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Hey all! I have been here at DPS for a couple months now, and in photography for probably 5 months. I am getting very discouraged because I feel like I never know what I am doing! As soon as I think I have it, I get in a situation where I have no clue what to do! I did a photo shoot last Sat and felt so confident, got home had great photos and felt really good! This Sat I did a shoot and the whole time I kept thinking, what am I doing?? I have no idea what to do here! I scheduled it from 5-6pm because I usually get great results at this time of day, but this day there was not ONE cloud in the sky and the sun was so harsh I had no idea what to do! I don't have an external flash... I think that would have helped, but would that have solved the problem? When I took them into the shade, their faces were to dark but when I took them into the sun they had harsh shadows or squinted if faced towards the sun. At one point I just had to stop for a min and take a min because I was getting really down on myself for not knowing how to fix it. I told them we were going to walk across the lake to get some shots on a bridge on the other side, really I just needed some composer time while we walked to it! LOL! THANKFULLY this was a free shoot, just a favor for a friend, but either way I really wanted to give them fantastic photos! Now my confidence is totally shaken, and I am so discouraged!! So would it have fixed the problem if I had an external flash? Is there a technique that I don't know yet for positioning better? Here is an example of what I am talking about:
![]() I know this is probably all just due to being so rough around the edges, but I am at a place where I have no idea what to do about it! I know a reflector would have helped, but I am not sure how you use one while shooting by your self? Any advice is GREATLY appreciated! Thanks guys! I love looking at all of your photos and aspire to take shots as good as some of you on here on day! Here is a link to the rest of the ones I got from the shoot if you want to see them to compare. Flickr: allisonstitt2's Photostream Thanks in advance for your help! |
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I completely understand what you mean about not knowing what in the world to do!
I won't comment on poses or anything because I am not a portrait photographer. As far as lighting, a flash would help you tremendously for shady environments and help cut shadows. An alternative would be to shoot HDR but instead of tonemapping use Exposure Fusion. If you would shoot HDR, the models will have to sit very still throughout however many exposures you shoot. Believe me, it is possible, I do it all the time! Good luck. Cheers!
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Canon 50D: Sigma 10-20mm f/4-5.6 EX DC HSM , Canon EF-S 18-55mm f/3.5-5.6 IS, Photoshop CS5 |
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For what it's worth, here's what I'd do if I had harsh side lighting (like you had for this shoot), no external flash and no reflector:
First, I'd place the subjects with their backs to the sun. That way, the light (or shade) on their faces would be even. Then, I'd spot meter off their faces so that the faces would be properly exposed. (For my camera, if I'm shooting into the sun like this, I need to use +1/3 or +2/3 EV to get the exposure right - you're results may vary). And I'd also decide want I want for a background: Sky? If so, the sky will be blown out, which can look cool if done on purpose. Trees that have their shady side facing the camera? If so, then the exposures on the faces and tress should be pretty close. As another option, any chance you could put them in an area that is both in the shade and has some light that's reflected off something already there, like a white building or a white semi truck? If available, that should make for pleasing light without squinting. To my mind, the biggest thing to avoid is having one-half of a face in full shadow, the other half in full sun, another face in the shadow of "Dad", etc - lighting on faces that's too uneven is hard to pull off. So, just make sure the light is even. My 2 cents. Last edited by Chip; 05-10-2010 at 05:54 PM. |
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Agree with Zona. If you can see that the sun is ruining things and dont have the tools or confidence to fight it, just get out of it. Once you did you had some nice ones, which again as Zona stated can just be warmed up in post to look nice.
Couple look like the saturation slider slipped though..be careful
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I think Chip hit it on the head here. The 2 main points being, even exposure & Spot metering. You need to expose the faces properly & spot metering will achieve that. The clouds you had on the first shoot evened out your lighting & that's what you tried to accomplish with the shade trees. You just need to get them into full shade but then you have the problem of to much dynamic range(expose the faces & get a blown out background). That's where the reflector will come in handy.
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Thanks so much everyone for your advice!! It sounds like I need to do more practice with spot metering, so that is my self given homework now! Any good links would be appreciated! |
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Here is another option to consider for harsh, direct or dappled light. Use a large rectangular reflector to diffuse the light through it. You will need to unzip the shiny material first which will leave you with a shear material that you can filter the light through...you will also need someone, or someway to hold it in place. I've attached an example of one of our recent photos shot in full sun, but filtered light through it using the reflector as a scrim.
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Vince "...the law of unintended consequences, sometimes, you get a truly memorable photograph" Gear: Canon G2, Canon 20D, Nikon D300...bunch of lenses http://www.flickr.com/photos/20127329@N06/ www.montalbanophotography.com |
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You picked the best of two evils. To avoid harsh shadows & squinted, you put your subject backs to the sun and accept a blow out background. With luck, you may substitute an alternate one with post processing.
After setting the proper WB, take a closeup (fill the frame if necessary) meter reading of one of your subject's face. Since metering results in 18% gray, you may have to adjust (EV +/-) for your subject skin color. Remember you are taking a reflective reading, not an incident one. Next, bracket your shots. |
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