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As some of you know I just got some lighting in the last couple days. My little girls had a friend come over and I had a guinea pig session with them. I was trying to get the white backround totally blown out while maintaining a proper exposure on the girls. I have a 580EXII on camera (no gear to get it off yet) and a strobe and halogen light on the backdrop. I was bouncing the speedlight off of a white ceiling that is 8 feet high. The girls were about 4 feet in front of the backdrop and I was probably 4-5 feet from them. I could get the back blown out but had so much spill that the girls kept coming out overexposed. This was the closest I could get to a proper exposure on the girls. How is this done? Do I need more room to get them away from the backdrop? I was out of room in both directions.
![]() Canon EOS REBEL T2i Exposure 0.005 sec (1/200) Aperture f/6.3 Focal Length 33 mm ISO Speed 200 Exposure Bias 0 EV Flash On, Fired Exposure Program Manual
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Canon T2i 18-55mm kit, 50mm 1/1.8 II, EF-s 55-250, 580EXII, Lumapro 160, Cactus V5s http://www.flickr.com/photos/dalmorloson/ http://500px.com/MattGallagher/photos |
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4 feet when lightning a white backdrop is just isn't enough.
when we do studio sessions we keep the model about 12-15 feet away. of course - that depends on the power of your light source as well, but you need to understand that a white background is like a huge reflector and it bounces the light back to the models. did you try dialing down the power of the strobe and halogen unit? btw, with bouncing the 580 EX II off the ceiling you've basically added more light behind them. what you did is to create a big light source (white ceiling) directly above them, so some light fell down in front of them and some behind them. you can see the lightning came from above by the shadows under their eyes.
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canon 40D | canon 5D MK II | 24-105mm f/4 IS USM | 70-200mm f/4 IS USM | 50mm f/1.8 II | 85mm f/1.8 USM | lensbaby composer www.oriram.co.il | facebook |
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Thanks for your help. I kind of figured I had to get them away from the backdrop. I tried to lower the power of the backlights but I didn't get the blown out look. This was the least amount of light I could get on backdrop while still blowing it out. Unfortunately for the space I was in I guess its still too much for thr foreground.
My wife has been pretty good about me spending money on camera gear...wonder how she's going to react when I tell her we need a bigger house
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Canon T2i 18-55mm kit, 50mm 1/1.8 II, EF-s 55-250, 580EXII, Lumapro 160, Cactus V5s http://www.flickr.com/photos/dalmorloson/ http://500px.com/MattGallagher/photos |
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i am by no means a strobist and i don't know about the back lighting and backdrop (though i did learn something today). But i do have a speedlight and wanted to recommend that you try bouncing that on the ceiling somewhat farther behind you (point it to the ceiling-wall corner behind you) or off the wall to the side (especially if it is a white wall, or shoot in raw in case you need to color correct if you happen to have red walls or whatever). the shadows are much more flattering that way.
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Pull them away from the wall a little more and increase your f/stop. Keep everything else the same. Shutter speed controls ambient light and f/stop controls the light on the flash.
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-When confronted by a difficult problem, you can solve it more easily by reducing it to the question, "How would the Lone Ranger handle this?" -I'm a vessel of useless information; just ask my wife. -Critiques and editing of my pics for DPS always welcome- |
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