|
||||
|
Quote:
Buying the same focal length three times is really inefficient.
__________________
JamieDePould.com + OneYearPhoto.com Nikon D300, D700, Sony NEX5n Zeiss 2/25; 1.4/50; 1.4/85 Please read the rules before posting a critique thread. Rules here. |
|
||||
|
Would someone be kind enough to explain in simple terms what it means to loose focal length. How does 200mm turn into 128mm???
__________________
Nikon D700, D300, D5000, NIKON GLASS 85mm F/1.8 D, 105mm f/2.8 Micro AF-S VR, 70-200 AF-S VR f/2.8, 28-300 AF-S VRII,10.5mm Fisheye, 24-70 AF-S f/2.8, TC-20E II AF-S, Sigma 12-24 HSM, Sigma 30mm f/1.4 HSM, Sigma 150-500 OS, 2 SB-600 Speedlights, Manfrotto 190MF3 tripod & 322RC2 ball grip head. - NJ, USA Flickr Photobucket Ok to edit and repost my shots on DPS forums |
|
||||
|
From Thom Hogan, bythom.com:
"Meanwhile, it seems that the number one topic of discussion on the net at the moment is the new 70-200mm VR II. Lower vignetting. Sharper in the corners. Better VR. But it loses focal length as you focus closer. That last bit has a lot of folk howling (at the closest focus distance the new lens is apparently about 128mm in equivalent focal length). There are pluses and minuses to that last bit. The VR II is sharper close up than the VR I according to reports I trust. But it does mean that you have to move closer and change perspective to get the same "subject size" at the 200mm marking and closest focus distance. How much closer? Well, if I'm calculating correctly, no more than 2.5' in any condition (but again, perspective will change if you move). Let's deal with one aspect of the howls of protest: that Nikon is marking the lens deceptively. No, they're not. The standards that all the camera makers use for marking lenses states that focal length is defined by the distance from the rear nodal point to the focal plane when focused at infinity. The standards also allow for a lot of rounding, which means you can claim a 190mm lens is "200mm." This is why we can pick up five lenses marked "200mm" and get five slightly different results, even at infinity. Things get worse at closer distances. Optically, you have lots of decisions to make. It appears that one of the decisions the Nikon designers made was to try to improve close focusing performance. In doing that, they also shortened effective focal length by an amount large enough that a lot of people have noticed (much like the 18-200mm controversy a couple of years back--it does the same thing at close focus distances). At issue is whether the design change between the original and new 70-200mm is significant in practice. I can't say for sure yet, as I haven't fully tested the new lens and won't for a bit yet (I've got too many other things that you've been asking for me to finish first). It strikes me, though, that the primary thing that is being compromised here is perspective. For very close subjects, you're simply going to have to move a bit closer with the new 70-200mm. That's going to give you better sharpness, brightness, and less vignetting, but it's also going to change your perspective. The unanswered question is whether this is enough to cause real issues for most shooters. My guess is no, but it's only a guess at the moment. Bottom line: the new 70-200mm is going to change some shooting habits somewhat (you're going to get closer to near subjects), but that doesn't make it the terrible update that some seem to think it is." Basically, because of the way most still lenses are designed (varifocal), selecting a close focal point can move the elements around in such a way that the focal length changes.
__________________
JamieDePould.com + OneYearPhoto.com Nikon D300, D700, Sony NEX5n Zeiss 2/25; 1.4/50; 1.4/85 Please read the rules before posting a critique thread. Rules here. |
|
||||
|
It's a factor inherent in all IF lenses: the 18-200 was notorious for it too, though not to this extent.
User em-dee-aitch has a GREAT animation that shows the effects of racking focus from far to close. See the thread at DPREVIEW: 70-200 VR2: Massively Improved Viewfinder Animation... [Page 1]: Nikon SLR Lens Talk Forum: Digital Photography Review
__________________
I am responsible for what I say; not what you understand. OsmosisStudios Gear List |
|
|||
|
Quote:
Nikon 80-200 177mm 70-200 f/2.8 VRI 180mm 70-200 f/2.8 VRII 134mm Canon 70-200 f/2.8 153mm 70-200 f/2.8 IS 161mm Sigma & Tamon 70-200 f/2.8 175mm |
|
||||
|
__________________
JamieDePould.com + OneYearPhoto.com Nikon D300, D700, Sony NEX5n Zeiss 2/25; 1.4/50; 1.4/85 Please read the rules before posting a critique thread. Rules here. |
|
||||
|
No, new Mac, Final Cut Studio and Adobe Master Suite next.
__________________
JamieDePould.com + OneYearPhoto.com Nikon D300, D700, Sony NEX5n Zeiss 2/25; 1.4/50; 1.4/85 Please read the rules before posting a critique thread. Rules here. |
|
||||
|
Also, im flipping you off right now. Its friendly, but im still flipping you off
__________________
I am responsible for what I say; not what you understand. OsmosisStudios Gear List |
|
||||
|
Quote:
__________________
JamieDePould.com + OneYearPhoto.com Nikon D300, D700, Sony NEX5n Zeiss 2/25; 1.4/50; 1.4/85 Please read the rules before posting a critique thread. Rules here. |
![]() |
| Bookmarks |
| Thread Tools | |
| Display Modes | |
|
|
Each day we send out a quick email to thousands of DPS readers to notify them of updates. This email is just short excerpt of the first few lines of our latest post with a link if you want to read it all. You can unsubscribe from this this service at any time.
This service is provided by a third party (Feedburner) and you can subscribe to it by leaving your email address in the following field and confirming your subscription when you get an email asking you to do so.
Enter your email address for
Daily Updates:
For those wanting a weekly summary of what happens on this site this free email newsletter is probably your best option. It includes a summary of the tips posted to the site each week. This newsletter is subscribed to by over 25000 readers (many who also subscribe to the other options above) - come join the community!
To subscribe to this weekly newsletter simply add your email address to the following field and then follow the confirmation prompts. You will be able to unsubscribe at any time.
Enter your email address for
Free Weekly Newsletter: