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Ready to Upgrade Your Kit Lens? Tips for Which Lens to Invest in Next


Most cameras come with a kit lens that generally works well as a decent all-around workhorse. A common focal range for these lenses is 18-55mm, which means they are capable of wide-angle shots as well as medium-telephoto pictures, and everything in between. The tradeoff for this zoom range, however, is a limited maximum aperture range of roughly f/3.5 when zoomed out (18mm), and f/5.6 when zoomed in to 55mm.

Of course some kit lenses cover a longer focal range and have different maximum apertures, but overall most kit lenses are designed for the types of all-around shooting conditions in which you may often find yourself. While this is not necessarily a bad thing, it does mean that the kit lens is more of a jack of all trades while being the master of none, and after a while you might start wondering what other options are available to you and how they will affect your photography. This all begs the question: which lens should you buy when you want to upgrade from the one that came with your camera?

Child bear

A 35mm or 50mm lens can work well for shooting portraits

Lenses are like apps

Think of lenses like different apps for your camera, and just as apps on your smartphone or tablet have specific functions, each lens is designed to meet a specific set of photographic needs. Next, think of the kit lens as a basic set of apps you might find on a device. It does many things well, but doesn’t really unlock the true potential of your camera. For some people, that’s fine: they don’t feel the need to install new apps (i.e. buy new lenses) and instead only use the ones that come with their device.

But when you start exploring the myriad of apps available for phones and tablets you might wonder how you ever lived with your device’s basic apps at all! The same holds true for lenses, but there is one key area where the analogy breaks down – price. When you start looking around for lenses, you might find that your vision quickly outstrips your budget! The choice, then, is this – which lens should you buy after exhausting the possibilities of the kit lens that came with your camera?


Wide-angle lenses are great for capturing photos of natural landscapes and other outdoor scenery.

Know what you need for the photography you do

The answer, unfortunately, is not as black and white as it might seem. While there are hundreds of options available, what you buy ultimately comes down to your unique needs and style as a photographer. After using your kit lens for a while, you will hopefully have an idea of what type of photography you enjoy most: landscapes, architecture, portraits, nighttime long exposures, pets, sports, weddings, etc. Or maybe you do a combination of everything! Before spending hundreds of dollars on another lens it’s important to know what will suit your needs – much in the same way that purchasing a vehicle is a matter of finding one that works for you, as opposed to simply buying the same car that all your friends have.


A lens with a wider aperture will enable you to shoot get nice blurry backgrounds that are not always possible with a kit lens.

Prime lenses pros and cons

My first bit of advice, though, is to find a prime (non-zooming) lens that can accommodate your shooting style. If you take a lot of landscape and outdoor shots, you will likely want a wide-angle lens with a focal length of around 10-20mm (for cropped sensors, 15-35mm if you have full frame). For portraits, anything between 50-100mm is a good choice. Sports and wildlife shooters tend to use lenses that are on the telephoto end, such as 100-300mm. Remember the tradeoff between zooming and aperture I mentioned in the first paragraph? If you eliminate the zoom functionality you will find plenty of lenses with much larger apertures, which will let in much more light and allow you to use faster shutter speeds, as well as capture pictures in low-light situations that might not otherwise be possible without the use of a flash.


Prime lenses can’t zoom, but you gain the ability to shoot in dimly-lit situations without the need for a flash because they often have large apertures.

It admit it can be a bit nerve-wracking to use a lens that can’t zoom in and out, but once you try it you may find a whole new world of photographic possibilities that you never knew existed, thanks to the larger aperture. Remember that you haven’t lost the ability to zoom, you can still move yourself around physically, which is another fantastic way to explore and stretch yourself as a photographer. You can often find prime lenses for a couple hundred dollars that will suit your needs exceedingly well, though even prime lenses with longer focal lengths could easily push the limits of your budget.


It might be small, but Canon’s 40mm f/2.8 pancake lens packs a big punch.

If you would like to upgrade from your kit lens but are not entirely sure exactly what your individual needs are, I would recommend one of the following. All are fairly inexpensive as far as lenses go, and will suit a variety of photographic situations, though they are not the best for sports and wildlife due to their somewhat short focal lengths:

Zoom lens options

You can buy prime lenses with longer focal lengths, but they can easily cost many times that of their cheaper counterparts. If you decide you absolutely cannot live without the zoom functionality, I would recommend going with a lens that covers one end of a focal range (i.e. wide-angle to medium telephoto) rather than one that covers both ultra-wide and ultra-telephoto. Of course this is all subjective, and there are as many opinions on this topic as there are photographers. In my experience lenses that try to cover as many focal lengths as possible are generally not as sharp as their more limited counterparts, unless you are willing to spend hundreds or even thousands of dollars. Lenses I would recommend include:

55 300mm

There are also many other really good third party options available. The options are almost endless so I’ve stayed with the two big brands here, but you can also look at Sigma and Tamron who both make some really good lenses also.


The more you are willing to spend on a lens, particularly a zoom lens, the more features it will have like: image stabilization, higher-quality glass elements, weather sealing, and larger maximum apertures. These lenses are just the beginning. The sky’s the limit when it comes to upgrading your lens, and it’s important to not overlook options like simply borrowing one from a friend, buying older gear, renting, or even looking online for used equipment. Whatever you decide, it’s important that the lens is right for you and your photography goals, but chances are if the kit lens is too limiting there is a fantastic one out there with your name on it, waiting for you to come and explore what it can do for you.

Read more from our Cameras & Equipment category

Simon Ringsmuth is an educational technology specialist at Oklahoma State University and enjoys sharing his enthusiasm for photography on his website and podcast at Weekly Fifty. He also posts regularly to Instagram where you can follow him at sringsmuth.

  • Carlos J Encarnacion

    What I need: Full frame equiv. 28-90, 80-200 or 80-300 autofocus zooms. Prime lenses with aperture ring + manual focus: 28mm f2.8 or better (Macro?), 50 1.4, 135 macro or 200 macro a cheap pre-set 500 with 2x converter and a super wide between 14 and 21mm, two sets of extension tubes and a set of close-up lenses. Sometimes lack of fatures limits you, sometimes too much technology gets in the way.

  • JayDub

    Man I wish that new 24mm pancake was made for FF cameras…. I guess I’ll just get the 40, though.

  • Biggest difference between apps and lenses: I delete apps frequently, whereas I don’t throw away lenses at all. You do one-night stands with your cameras, but you marry your lenses.

  • Haha! You’re certainly right about that, and clearly the lens/app analogy only extends so far 🙂

  • Jan

    I would propose a Zeiss Otus 55mm….
    Oh ok ok, I am just kidding…. Indeed the 40mm pancake is a great advice.

  • Great and helpful piece of work. Keep writing.

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  • JVodicka Photography

    Great article, I use the Nikon 18-105mm f/3.5-5.6 mentioned above and could not be happier! To see my landscape and travel photos taken with this lens, head to my website at

  • SheriGrasseaku

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  • Johan Bauwens

    I sell lenses if I’m not pleased with them, to buy other lenses. So it’s definitely a one night stand :-).

  • Johan Bauwens

    I don’t like the 50 mm perspective/angle of view, not on full frame, but neither on a crop camera.

  • My goodness, those are some gorgeous shots. It’s amazing what you can do with the right lens and a little bit of photographic know-how 🙂 Keep up the good work!

  • Prashant Kashyap

    Simple lucid and imformative….just what I wanted

  • Mario Oostendorp

    This is so true what you are saying. It is important to do your Lens research well first, so you can purchase the lens you want. A lens is for life and I have no worries about purchasing a good quality second hand lens. I have been told repeatably Glass is the most important thing about a lens

  • Jerry Mathers

    That is great! 🙂

  • MartinHughHarvey

    Another app/lens diff is there are no ‘free’ lenses!

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