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Problems I see here:
The tops of your subjects look a bit overexposed. There's a shadow from the woman's head that is hitting the man's face. The facial light seems very flat. The back of the man's shirt seems to blur into the background. Suggestions: First, so you'll understand where my comments are coming from, I should note that I tend to favor short lighting (brighter on the side away from the camera) with a fair dropoff to the fill light (usually around 2 stops). I also tend to prefer lower key photos than you have here. So given that my style is very different than yours here, I would: Use the umbrella'd light as a fill directly below the camera. It's going everywhere anyway, so I'd prefer it not be a key, and putting it below the camera allows decent control of unwanted shadows visible to the camera. Dial it down until it's revealing the details in the shadows as you would prefer. Use one softbox high camera left and to the front of the subjects, ideally shooting down at between 30 and 45 degrees, for the key. This should reduce problematic shadows from the woman. Use the second softbox to provide separation of the subjects from the backdrop. This will probably require a grid or flag to control spill. FWIW, I like to start with the fill light, then set the key and separation lights, adding one at a time and adjusting only one light at a time. HTH |
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