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![]() Cloned! by tmshott, on Flickr Camera Canon EOS REBEL T1i Exposure 0.004 sec (1/250) Aperture f/8.0 Focal Length 60 mm ISO Speed 800 Flash Off, Did not fire So this was my first time using photoshop. I followed the photoextremist tutorial on youtube for Multiplicity photography. I'd like a critique on composition, and the techniques used in editing this. I'm not sure what the technical terms are for what I've done here, I basically just followed the tutorial. After I was done with that I adjusted the brightness and contrast a bit. Thanks for looking! Edit: I just noticed that the top step is apparently cut in half. If anyone else notices a discrepancy like that I would appreciate a heads up =) Last edited by Shotty; 07-10-2011 at 07:11 PM. |
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Shotty, I think it's a great image; I love the umbrella as a prop. I think what Blankstein's trying to say is that it's fairly obvious to see the stitch marks where you masked them together. Look closely around her hands (especially the upper and lower image -- I'm assuming the second image was used as the base?). You can tell the steps are misaligned. I'm guessing that you handheld these shots? If so, you might want to try using Photoshop's Auto-Align Layers before merging, to get them aligned the best that you can before masking them together.
I would pick one image as the base image, then add the other two images with a Hide All mask (so nothing is visible). Then, just "paint in" the girl from each layer, using the layer mask and a white brush.
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Nikon D80 / 18-55mm VR f/3.5-5.6 / 55-200mm f/4-5.6 / 50mm f/1.8 / SB-400 Flickr Photostream / Photosynth Panoramas / 500px Portfolio |
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Thanks Kevin, I'll give that a try! I actually used a tripod but there was quite a few minutes between at least two of those, I probably pulled the camera out of wack when I was taking the last photos (the ones used here are but a few of many). I'm going to give this another try with that auto-align layers thing you mentioned, I bet it's a safe bet to look in the layers menu? haha Thanks again.
Last edited by Shotty; 07-10-2011 at 10:04 PM. |
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Gave it another try with a different set of images. Here's the result:
Arguing with myself ![]() Arguing with myself by tmshott, on Flickr |
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Again, won't get into composition etc. Moreover, this looks like an exercise to acquire the technique. So, you have acquired it well enough I guess
. I bet you had your camera on the tripod and of course did not change any settings. Now, try to put ten of you on the sofa, but make this sofa extra long to accommodate all .... I guess you'll see no responses to your post as your trick is obvious on your shot. Look at my exercise: can you see the big edit?? (take 2) - Can you see the big edit? Looks like nobody gets it - or is it so obvious that nobody would bother to indicate the flaws? Last edited by Blankstein; 07-12-2011 at 02:09 PM. |
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I like the idea of attempting to add more duplicates into the image, but I'm not sure I could figure out how to elongate existing objects like my couch at this stage of my learning. The only people I have to ask about this are the people here at DPS, otherwise I'm being self taught on everything here. I read about a photoextremist challenge that requires one to put 100 clones of him or herself into the image and I think I might try that because it sounds fun. As for the post that you linked to I think the answer is yes.
Edit: Then again, mine is really obvious too and a couple people replied to it.
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The challenge with “photomontage” is not the number of clones but basically these three aspects: camera angle, light, and actual focal distance. Quite often you may see a composite that looks like a composite, although you cannot explain what exactly is missing. It is just that your eye will catch some unnatural details and pass them on to your brain, subconsciously.
To “elongate” your existing sofa, you will have to take several pictures of yourself, moving the camera parallel to it and taking a shot, say, every 2-3 feet (I’d say about the width of the cushions). Then you glue them together, leaving the left armrest on the left side, right (with the lamp) – on the right, but sticking more “parts” in between. This would be a challenge compared to your second image, because you have to move the camera and retouch merged images. Still, there is no need to think about light and focal length (they are not changing). For my photo, I had to hand-hold the camera and move it, thus changing the effective focal length and the angle. Only the light remained more or less the same. To do that in a rather small washroom and get a realistic result was a challenge - to me only, I guess... |
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