One Light Portraits Part 2: The Diagrams
A lot of you have asked for lighting diagrams from my last post on One Light Portraits, so here they are- the finished shot, as well as the arrangement of lights, reflectors, and camera position. Enjoy!

This is a variation on the previous shot. This time, the reflector is placed at the model's waist, facing up. The flash is bounced at the ceiling, and teh reflector then reflects that light up into the model's face.

For this shot, a speedlite in a softbox was used. We are outdoors, and our subject is positioned under a tree for shade. The softbox then becomes the main light on our subject, and the daylight fills the background.

In this shot, a softbox is set up behind the subject, while a reflector is set up directly opposite to bounce light into the face. In this case, the silver side of the reflector was used.

A household bulb can make a perfectly acceptable light source when nothing else is available. In this case, a household lamp was used, with the shade removed. To soften the light, a white sheet was used as a scrim to allow light to pass through. A higher ISO- ISO 2500 - was used. Keep in mind your white balance must be adjusted for the yellowish cast a household bulb creates.






22 Responses to “One Light Portraits Part 2: The Diagrams” - Add Yours
November 21st, 2012 at 1:19 am
This is absolutely sweet. Thank you for taking the time to do this. I know many of my people will enjoy this because the diagram shows it all. Thanks.
http://portraitinspiration.com/inspiration-for-the-day-37/
November 21st, 2012 at 1:45 am
Thanks for sharing the lighting diagrams. Very informative.
November 21st, 2012 at 3:42 am
I once appeared on Talking Point a BBC show via a web cam. In the test phase they realized the light in my room was very low. The way out? They suggest me to use a table lamp next to me!
http://blogs.gonomad.com/traveltalesfromindia/2008/08/lazy-sunday-video-my-games-the-bbc-interactive-olympics-program.html
November 21st, 2012 at 8:24 am
Agreed! Thank you for sharing
November 21st, 2012 at 10:44 am
Very nice. How would you diagram this for an outdoor shoot?
November 21st, 2012 at 11:28 pm
I have used single off camera lighting a lot , with and without a reflector.
http://www.dewandemmer.com/eloise-and-hein-holtons-wedding-at-makiti-muldersdrift/
This has a lot of images where I used only one light, and sometimes a reflector or on the odd shot a second off light speed-light.
The fact that one off camera speed-light is so versatile is often discounted and over looked simply because people keep hearing how more is better, or maybe feel that another speed-light will compensate for whatsever is missing. Although just like everything its a constant learning curve.
November 22nd, 2012 at 2:22 am
Great post. Nice and simple. Will be sharing with my studio portrait students.
November 22nd, 2012 at 12:03 pm
Here is one with just a large soft box:
http://kerstenbeckphotoart.wordpress.com/2012/11/21/creative-anxiety/
November 24th, 2012 at 3:52 am
Recently was at a wedding that was shot with a large shoot thru umbrella, hand held, using a slave flash all held by an assistant,triggered by photographers master flash mounted to camera. I think they were both 580 EXll. Can’t wait to see finished shots.they made it look so easy and simple.
November 24th, 2012 at 9:55 pm
Have just worked out how to set flashes and commanders with the Nikon CLS. This article is just so good for me as I am starting from zero experience. Will enjoy trying these lighting suggestions. Thank you.
PS do you know any goreous male models I could borrow !!!!!
November 25th, 2012 at 1:53 am
Thanks to both RIck and Darren for a great update to the first article which was very good. This is very helpful. Arthur
November 25th, 2012 at 5:36 am
Hi all.
I attach here my fbk page so that you all can see my photos, specially an album which contains a lot of portraits.
Hope you like it
http://www.facebook.com/fotojusepmoreno
November 26th, 2012 at 2:04 pm
This is SO helpful! Thanks!
November 27th, 2012 at 2:42 am
Very useful and easy to follow!
This is the kind of tips I appreciate.
Thank you!
Iban
November 28th, 2012 at 9:59 am
Great article and I loved the diagrams! Thank you so much!
March 7th, 2013 at 2:35 am
great tips, thanks a lot !
I will try it as soon as I receive my speed-light, in a few days…
March 13th, 2013 at 3:10 pm
Awesome, I always looked for something like this, this is the first time I see this and is very informative, no doubt after seeing this
April 2nd, 2013 at 6:28 am
Great webpage! So few show the final photo with corresponding light setup. Thank you! I’ll be bookmarking this page.It will save me lots of time fixing photos in Photoshop later.
April 13th, 2013 at 5:49 am
Love these diagrams, thank you for these setups. Question about #1: Did you use a snoot or flag to keep the speedlight from spilling directly to the model, or did you just let it be? Perhaps you just zoomed the flash to max?
April 15th, 2013 at 3:15 am
@Eric- I just let it be. There may have been some spill, but not much.
April 29th, 2013 at 10:54 am
I would love to know what brand of soft boxes you used with speedlites.
April 30th, 2013 at 10:24 pm
Jennifer-
I use Westcott Apollo softboxes for my speedlights. I have the 16″, the 28″ and the 50″ for various looks. In addition, I also have a Westcott 18×42″ strip box. I can’t say enough about the Westcott softboxes. Love them for their simplicity and ease of setup.
Leave a Reply