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Your problem on this image is not depth of field, it's shutter speed.
Your 1/15th second exposure is very likely too long for you to get as clear a shot as technically possible. That slow of a shutter speed will pick up camera/hand held motion unless you have unnaturally superhuman steadiness. You either need to up your ISO or get more light onto the subject so that your shutterspeed is faster.
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ahh i see.. no wonder
. i was afraid that when i use flash it'll be too bright for the subject's face.. definitely will have a go again with more light or higher ISO. thank you for your advice! i really appreciated it.
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"Experience is how life catches up with us and teaches us to love and forgive each other." |
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I'd agree with what BigFuzzy said, quicker shutter speed = sharper images.
Also about your focussing question: With this pic i'd have probably set my focus to single point (top middle) and focussed on the top eye... the eye below is more or less on the same focal plane and so if you get one eye in focus the chances are the other should follow suit. Have a quick read up on focal planes if you aren't aware of what they are or how the work. My best laymans explanation would be that if someone is face on to you then their eyes are both the same distance away from your camera and on the same focal plane, if they turn their head a bit to one side then one is closer to the camera then the other, so therefore on a different focal plane |
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Hello! Where on here can I find a tutorial on focal planes?
Thank you!
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Maria Canon EOS Digital Rebel Xti 400d 70-200mm L Series, 50mm f1.8 www.flickr.com/photos/photosbymaria www.photosbymaria.smugmug.com |
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Having said that.. this is how I explain depth of field and focal planes to people. Imagine holding your camera to your face and focusing on someone a couple of meters away. If your camera has a wide aperture (ie small f/number like 2.8) imagine that the point where there is focus there is an imaginary sheet of paper of normal thickness. You are looking at the face of the paper (ie not the edge). As you change your focus, ie focus on things nearer or further away, the piece of paper goes with it. Only the things the paper touches are actually in focus. Anything not touched by the paper is outside the focal plane. This is shallow depth of field. So, if you have three people standing one in front of the other facing you and you focus on the middle one, the focal plane (ie piece of paper) is only intersecting parts of that middle person. Those are the only bits in focus. However, as you change your f/stop to be narrower (ie bigger number) the plane of focus gets thicker.. ie you have a wider depth of field meaning more items are in focus. Imagine that the paper getting thicker and thicker as you make the f/stop narrower (ie bigger #)... eventually the paper will be so thick that everything is in focus (ie infinity focus) and that would mean you have a very big f/number like f/32 or something like that. Now, something to keep in mind is that the focal plane (the piece of paper) is ALWAYS perpendicular to your lens. So, the focal plane is always flat moving away from your lens. If your subjects are not also exactly flat (ie side by side) just like the piece of paper, they risk falling outside the focal plane if it is very narrow (ie the thin piece of paper). So, even if your subjects look relatively close to each other (like two eyeballs) but are not exactly flat on the same focal plane and you're using a shallow depth of field (small f/number) they risk not being on the same focal plane and hence out of focus. If you want to correct for that you have to create a larger plane of focus or get them exactly even with the existing plane of focus. Phew... does that make sense? |
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__________________
"Experience is how life catches up with us and teaches us to love and forgive each other." |
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__________________
"Experience is how life catches up with us and teaches us to love and forgive each other." |
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Thank you! Last edited by etexjess; 02-12-2012 at 02:09 PM. |
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I wander how you guys virtualize the focal plane??
1 line between eyes.. where is another point to form a triangle plane? Technically how do you ensure your camera is 90 degree to the plane with same distance between eye-lens? |
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