|
||||
|
First let me ask you what sort of look were you going for and what kind of processing are you wanting for your end result?
I can tell you that parts of her skin are rather red but yet some are blown out which some of that can be fixed by using an adjustment layer. I'm not sold on the idea of having her smack in the middle of the frame. Try copping it down with a portrait crop (vertical) and leave more room in front of her than behind.
__________________
Olympus user, Fuji E900, a canon & last but not least a Minolta 35mm and some really old large format box cameras.Not to mention a whole bunch of other stuff. Paint Shop Pro X3, CS3,CS5, Portrait Professional, Topaz Adjust, Lucis Art and the list goes on........ www.alockintime.com |
|
|||
|
Yeah, I realized after doing about 2 hours of shooting with her that I had a tendency to put her in the middle. I've learned to correct that in my photos from here on out.
My idea of where I want to go with these photos is to make her face still sharp, but more equalized. I've gotten this effect through gaussian blur, just giving the photo a softer look, but then it also makes her look out of focus. So I think what you're saying, with the evening out her skin tones would be the basis of what I'm trying to do. I'm familiar with adjustment layers somewhat.However I'm not sure how to incorporate a change in hue into the adjustment layer effectively. If you have any quick tips or ideas on how to convey it to me that'd be great. Thanks so much for your time!!! |
|
||||
|
One thing I almost always do is to duplicate the background layer twice (always keep the original image) Take the second layer and over sharpen it. Then on the top layer erase the eyes . This will leave the eyes crisp and clear. You can even lower the opacity of that level if you want the rest of the image to be a bit sharper.
And, if you just have some areas you want to remain soft or sharp use a mask layer and paint away those areas. Blotchy skin can be tricky, especially when its blown out (all detail is lost) Using Gaussian blue is one way. another trick i learned i the clone tool. Set the blend mode to dark or light (depending on what you want to do) keep your opacity level down and start cloning away. This works great on under the eye circles and even wrinkles
__________________
Olympus user, Fuji E900, a canon & last but not least a Minolta 35mm and some really old large format box cameras.Not to mention a whole bunch of other stuff. Paint Shop Pro X3, CS3,CS5, Portrait Professional, Topaz Adjust, Lucis Art and the list goes on........ www.alockintime.com |
|
|||
|
Thanks so much!! I actually understood everything you said! Maybe my photoshop skills are getting better!
I'll try to post the finalized picture here when I am able to get to my photoshop computer so you can see what I've done Thanks! |
![]() |
| Bookmarks |
| Thread Tools | |
| Display Modes | |
|
|
Each day we send out a quick email to thousands of DPS readers to notify them of updates. This email is just short excerpt of the first few lines of our latest post with a link if you want to read it all. You can unsubscribe from this this service at any time.
This service is provided by a third party (Feedburner) and you can subscribe to it by leaving your email address in the following field and confirming your subscription when you get an email asking you to do so.
Enter your email address for
Daily Updates:
For those wanting a weekly summary of what happens on this site this free email newsletter is probably your best option. It includes a summary of the tips posted to the site each week. This newsletter is subscribed to by over 25000 readers (many who also subscribe to the other options above) - come join the community!
To subscribe to this weekly newsletter simply add your email address to the following field and then follow the confirmation prompts. You will be able to unsubscribe at any time.
Enter your email address for
Free Weekly Newsletter: