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Dan I like your PP, the background is not really distracting either because the subject is sharp and has a good focus. It has a good exposure too. Composition, the subject is situated in the right third which looks good however for me i would like to see the other hand of the subject.
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“This is the very perfection of a man, to find out his own imperfections.” Flickr |
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I am ok with the processing on this photo, I am not ok with his pose. For me, I try to avoid crotch shots.
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Lori Putman flickr ~No one can drive us crazy unless we give them the keys ~~Life isn't about waiting for the storm to pass, it's about learning to dance in the rain! 7D | 300L f/4 IS | 135L | 35L | 100/2.0 | 50/1.4 430 EX, 580 EX II Speedlites |
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Nothing wrong with the photo other than that as far as I can tell. |
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Agreed with previous posters - I don't mind the processing at all, but the limb chops and crotch shot aren't working for me. Not a huge fan of the tilt in this one, either. Your focus and exposure look really good though.
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I am pleasantly suprised at all of you!
thank you so much! i appreciate.... ok.. im having a hard time though, as part of what i was going for was showing my wedding band.... so... how do i show that very well with a "body" type shot..... any suggesstions? im glad about the background :-) good points to all.. especially on the hands and "limbs" points well taken
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Nikon Gear: D7000 with now making my D40 a backup There are no rules for good photographs, there are only good photographs. ~Ansel Adams |
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only thing i'll add is that the vignette is a bit off to me, especially the gradient its producing on the left side of the image. did you make the vignette, or was this PP using an action? reason i ask (and dont get me wrong, i am a huge fan of vignetting) is that i have a couple of actions i love, but sometimes they'll produce a 'spotlight' type effect, rather than a gradual fade on the edges...
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Nikon Gear: D7000 with now making my D40 a backup There are no rules for good photographs, there are only good photographs. ~Ansel Adams |
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