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My thoughts are slightly different from those above. First, this is not a shot for stock, for publication in National Geographic or Vanity Fair, or what have you. What is it? It is a shot taken at 10 am on a beautiful sunny day in LA that you were enjoying with your daughter (?). It's a shot to remind you of that moment. It is for your memory, not ours.
So what do the blown out parts of the picture remind you of? It was sunny! It was a beautiful day! In my opinion, the hedges on the right of the picture detract somewhat since I could have taken a similar picture here where we have had freakin' ice and snow for several days. Depending on what the rest of the background looked like, I might have moved right to get more of the beautiful sun in the background. Look at some pro portraiture shots. In many cases, the pros use strobes to light up the backgrounds to purposely "make them pure white." Different from blowing them out, sure, but the effect is the same: separation the subject from the background. I like the blown highlights behind her, and think it adds to your picture of your daughter enjoying a bright sunny day. As for the flash: The on-camera flash is naturally harsh because it is so small. The light does not wrap around her face in a pleasing manner. The light is straight-on, when you would prefer it coming from a different direction. Would you have gotten softer lighting by moving off camera and adjusting your shutter speed and aperture to underexpose the ambient and bring up your daughter to compensate? Maybe. Or just maybe your daughter would have just run off in the meantime to go play! What I am trying to say is that not every image is meant to be a Pulitzer prize winner. You took a fine photo assuming it conveys the story you told when you posted it. It conveys sun. You can see your daughter (I do, however, think she is very slightly underexposed, but so what?) and she is the obvious focal point of the picture. Good work! |
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Now, on to the original question. The shadow doesn't really bother me all that much, but a reflector could have gotten rid of it if you wanted to. I would have scooted the girl to her left and / or the camera to the photographer's left to position her in front of the hedge completely for a more pleasing background. |
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Thank you all, this is like a mini-tutorial for me. How I wish I was at home experimenting with my camera and flash right now, instead of being *here*
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Thank you for the suggestion. It will help me the next time.
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When you stop learning you start dying. I'm here to learn. You? (Its OK to edit and re-post my pictures on DPS) __________________________________________________ _____ <<< - My flickr - >>> Last edited by newPerspective; 02-02-2009 at 05:41 PM. |
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i havn't read everything above, but heres my take.
this is how I do it... you SHOULD be able to set the amount of TTL fill flash, it can mess with exposure a little depending what colour you're metering off, but just use the exposure compensation to fix it. ( i work from Apreture priority mainly) basically (the D80) has increments of flash output from +1 to -3 +1 will try to brighten the sunbect by pumping out more light -3 will make it pump out less light.. just experiment in the -2 and -3 areas and you should be on the reoad to success.
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When you stop learning you start dying. I'm here to learn. You? (Its OK to edit and re-post my pictures on DPS) __________________________________________________ _____ <<< - My flickr - >>> |
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Maybe a little toned down version of this effect would make it perfect.
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Canon Rebel XTi Gripped | Canon 18-55 IS | Sigma 30 | Canon 85 f/1.8 | Sunpak 383 | Yongnuo YN460 | Yongnuo YN467 Quote:
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