I have heard it all the times.
But Light as a tool hearing the first time
May 16, 2012 02:17 am
Just read the article and immediately fell the urge to buy the book. Hope I can use some of it in my everyday photography.
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