|
|||
|
I have recently bought lighting equipment to help with my portraite taking however, it has made it much worse. I have 2 lights that I am currently using and I am getting shadows in most of my shots. I am sure it is an angle issue I just can't seem to fix it. And because the shadows are light I can not see them in my view finder. Also, the lighting seems to make my pictures grainy. Please help if you can . I would really appreciate it.
Sarah Last edited by windrider86; 08-15-2011 at 12:28 PM. Reason: only one photo please |
|
||||
|
Can you supply the EXIF info on one of the pictures? Are your lights constant power or flash units? Repositioning your lights could help. Moving your subject further away from the back drop could help. Aperture changes could help, but a little info first from you will help get you some better answers
__________________
Vince "...the law of unintended consequences, sometimes, you get a truly memorable photograph" Gear: Canon G2, Canon 20D, Nikon D300...bunch of lenses http://www.flickr.com/photos/20127329@N06/ www.montalbanophotography.com |
|
|||
|
like autofocus said.. we need more info and if you can, please post your lightning positioning.
__________________
canon 40D | canon 5D MK II | 24-105mm f/4 IS USM | 70-200mm f/4 IS USM | 50mm f/1.8 II | 85mm f/1.8 USM | lensbaby composer www.oriram.co.il | facebook |
|
|||
|
the info on the girl with the pinwheel is as follows (I hope its enough info or the information that you are looking for: iso:1600, Focal Length 31.0mm (35 mm equiv: 51mm), f/5.6, 1/125s
the little girls face is 1/100s, f/5.6 focal length 28.0mm (35 mm equiv : 46 mm) ISO 1600 I really hope that that helps - I am kinda new to the terminology of all of these number and functions- Thank you for the help about the subject being to close to the background- how far away should they be? Also as for the position of each light I dont have much to give you on that but one on the right and one on the left about 4 feet high and they were behind me. They are constant they are not flash. Thank you very much for the help. sarah |
|
||||
|
As noted, your subjects are too close to your background. When that close, you will nearly always get shadows in the image. I'd recommend pulling your subjects forward and pulling yourself farther away from your subjects (if the room allows). This will both reduce the shadows and blur out the flaws in the background somewhat. If you can open your lens wider, you can blur the background further.
In general, farther from the background is better, but the constraint is that your background will start to go to gray if you don't light it separately from your subject. (This isn't necessarily a negative, but it's a different style than you are shooting currently.) Also, as you get farther away, you'll need a larger background to keep the edges from showing in your frame. The grain you are seeing may well be because of your use of ISO 1600. That works with some cameras well, some only with significant post processing, and some cameras not at all. If you open up to f/2.8, you can drop to ISO 400 while maintaining your current exposure, which should reduce the noise noticeably. I think you'll find yourself wanting significantly brighter lights in time, though, so you have more choices about aperture and exposure time. I'd recommend not placing both lights at the same distance from the subject. Even small differences in distance can give you a nice fall off on the shadow side to help reveal your subject. Setting one light at four feet and one at 6 feet, for instance, would give you about a one stop falloff. HTH
__________________
Flickr |
|
||||
|
Quote:
__________________
Chris Adval: Learning Model Photography Website & Blog | Facebook Fanpage | Facebook | Twitter | Flickr | 500px | Gear Page | Model Mayhem Profile | Like my portrait/model photography critiques? Want more or one of your own? Submit some photos to me here and it will be featured on my blog! | Want your photos get Honest Constructive Critiques in Model Photography? Check out my Flickr Group here! |
|
||||
|
Sarah,
There is some good advice above but I might be able to add a little that might give you a path forward. Doug was on the right track above when he mentioned mixing up the light positioning a bit and lighting your background and forground (subject) differently. I think the outcome your looking for is a nice white background with no shadows and a nicely exposed subject. A common trend these days in child photography is what we call 'high key' lighting. This is where the background is over exposed from the subject exposure 1 or 2 stops. This is normally achieved by a 3 or 4 light setup but you might be able to pull it off with your two lights and maybe an external flash on the camera. To give it a go you'll need to position one of you lights behind the horizontal plane of your subject. ie off to the side behind them and pointed at the background. What you're trying to achieve here is to paint the backdrop with light and its got to be brighter than the level of light you are using for your subject. It might be a little difficult to get the entire backdrop covered with one light but then I'm unsure of the space you are trying to light. You can then use the remaining light on your subject and if you are mainly shooting children and people, I would highly recommend the use of a softbox (700mm or 1m ish). Position this light at slighly higher than your subject and close to where you are shooting from. (Don't go too high or you'll have too much shadow and drop off) You might also use a little fill in flash from your external camera flash to fill the subject too. Remember, the exposure for your subject should be at least 1 stop lower than your background exposure. If all else fails - head to a black background and you can get away with some lovely single light portraits that are easy to achieve with your set up. (Again I recommend the use of a softbox too) Feel free to drop me a line via here or my website if you want to share more results. Cheers Russell
__________________
Russell runs Western Lights Studio in Auckland, New Zealand. WLS are well known Auckland Photographers specializing in Kids Photos and Family Portraits Find us on facebook! or check out Russell's personal photoblog via tumblr |
|
||||
|
Yes, a multi-light setup is ideal, but you can get away with less. My example below was shot with one well positioned light camera right, (an AB800 through a medium large softbox) and a large reflector camera left. The background was bone colored paper. Shot at 40mm, f/6.3, 1/200, ISO200. It may not be perfect lighting, but it is do-able with less.
![]() N_0068bw-Rsz by vmontalbano, on Flickr
__________________
Vince "...the law of unintended consequences, sometimes, you get a truly memorable photograph" Gear: Canon G2, Canon 20D, Nikon D300...bunch of lenses http://www.flickr.com/photos/20127329@N06/ www.montalbanophotography.com |
|
||||
|
I think overall this is typical of underpowered constant lighting...not enough output to utilize light modifiers and still get low iso/decent fstop& shutter. Repositioning the lights will help on the location of the shadows for sure but I think there will still be that direct light source hardness and the elevated grain from pushing the iso and/or underexposing in camera and fixing in post...
|
![]() |
| Bookmarks |
| Thread Tools | |
| Display Modes | |
|
|
Each day we send out a quick email to thousands of DPS readers to notify them of updates. This email is just short excerpt of the first few lines of our latest post with a link if you want to read it all. You can unsubscribe from this this service at any time.
This service is provided by a third party (Feedburner) and you can subscribe to it by leaving your email address in the following field and confirming your subscription when you get an email asking you to do so.
Enter your email address for
Daily Updates:
For those wanting a weekly summary of what happens on this site this free email newsletter is probably your best option. It includes a summary of the tips posted to the site each week. This newsletter is subscribed to by over 25000 readers (many who also subscribe to the other options above) - come join the community!
To subscribe to this weekly newsletter simply add your email address to the following field and then follow the confirmation prompts. You will be able to unsubscribe at any time.
Enter your email address for
Free Weekly Newsletter: