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I wanted to try a portrait that incorporates negative space. I am pretty new to using two flashes. Any comments about the lighting or more generally what you like and do not. Also does the negative space add or subtract from the image?
Lighting setup: Canon 430EX flagged from camera and pointed at a 45 to background (1/32th power). Second Canon 430EX with grid spot about 30 degrees from camera on right (1/16 power). 1/200th shutter to kill ambient. ![]() Camera: Canon EOS 40D Exposure: 0.005 sec (1/200) Aperture: f/3.2 Focal Length: 38 mm ISO Speed: 100 Exposure Bias: 0 EV
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AJ Barickman Fine Imagery Photostream Canon 40D | Canon 24mm-70mm F2.8L | Canon EF 70mm-200mm F4 L IS | Canon EF 50mm F1.4 | Canon 100mm F2.8 Macro | Last edited by abarickman; 05-12-2010 at 10:12 PM. |
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I really like the concept, but agree with what SandeeWig said about looking out of the frame. If he were looking up and out from the other direction, it would keep your eyes in the frame. I think the lighting is good. Also think that it would look great in B/W.
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Canon 7D, Canon 24-70 2.8L, Canon 70-200 2.8L IS, Canon EF 50mm 1.8 II, Canon EF 85 mm 1.8, 580 EX II and 430 EX II Speedlights and AB800s |
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AJ Barickman Fine Imagery Photostream Canon 40D | Canon 24mm-70mm F2.8L | Canon EF 70mm-200mm F4 L IS | Canon EF 50mm F1.4 | Canon 100mm F2.8 Macro | |
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I REALLY like the black and white version of the first photo and think it really works best without all the negative space up top. Maybe if you cropped it a bit above his head with a landscape orientation.
I do prefer the second image with him looking out into the crowd. The negative space gives me a feeling of just how small he really must be up on that big stage. Your lighting is key in the way the curtains in the background emphasize the stage setting. Okay, now I'm just nitpicking, but I think you could get away w/ slightly less negative space up top, just because he is taking up so little space at the bottom. Also, I find him a bit too centered...in that, given that he's pointing *over there*, I wish there were a bit more space *over there* for him to point into. (does that make sense?! ) Lastly, the shadow across his chest produced by his pointing arm bugs me a little bit...but I can get over it. ![]() Excellent work with the two lights, btw. |
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I like them both; however after seeing them, my choice is the first pic in B/W. The downward look and somber expression works very well for B/W! I also like the upward pic...his eyes are so big and blue.
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Canon 7D, Canon 24-70 2.8L, Canon 70-200 2.8L IS, Canon EF 50mm 1.8 II, Canon EF 85 mm 1.8, 580 EX II and 430 EX II Speedlights and AB800s |
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Firstly, I have to say AJ, I really love your stuff. I think it's the best port I've looked through from the posters here at DPS. I've wanted to say so a few times, but didnt have anything I wanted to contribute to the thread I'd seen you on though...
As far as this type of composition goes, I live and die by this type of shot and jarring quirky comps in my own stuff, so I can only commend the vision you're working on. Where the subject is looking isnt terribly important to me. I simply like the shot where he was pointing as it gave the impression of a mighty political speech. This shot just doesnt do it for me, and I can't put my finger on it precisely. It has something to do with the backdrop though. I feel like if the light on the backdrop didnt end so abruptly, it would be easy to swallow. I think its the fact that it goes from 'busy' to 'nothing' in no time flat. Maybe let it spill a little more. As far as the lighting goes, I feel like its a bit harsh. If a stage spotlight was what you were shooting for you got it! Don't know what you can do to soften it based on your modification equipment however, maybe dial it down a little further. For what it's worth, the black and white does more for me than the colour. In short, I like the concept immensely, like the model and what you're trying for, but I feel like there's a far better shot to be had here. |
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BTW I tried a landscape orientation and it really lacked drama in my opinion. Quote:
Thanks again for the comments.
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AJ Barickman Fine Imagery Photostream Canon 40D | Canon 24mm-70mm F2.8L | Canon EF 70mm-200mm F4 L IS | Canon EF 50mm F1.4 | Canon 100mm F2.8 Macro | |
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The grid spot does make for a very sharp light. In this shot I think it works pretty well because of the strong shadows on the backdrop. I could see turning it down a bit though. I don't have a softbox but I would have liked to have tried one too. The only other option I had was an umbrella but I don't have much distance to the drapes and I think I would have thrown a lot of light onto it and lost the dark shadows. Thanks again.
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AJ Barickman Fine Imagery Photostream Canon 40D | Canon 24mm-70mm F2.8L | Canon EF 70mm-200mm F4 L IS | Canon EF 50mm F1.4 | Canon 100mm F2.8 Macro | |
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![]() b) I'm absolutely, totally jealous of those BIG TALL WINDOWS!!!! Gorgeous! c) I completely understand where you're coming from not loving the landscape orient. I thought it might be worth a shot based on what I saw as I was scrolling down. |
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