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The main problem is that your model is wearing a Steeler's jersey. What the shutter/flash synch with the camera. Looks like the shutter is set too fast. Try 160th or what ever your manual suggests.
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url:www.jimbryantphotography.com http://pa.photoshelter.com/c/jimbryant http://jimbryantphotography.blogspot.com/ (3) EOS1D MKIIs', (1) EOS1Ds MKII, 14mmf2.8, 16-35mmf2.8, 28-70mmf2.8, 70-200mm f2.8, 300mm f2.8 and a 400mmf2.8. |
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Okay, so our quarterback may have a little brain damage, but we still have 6 rings...your team?
Anyway, thanks for the info, but if I go any slower I get more blur like in the first shot. Are you suggesting keeping her still...a different lens...?
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Nikon D200 w/18-70mm Fuji S700 Fuji A340 |
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In the first image the shutter synched with the flash unit and the overall darkness was caused by underexposure and the shadow cast by the off camera flash. The fuzziness was caused by improper focus, or not using the flash at maximum power where it will freeze any motion. On the rest of them the shutter speed was above synch speed and the flash fired while the shutter was partially open. The ONLY time the entire sensor "window" is wide open at any one time is at 1/125 or below. Above that and the shutter is a mere slit (kinda like drapes across a window.) The entire sensor MUST be exposed to the flash when it fires otherwise you will get this effect. I never use any shutter speeed faster than 1/100 in the camera room (where I use flash exclusively.) My best guess is the synch speed of your camera is 1/1/25. The cure is never use a shutter speed faster than 1/125 when using off camera flash in or out of the camera room and use the flash at maximum power for best motion freezing capability.
Contrary to popular opinion you simply cannot use studio flash and shutter speeds faster than synch speed. You CAN use a shutter speed slower than synch. Benji Last edited by Benji; 01-17-2010 at 11:02 PM. |
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Your only way to get around the max. synch speed issue is to use FP flash (high-speed synch) mode. Basically, the camera body and the flash communicate in a way that the flash can "pulse" in sync with the shutter gap sweeping across the sensor so the whole sensor is illuminated by the flash evenly. You rob yourself of a lot of power, but it's useful when you need a higher shutter speed.
On-camera, achieving FP mode is easy. Off-camera, it's tougher/more expensive. You'll either need a sync cord that can communicate all of the hotshoe pins/contacts (you'll notice that most radio triggers only have the middle firing pin), or a radio trigger system that can communicate the i/e-TTL signalling that allows for high speed sync. There are the PocketWizard TTL-capable units (Flex & Mini), which are about $200 each (so, $400 for one off-camera light), or the RadioPopper PX units which are $250 each (so, $500 for on Rx/Tx pair). There are rumors of a cheapish eBay e/iTTL-capable triggering system, but none has yet arrived on the scene that have any amount of reliability. Most folks just learn to stay below their max. sync speed.
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I shoot with a Canon 5DmkII, 50D, and S90, and Pansonic G3. flickr stream and equipment list |
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Set your flash sync speed to 1/250 and make sure the flash shutter speed is set the same or slower... It looks to me like at higher shutter speeds the shutter is already closing when the flash fires.
BTW, I think 1/250 should be enough to freeze her in flight.
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Steve the Photographic Academy.com My Portfolio, My Flickr, My Blog D4, D7000, G10, 1030SW and a bunch of other stuff.... |
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Hey...the Seahawks suck. But, how about those Vikings
You could however read your camera flash manuals. Most synch at 250th of a second, however my MKII's features a vertical - travel mechanical, focal-plane shutter that allows me to use shutter speeds from 30th to 8000th of a second.
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url:www.jimbryantphotography.com http://pa.photoshelter.com/c/jimbryant http://jimbryantphotography.blogspot.com/ (3) EOS1D MKIIs', (1) EOS1Ds MKII, 14mmf2.8, 16-35mmf2.8, 28-70mmf2.8, 70-200mm f2.8, 300mm f2.8 and a 400mmf2.8. |
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So does the D200. But the images are in "portrait" orientation. In this case, I'm guessing it's due to camera orientation and not due to cropping. The "vertical travel" becomes horizontal.....
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Steve the Photographic Academy.com My Portfolio, My Flickr, My Blog D4, D7000, G10, 1030SW and a bunch of other stuff.... |
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vertical is considered portrait format, horizontal is landscape format. Those settings are for using the EOS 550 EX flash system, but when using external studio strobes, I have to set at 125th to 250th. Who knows....
Guess that's why we have digital reviews on the back of your cameras, so we can adjust exposures by changing ISO's, f-stops and shutter speeds
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url:www.jimbryantphotography.com http://pa.photoshelter.com/c/jimbryant http://jimbryantphotography.blogspot.com/ (3) EOS1D MKIIs', (1) EOS1Ds MKII, 14mmf2.8, 16-35mmf2.8, 28-70mmf2.8, 70-200mm f2.8, 300mm f2.8 and a 400mmf2.8. Last edited by Jim Bryant; 01-18-2010 at 05:46 PM. |
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