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Unfortunately, I am going to have to agree. I'm sorry but, it kinda looks like she's just an image painted on the wall behind her...
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wHy sO sErIoUs? |
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Love the dress, the pose and the background. Just to over sharpened. Easy to do. Do you still have the original?
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Olympus user, Fuji E900, a canon & last but not least a Minolta 35mm and some really old large format box cameras.Not to mention a whole bunch of other stuff. Paint Shop Pro X3, CS3,CS5, Portrait Professional, Topaz Adjust, Lucis Art and the list goes on........ www.alockintime.com |
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The original is quite nice. It stands on it's own very well. It just needs some contrast adjustment, and maybe a slight sharpen. When you sharpen to the point of having halos, you have gone too far, which is easy to do, we all have.
Actually, i have been using a technique for sharpening that Windrider talked about ona thread somewhere on here that I can't find now. You make two duplicate layers of the base image. On the middle layer you apply the unsharp mask. You can actually oversharpen this layer if you wish. Then on the top layer, you create a layer mask, and paint over areas you want sharpened with the paint brush and black( which is actually transparent), and this will show the sharpened areas. i.e. eyes, and any other areas you care to do. You can even adjust the opacity of this layer to taste as well. You have more control over what is sharpened or not. I have been experimenting with this for about a month or so, and I am quite happy with the results. I like it even more than the high pass method. Just an example. Will take it down if you wish. Last edited by RLucas; 07-19-2010 at 11:01 AM. |
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Thanks RLucas.... that is a good technique to have and I appreciate you sharing it. NP leaving up your edit, it might help someone else along the way.
The effect I was after was: Quote:
From Ken, laid out in this: What is this process called? thread I guess I missed the mark a little and need to keep working on this technique....
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Scott |
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Quote:
High pass works by just mainly sharpening the edge areas and not uniform fields of color to keep the noise down, but when you make the radius too large, it will cause the halo effect you have here. If you were going for something like the OP of that thread wanted, I think she tries to squeeze as much contrast out of the image as she possibly can, then from there you can duplicate the layer and set it to screen mode. I usually will then desaturate the layer and reduce the opacity to about 50% or so. You can either add a layer mask and paint the color back in, or merge down and raise the saturation back up. I would rather use the paint on method myself. Last edited by RLucas; 07-19-2010 at 06:32 PM. |
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