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Really, it is where it feels or looks wrong. If you crop higher on a limb, it is cool. If you crop at a joint, it looks akward. If you crop at the hand or feet, it looks akward as well. There is no "rule", but if it feels off, then the crop is probably in the wrong spot.
I guess it's like why is it ok to cut off the top of someone's head in a head shot, but if you do it in full length, you have screwed up?
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Scott Last edited by scootermcq; 07-26-2011 at 08:27 PM. |
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Look at it like this. Would you read a book that didn't have part of the story? The photograph is supposed to convey a message and with an unwieldy crop the message is distorted to some degree and the amount of displeasure a viewer gets from the distortion is very subjective. There are fine art photographers out there that do such crops on purpose just to jar the viewer.
Jim |
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No, as Scooter said, it is more of a convention as apposed to a rigid rule. As in all rules in photography they can be broken and in the interest of stretching your artistic muscles, they should be broken in due course. The only rules in photography that are rigid are those that are governed by the laws of physics and they aint so rigid that a really good code writer can't bend them to his will.
Jim |
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If you crop below the knee the subject looks like their feet are stuck in the mud..or worse yet, a double amputee. The same is true for crops below the elbow, also for hands and fingers and ears chopped off. As you stated, the face is very important, but chopped off limbs will take away from the all important face.
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Vince "...the law of unintended consequences, sometimes, you get a truly memorable photograph" Gear: Canon G2, Canon 20D, Nikon D300...bunch of lenses http://www.flickr.com/photos/20127329@N06/ www.montalbanophotography.com |
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You have to evaluate for yourself. Sometimes people will offer critique by parroting what they have heard from others rather than from a deep aesthetic sensibility. To be fair, that is as much part of the learning process as putting your own images up for critique but don't imagine that all comments are irrefutable.
Was it some images of yours that drew the comments? If so, perhaps you could give a link so we can take a look. Wulf |
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Vince "...the law of unintended consequences, sometimes, you get a truly memorable photograph" Gear: Canon G2, Canon 20D, Nikon D300...bunch of lenses http://www.flickr.com/photos/20127329@N06/ www.montalbanophotography.com |
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I stopped listening to other and just try to take the shot that looks good now.
Look at any fashion mag or people etc, and you will notice that just about all the shots used in the ad's would break darn near every "rule" we read about or get told. Its good to have an understanding the "rules" per se, so when needed you can use them and know when to not use them. Other then that, take the good shot, make it look great and be done...
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[Body] Nikon d3100 | [Glass] Nikon 18-55mmVR | Nikon AF-S 55-200 | Nikon 35mm 1.8 AF-S [Flash] Nikon SB600 | [Other] Sears 28mm f2.8 | Nikon 50mm f1.8 E | Tokina 80-200 f/4 | |
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