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Expose for the highlights, tone for the shadows. There's enough light there that bringing up the shadow detail in post won't introduce a ton of noise. I probably would've used a faster shutter speed, and maybe lower ISO, to keep the whites from blowing out.
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JamieDePould.com + OneYearPhoto.com Nikon D300, D700, Sony NEX5n Zeiss 2/25; 1.4/50; 1.4/85 Please read the rules before posting a critique thread. Rules here. |
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I was using a flash, a speedlight 600 cranked all the way up. I was quite a distance away too. We couldn't use any type of umbrella flash or anything like that. My partner was right up on them but I was a good 50-80 feet or more away at best. I was moving around a lot (shot from both sides) but trying to stay out of my partners shots.
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One of my favorite wedding photographers of all time deals with lighting situations like this all the time. On another forum she posted images she'd taken (wish I could link to the images; they've since been replaced by more recent sessions) in very similar lighting situations. What she had done was come in early to scout, looked for one pocket where she knew there would be open shade in that area at the time of the wedding and set up so she'd focus on that one area. She literally had seconds to shoot in perfect lighting in between the wedding party going through a patch of good light vs. a patch of dappled/bad light. The photos were brilliant!
Now, I'm not a wedding photographer, but what I learned from her was to learn to read light where it is, and where it will be. I know I still can't do it nearly as well, but it was an eye-opener for sure, and I hope this helps. |
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how did #1 do? Did you ask him or her what they did or would have done?
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Patrick Nikon D40x; Canon sd770is P&S Nikon 18mm-55mm and 55-200mm kit lenses, Nikon 50mm f1.8, OLD Nikon 105mm micro f 2.8 "All of that beauty is out there somewhere...you just have to get out there and capture it!" PLF
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Susan: I wasn't able to scout the area first(it was out of town and I drove down just before the wedding) and wouldn't have been able to sit in one spot to get the good lighting. If I were the primary photographer then of course but since I was the second I had no contact with the bride or groom before the wedding, no access to the park (It was a park you had to pay to get into) or anything like that before hand, just had to show up and shoot. I'm mainly there as a back up and to carry equipment. When I'm not doinbg that I shoot. |
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