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Hi Amy
I really like this shot, although preferred the original (which I have linked from the other thread as it provides a great contrast.) The highkey does work, but this is a little over-processed and a touch over exposed IMO. The dress has lost some detail and is blown a bit and you have lost the warmth of the original. I think the answer is to find a balance between the 2 options http://digital-photography-school.co...tml#post923988 PS - great to see you took the ADT pad out! Last edited by gturner; 03-11-2010 at 01:31 PM. |
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2. Overall, it's nice. I don't think you paid enough attention when originally taking the shot with the security system pad behind her and her hand in a fist. I would probably clone out her entire left arm because there isn't a great way to crop it. It's a bit awkward as is, and gets worse cropped anywhere else, and including the fist would look wrong too. 3.Yes, I think so. 4. See above 5. The wrinkles are fine as is, not too harsh or anything. She would probably prefer they be softened/removed somewhat. A very nice image as far as body/head pose and expression. Lighting is good and the vantage point is nice. Just needs a little more cleanup and toned back a little IMO.
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Steve the Photographic Academy.com My Portfolio, My Flickr, My Blog D4, D7000, G10, 1030SW and a bunch of other stuff.... |
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I think it's a nice image, but have one little area that bothers me, and that is her arm and cut off hand...it just seems to draw my eye away from the subject and out of the frame. I know it is what it is from the original shot, but if it were my image I think I would do some creative cloning and take the arm totally out. But I do like the high key look, think you did a good job with that.
Vince
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Vince "...the law of unintended consequences, sometimes, you get a truly memorable photograph" Gear: Canon G2, Canon 20D, Nikon D300...bunch of lenses http://www.flickr.com/photos/20127329@N06/ www.montalbanophotography.com |
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Vince "...the law of unintended consequences, sometimes, you get a truly memorable photograph" Gear: Canon G2, Canon 20D, Nikon D300...bunch of lenses http://www.flickr.com/photos/20127329@N06/ www.montalbanophotography.com |
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You have every right to point out the lack of detail in the skin tones, if you like. They don't bother me as I see it as part of a stylistic effect. However, reclassifying the image as high contrast is unwarranted. I am not aware of any rule that states that skin tone detail is required for an image to be classified as 'high key.' High key simply means most of the image values are white to middle gray.
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Lee R http://lucentbydesign.blogspot.com// The real voyage of discovery consists not in seeking new landscapes but in having new eyes. -Marcel Proust |
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I have written an extensive article on what is and what is not a high key image which includes a number of images and a definition. Here is a portion of it. "The term HIGH KEY has been questioned on another forum I frequent and I wrote a little something there that should be included here so here it is. First I believe we must establish exactly what a high key image is. Since the advent of Photoshop and the internet, the definition of what a high key image is has seemed to have virtually overnight evolved into any image that is overexposed, or has a white background, or an image in which the subject is wearing white clothing, or any combination of any or all of the above. So I turned to Norman Phillips' book Lighting Techniques For High Key Portrait Photography for a definitive definition, and I quote, "High key is the term used to describe photographs with white or bright backgrounds and usually with bright lighting situations that render subjects in a light tone similiar to that of the background. The ultimate high key portrait is one in which the background is a clean white and the subjects are also attired in white. High key exists wherever the predominant tones in the image are somewhat brighter than the middle key." The middle key in the digital world is 128 which is 18% gray and is exactly 1/2 way between pure black "0" and pure white "255." Kenneth Hoffman in his internet article on High Key Photography states: In photography [High key] can easily be acheived by choosing elements of a white or pastel color placed on a white or very light background." From DIY Photography.net. "To create a high key image you need to set your exposure levels to a high degree but watch out not to overexpose. High key images lack contrast and also there is a lack of shadows in the picture." About.com Photography says, "High key pictures [can] contain small areas of dark tones, for example in the iris of the eyes in a portrait." New York Institute of Photography Dictionary of Photography says under High Key: "A photograph made up entirely of tones above the middle tone with no heavy shadows." Lastly a definition from the Society of Wedding and Portrait Photographers (UK) and the British Professional Photographer's Association."High key-A scene with delicate tones or pastel colors. A photograph which contains large areas of light tones with few middle tones or shadows." So according to the above, a high key image must have: 1- A white or very light pastel background. 2. Subjects(s) dressed in white or light pastel clothing. 3. Little or no contrast. 4. Little or no heavy shadows. 5. Few middle tones. A high key image will not have: 1. Any overexposure of the subject. 2. Any areas below the middle tone except for small areas like the iris of the eyes. The rest of the artricle can be found at High Key Imaging - PhotoCamel - Your Friendly Photo Forum and it is free but you will need to register. Benji Last edited by Benji; 03-12-2010 at 05:23 PM. |
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