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I'm assuming from the color of the light hitting you that you used some sort of household lamp?
If so, these lights will almost always have a yellow/orangish cast to them. But you clearly also have ambient light which is lighting/showing the walls as they are (ie with the blueish tint, at least on the left of the frame) so in your image there is a struggle going on between the ambient lighting and the controlled lighting (the presumed lamps). In fact, the yellow is hitting the right side (our right) of the wall and has made it more grey than blue like it is on the left side. At least that's how it looks on this uncalibrated monitor. So, if you adjust your WB to fix the light coming from the lamps, it will affect the color of the walls. As for the elbow, yeah, it's such a small amount, it should be included. |
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If you're going to use two different kinds (colors) of lights, you need to gel them to the same color or you will get strange color casts, and multi-colored shadows. (If that's what you want, then never mind.
)For example, if you were using a flash with an incandescent lamp, you'd gel the flash with a CTO ("color temperature orange") gel. Once everything is the same color, you can color correct in camera or in post and get consistent lighting.
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I did not have the flash on this portrait but I understand what you are saying. I have been thinking about this for a little bit and I think I know where I went wrong. Tell me if this could be the cause.
The two lights I was using for the wall and the fill on my face were true white fluorescents but I flipped on the dinning room light (almost directly overhead) which is the incandescent light we are seeing. What do you think? Also, does anyone have any links they can send me for effective lighting set up?
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If you had some cheese We could have cheese and crackers If you had crackers |
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