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Hello!
I made this picture split tone using lightroom and had mixed feelings on this portrait. Want and need your valuable opinion. The model is my sis and while I like this picture a lot, she doesn't like the way she looks in it. I think it's subjective, but she says she looks unhappy in the picture. I wanted thoughts on firstly the if the split tone works, the feel of the picture, and if they expression on the model is A) nice, B) suits the mood of the picture, C) if she's pretty! Thanks for your time! |
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I agree with your sister.
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flickr Nikon D300; Nikkor 50mm f/1.4D, Nikkor 105mm f/2.8G, Nikkor 18-200mm f/3.5-5.6G, Nikkor 70-300mm f/4.5-5.6G, Nikkor 300mm f/2.8G ED AF-S VR IF, Tamron 18-270mm f/3.5-6.3, Nikon AF-STC-20Eii 2.0x Teleconverter and 2 SB-900s with reflectors, light stands, LumiQuest Softbox iii, & umbrellas. |
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LostMahbles, thanks for your thoughts. I thought the PP looked much better than the original, the original actually was a lackluster pic so I messed around and try to bring the image to life.
Photophix: what about the PP do you think ruined the shot? While I do agree the background is not anything stunning, i contemplated on removing the rows of cars in photoshop but decided to leave it in there, so bring a sense of a more 'casual' look to the picture, like taken out in the streets on the spur of the moment. Trader: haha, I'll be sure to tell her that! |
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The PP ruins the shot in so far as I don't think those colors and tones would be flattering to anyone's skin for a portrait shot. It might look nice on architecture possibly, but not people.
I like the model's expression and she is gorgeous, though the hair across the face is a little distracting, and I find the background a little bright.
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Shooting with all sorts of Canon stuff. my flickr my website Live. Love. Capture. Blog. |
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I would recommend avoiding them almost completely for portraits to be honest. Maybe you could get away with it for full body crops where the subject(s) are further away, but when it's a fairly close-up shot I think most split tones would be messing with the skin tones just for the sake of it. A nice warm toned duotone black & white is nice sometimes, or a very slight split tone for a vintage look to give a little extra blue to the shadows and warm color to the highlights. But on the whole I try to avoid it unless there are very special circumstances, and even then it's best to stick to one sort of tone you're trying to add. Here's one time (before and after) I've done it myself, because I felt like a vintage thing HAD to be done. This is one of the only instances I can recall doing this sort of thing. Skintones do tend to look best the way they are
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Shooting with all sorts of Canon stuff. my flickr my website Live. Love. Capture. Blog. |
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Quote:
The color you chose to tone the photo isnt flattering. As for the background, rather than removing them I would suggest adding some lens blur as they might make a nice bokeh. Armando
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40d Gripped 17-40L 70-200 2.8 isL WWW.PhotoPhix.net |
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I personally am not a big fan of split tone processing on portraits, but I applaud your effort. I think this image would be a great candidate for simulated cross processing. Probably E6 developed as C41. She is very pretty, but I don't think any models like the effect of special processing. Again, I really like your approach of trying different techniques, but I think you might like the results of a cross processing approach for portraits (actually I mean people, not necessarily posed portraits). Have fun in your digital darkroom!
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Kodak Z1012, Pentax PZ10, PZ1, Bronica ETRS, Mamiya C330 Pentax FA 28-80, FA 100-300, FA 1.4 80, AF 330 FTZ Bronica 75, 150, AE-II Finder, 120 Back, 220 Back Mamiya 55, 80, 180 Vivitar 2000, 283, 550 FD/Weston Master II,Wein Flash Meter |
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