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Don't get too hung up on the rule of thirds or at least with slavishly applying it to putting the barn on one of those intersection points. If anything, I might have used a variant of the rule by putting the top of the tree line 1/3 of the up from the bottom, meaning 2/3 of the frame would be filled with the sky. That would have emphasised how even what (I imagine) is a decent sized barn is dwarfed by the landscape it sits in.
There are some other challenges that I see with this scene and the processing. Firstly, I think you have been a bit heavy handed with the orange tint, so it immediately looks artificial. You could dial it down a notch, stop the gradient dropping off so quickly (I think it lightens too quickly above the trees) and put more of that colour into the land below (the land reflects the light of the sky, which is why you get those warm tones during the "golden hour"). Also, the barn would make a better subject if it was the point of focus for the lighting as well as by virtue of being manmade in the natural environment. You might get towards that with some more processing although coming back to shoot the scene at a different time of day might give a stronger starting point. Wulf |
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j.57.smith |
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Yes, the bright orange sky tends to divert my attention away from the relatively dark barn. Your eye naturally goes to the lightest part of an image.
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GREG - Canon XS with 18-55 kit flickr flickriver My 500px "You can't be young forever, but you can always be immature." - Larry Andersen. |
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I'm interested in this thread, and, hope you don't mind john I tried cropping the image as suggested to see what what was being suggested. I can see what a difference it make by changing the perspective. I totally respect your copyright to this and have altered it for learning only.
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Canon 600D: EFS 18 - 55 f/3.5 - 5.6 ISII: EFS 55 - 250 f/4 - 5.6 IS: EF 50mm f/1.8 II: Meike extension tubes: http://www.flickr.com/photos/rose_mcgillicuddy/ |
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Wulf ps. silverbirch, that puts the treeline about where I was thinking but it leaves the barn almost sitting on the bottom of the frame and relatively large. What I was thinking about was more of standing further back when taking the shot, which would leave the barn much smaller in the image. |
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Canon 600D: EFS 18 - 55 f/3.5 - 5.6 ISII: EFS 55 - 250 f/4 - 5.6 IS: EF 50mm f/1.8 II: Meike extension tubes: http://www.flickr.com/photos/rose_mcgillicuddy/ |
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I don't mind one bit that you changed that photo. The way I look at it is whatever it takes to get the point across, do it. I just want to thank you all for helping with some of this stuff. It can get frustrating. Iv'e got other copies and angles of this shot I'm gonna toy with. If I can get what I want, I'll post the outcome.
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j.57.smith |
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Yes - it's great the way people help out with suggestions. I think I need to start a book with some of these things written down, as I don't know that I'll remember it all :-)
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Canon 600D: EFS 18 - 55 f/3.5 - 5.6 ISII: EFS 55 - 250 f/4 - 5.6 IS: EF 50mm f/1.8 II: Meike extension tubes: http://www.flickr.com/photos/rose_mcgillicuddy/ |
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