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Sara, for news photos, don't they sharpen or convert to b/w? That's also pp or have I been using the term incorrectly?
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Pat 5D, 5DMKII | lenses 24-70 2.8L, 50 1.2, 35 2.0 70-200 2.8 II, 15mm - MY WEBSITE Fan me on Facebook! You don't have to be the best, you just have to be better than last week" - Jerry Ghionis |
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Okay, now I feel A LOT better (and not feeling like I was "cheating" somehow) post processing many of my shots.
I have never worked with film cameras before (as far as a serious photography hobby) and didn't realize they did a lot of post processing then. Something new to me!Thanks for the great feedback on this!
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My Website: Beauty & Light Photography Nikon D200 & D40, 18-55mm, 55-200mm VR, 50mm f1.8D, SB-600 Speedlight "Let your light so shine before men, that they may see your good works, and glorify your Father which is in heaven." (Matt 5:16) |
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I aim to always to get it right technically 100% in-camera and use PP for tweaking & creative finishes rather than relying on it to fix bad photographic errors ... but hey I do them too sadly =(
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- Awesome stuff for photographersBlog | Twitter | Flickr Nikon: D300 | D40x | AF Primes: 50/1.8 | Zooms: AFS DX 18-55/3.5 | 55-200/1.4 VR |
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Until recently I would have said never.
Talking to members at a local camera club I found that for the competitions it was a normal thing to photoshop everything, I thought a photo comp was all done with a camera, light, filters etc. Otherwise it would be a computer operators comp. I too felt cheated. ![]() However if you cant beat them, join them. Why feel guilty if it is the norm.
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As a wedding photographer I touch a very regular number of images in post processing. Of course I sort with a very critical eye and the client will see less than 50% that I shoot and usually much less; about 20%. That number is taken from over one thousand images so they will see 300-500. THAT is a lot of images to look through and most people would have trouble sitting still long enough to concentrate on that many shots.
Of those images I will use roughly 100 for creation of an album and of those 100 I will enhance every one to get the framing, exposure, vignette, etc. just right for presentation in the album. That doesn't include creating composite images of three or four different images into one panel for an album. If a client orders prints I will touch those images as well to crop to the correct aspect ratio for the size and ensure that each one looks as good as possible. Then I will place my logo in the corner for copyright/studio protection (limited though that method may be). My goal is to complete this entire process in less than one week. I haven't been able to achieve that goal, but I remain optimistic that I will be able to get there some day. I am still operating part time on weekends and evenings only while I am still working a full time day job so that seriously restricts the time I have available. I feel that once I am able to change to full time photo work, I should be able to get everything done within that one-week time frame.
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Nikon D50 Nikor 50mm 1.8 Nikon D70 Nikor 18X55mm 3.5 Nikor 50mm 1.8 Nikor 70X300 5.6 (dreaming of a D3/D300 someday) Black Tie Photography "making your memories last forever..." |
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It depends on what I'm doing with the photos. I shoot everything in RAW so I have to processed the photos. That being said if they photos aren't anything spectacular, like birthday party snap shots, then I just convert them to jpeg in ACR, adjusting for contrasts, saturation, and exposure. If they are artistic or portrait photos then I only process the selects. With these photos I will touch up skin, clarity, tones, etc.
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Nikon D40 AF-S Nikkor 18-55mm F5.6 AF-S Nikkor 55-200mm F45.6 Vivitar 285hv Poverty Wizard |
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