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Like: color post processing- like the vintage-y tones it has. I actually really like the lighting and the shadow doesn't bother me. Not sure what others would say from a technical standpoint. Love the composition, and although I'm not normally big on obvious vignetting, it definitely works here.
The right side of your face blends in to the wall- I'd use some selective burning and darken it up just a tiny bit between your eye and hand. I also wish you were looking straight into the camera- you kind of have the mysterious "what am I looking at" gaze going on, but it also immediately pushes my gaze out of the frame- if you were looking at the viewer, it would hold their attention longer. Nice shot!
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www.rachelbaldwinphoto.com Canon T3i, 18-55mm, 50mm f/1.8, 18-200 f/3.5, 70-200mm f/4L, Speedlite 430EX II, Speedlite 580EX II... |
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I appreciate the comments Rachel. As for the "gaze", I never thought about it drawing the viewer out of the frame, but I could see where you are coming from and will definitely take that into concideration next time.
Thanks again! |
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I think this is a high quality photo.
At this level your light placement is artistic preference, rather than "wrong or right". If I had to pick anything, I personally find the catch-lights in the eyes a little large and hence distracting. Being very picky here though. This is a quality image. |
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Quote:
Ginger, the more I have looked at it, the more the hand bothers me, but this usually happens for me with everything. Not so much because of the hand beard (which had me laughing), or that it covers the face, but more because the arm gets cut off. I think it would have been stronger with like you said no hand, or the entire arm. Thanks for the comments. |
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looks great for me ;D
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