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After you have all the bread and butter shots in the bag.
Be creative. Experiment with different lighting setups, composition, angles, poses, etc. Be sure to experiment after you have the basic shots done tho. Because sometimes those little experiments just dont turn out right.
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Rex K The view from my "office" doesn't suck.
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Search for images you like, but dont try to replicate them. Do your own take on them, or use them as an influence or inspiration.
I actually keep a folder on my laptop of images i come across that i like. I also have a list of ideas that I'd like to do (when I get the time). This may be a good thing to try.
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I am responsible for what I say; not what you understand. OsmosisStudios Gear List |
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Put together a book of inspiration photos. You can buy one of those cheap plastic sleeve flip books in a 4x6 size and fill it with photos. Then when on a shoot you can always flip through it for ideas if you are getting stuck. After your first few shoots you'll get more comfortable.
Of course a lot of it depends on the location, available light, etc... so each shoot is different!
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Canon 40 D - 28-135 f3.5-5.6; 17-50 f2.8; 50 f1.8; Speedlite 580 EX II Canon A1 (film) - 50 f1.8; 135 f3.5; 28 f3.5 Wishlist: 24-70 f2.8L or the 24-105 f4L; 85 f1.8 Taylor's Perspective - Daily Photo Blog | web site - a work in progress |
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Quote:
100% yes. it saved my life on a shoot once when i suddeny went.. "um.. "
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http://www.flashpointphotography.co.nz/ |
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What you can also do is use the inspirational pics that you have/like as a sort of starting point with the model.
This way, you spend a few moments with the model before starting any pics or photo sessions (probably a day or so before) going through various poses and looks to see if there's anything they like and work from there. The double advantage to this would be that you get the models input on what they want (making them feel really chirped about their input into the shoot) and you get to print out a few reminders before the shoot to keep your memory fresh. You also won't get frightened so easily by the idea of posing the model (am I invading personal space here). Once you've got that hurdle behind you, apart from having the "safe shots" in the bag, you can then be less tense about suggesting alternatives and new angles/poses to the model because you've been doing that already with the model, and they have a level of trust in you. Just a thought |
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