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50mm is a bit wide on a full frame sensor. The 85mm should take care of the distortion issue.
Honestly, I don't really see a lot of distortion, certainly not enough that it bothers me, and probably wouldn't have noticed it if you hadn't mentioned it. |
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That isn't distortion, it's what is known as "busy bokeh" and is a good reason to learn not to shoot wide open all the time.
It's basically just the way that lens renders stuff, and can be modified by aperture and subject/background distance (or of course, switching lenses). Certain lenses just do that at specific focus distances. The 50/1.4 has it, too (both the Nikon and Canon versions), according to Neil van Niekerk.
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I shoot with a Canon 5DmkII, 50D, and S90, and Pansonic G3. flickr stream and equipment list |
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Thanks inkista, the link you posted makes a lot of sense. I don't know why I shot this wide open as I wouldn't normally dream of doing so, particularly with more than one person in the frame. This is a holiday snap & I had been trying to capture something entirely different before I noticed my partner holding our little one & took it without checking the settings.
The photo isn't a throw-away, though, as with a bit of creative cropping it works better. It's good to know the lens is still useable, all be it with a bit more care in the future. Lesson learnt.
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Please comment on my pics either here or on flickr - honest feedback is the best way to learn. You can edit my pics to post back on DPS if required. Started photography October 2007. ~ Canon 5d (on it's way!), Canon 400d, kit lens, 50mm f/1.4 lens, 70-200mm f/4 L IS lens, 60mm f/2.8 Macro USM lens, tripod, 580 EX II speedlight, EX150 home studio lights. PSE5 ~ |
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There are some truly wonderful things happening in this image if you get past the "bushy bokeh" effect. I actaully think that part of the problem there is the fact that some of the out of focus areas are blown out and create a dsitraction, but, as you have mentioned, most of that could be cropped out. What I love about this image is the way the light on the subject is different from the light in the background thus creating a separation between the two and highlighting the sense of three dimensions. I love this kind of lighting situation and seek it out as often as I can.
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Lee R http://lucentbydesign.blogspot.com// The real voyage of discovery consists not in seeking new landscapes but in having new eyes. -Marcel Proust |
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The on-axis flash might be contributing to the jarring visual effects too.
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JamieDePould.com + OneYearPhoto.com Nikon D300, D700, Sony NEX5n Zeiss 2/25; 1.4/50; 1.4/85 Please read the rules before posting a critique thread. Rules here. |
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