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I joined in 2008 and only have a little over 400 posts.
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ross abraham - enthusiast ♠ PENTAX K-x DA* 50-135 f/2.8 SDM DA 35mm f/2.4 AL 18-55 kit Sigma 10-20mm f/4-5.6 Sears 135mm f/2.8 Macro Holga CFN PORTRAIT rosserx My flickr page. |
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To get things back on track, perhaps your best bet would be to ask whoever is officiating the ceremony.
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Nikon D90 | Sony NEX-3 Nikkor 18-55 | Nikkor 70-300 | Nikkor 50 f/1.4D | Lensbaby 2.0 | Nikkor 85 f/1.8D | Nikkor 105 f/2.8 VR | Sigma 10-20 f/4-5.6 | Nikkor 10.5 f/2.8 Fisheye | Sony 16 f/2.8 | Sony 18-55 | 2xSB600 | Orbis Ring Flash Adapter My Flickr |
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No, it's just me being a busy student and only reading tutorials I've subscribed to. It's really not funny at all. I thought to look here first for help picking my lens, since this is a website for helping people.
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I'd always say that the best lens to use is the one that supports your shooting style best. If you like to get up close and personal with your subjects (in whatever situation), then you want something like a 35mm prime, or a 24-70 zoom. If you like to keep out of the way and shoot from a distance, then something longer like a 70-200 would suit you better.
Whatever you end up doing in terms of focal length, you want the fastest glass you can get your hands on, like an f2.8 - best off sticking with a decent lens that has a constant aperture across the zoom range - there's nothing worse than zooming in close and losing the wide aperture you were relying on. Personally, I like a mixture of keeping my distance and getting in close, so I usually take a 70-200 and a 24-70. Sometimes I throw in a fisheye for a couple of unusual shots, and I'm considering adding a Lensbaby to the mix, just for the hell of it. As far as what to expect from a cultural or ceremonial perspective - why not ask the bride and groom? They're the ones asking you to take the photos, and it's their wedding, so they're going to be the best people to know what's going to happen. And I'm sure they wouldn't mind giving you some background info so you have a good idea of what's going on.
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I shoot Canon, and use Elinchrom lights. My Flickr Page - feel free to leave comments |
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Seeing the price of those lenses, I'd have to rent them out. I might just go for the 70-200mm. I also own a Zenit zoom lens. Do you think maybe I should just stick to that? And the reason I need so much help with the cultural aspect is that the two families are extremely different from each other. One is extremely strict and not easily impressed, and on the other side ...the groom's brother is a tattoo artist covered head to toe in it. I just know it'll be an awkward wedding. Thank you so much for your help. *Put the wrong link up.
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Be kind, for everyone you meet is fighting a hard battle. - Plato Last edited by gpanos2; 04-06-2011 at 10:26 PM. Reason: wrong lens lame |
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If all you have is the 18-55 f/3.5-5.6 kit lens, you can probably make do with it. I shot some candids at a cousin's wedding using a D40 and that kit lens. However, if you're going to buy a lens, for a couple hundred dollars, the AF-S 35mm f/1.8 is a really nice, light, fast prime.
I shot these at a friend's wedding using a D5000 and the 35mm prime. (Click for larger) Here we're sitting at the end of the row right next to the aisle, so I've got an unobstructed view of the bride being walked down the aisle by her older brother. ![]() The "father" daughter dance. Dad wasn't there (really long story). ![]() The bride's sister and Grandpa. ![]() The 35mm on a crop sensor covers a nice field of view so you can get some environment, but it's still close enough you can get details without being right up in someone's face. The wide aperture is good in dark reception halls or in the church where shooting with any kind of flash is often prohibited. As far as cultural things go, I'd definitely ask the couple, and if at all possible, see if you can be at the rehearsal so you can scout things out there. |
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