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I see everywhere to use coffee filters and white paper and all sorts of things to balance white in photos. I am not sure what to do once you have said object. Do you meter off of it, if so how do you do that? How do you meter off of something, then tell the camera to do it. I guess I am so used to editing white balance in PS that i never really bothered to learn how to meter off of a subject or coffee filter for that matter. I have a Nikon D80 if that helps make explaining it any easier.
TIA
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Flickr Facebook Fan Me! My Photography Site/Blog ~This post is a natural product made from recycled electrons. The slight variations in spelling and grammar enhance its individual character and beauty and in no way are to be considered flaws or defects.~ |
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I have read the manual, I just want it explained in laymen terms. When you go to spot meter, what do you do. I understand how to do it from my camera, just not sure how it works exactly. If you were at a photoshoot, you have your nifty coffee filter white balancer, or you had the lens cap with the white balancer in the middle what would your first step be. I am not understanding how it works.
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Flickr Facebook Fan Me! My Photography Site/Blog ~This post is a natural product made from recycled electrons. The slight variations in spelling and grammar enhance its individual character and beauty and in no way are to be considered flaws or defects.~ |
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1) put on the WB lens cap
2) Press the WB button and rotate the main command dial until PRE is display in the control panel (manual step 2) 3) Release the WB button briefy and then press the button until displays start to flash (Manual step 3) 4) Aim the camera to the light source and press the shutter-release button all the way down. 5) Manual step 5. Make sure you reset WB back to auto or one of the preset afterward. |
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thanks. you are so helpful.
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Flickr Facebook Fan Me! My Photography Site/Blog ~This post is a natural product made from recycled electrons. The slight variations in spelling and grammar enhance its individual character and beauty and in no way are to be considered flaws or defects.~ |
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OTOH, if you're using something like a whibal, the process is:
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I shoot with a Canon 5DmkII, 50D, and S90, and Pansonic G3. flickr stream and equipment list |
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WB for me is so irritating. I cant understand it for the life of me. I also shoot with a D80 and I always use the WB preset of the "White card" that is stored in the camera.
I went to Philadelphia to shoot the water fountains at night. All of the photos were coming out yellow/orange. Here I changed the WB to Auto and they came out more natural but with a blue tint. This is a never ending battle for me. I just dont understand it and it makes me angry that I cant understand this. Is it really that difficult or am I dumb?
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Nicole What I shoot: Nikon D80 Gear: 18-135mm f/5.6; 70-300mm VR f/4.5; 105mm VR f/2.8; 50mm f/1.8; FSB-600 Speedlight; Various Filters www.nicoledana.com |
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Search the DPS threads on DIY methods and I'll describe the lazy person's method of using ExpoDisc ExpoImaging - ExpoDisc here. ExpoDisc is like a lens cap that you snap onto the lens to set the WB before shooting. Use the method just I describe to Gina9942 and you should have the proper WB (indoor and outdoor). Other accessories include: Gray/white/WB card WhiBal and Datacolor Spyder Cube (for pp) Lastolite EzyBalance Three colors color meter |
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This may help you understand white balance better: White balance Where, with film you either shot print film in daylight or with flash indoors, and with slide film, you used daylight or tungsten film, or used compensating filters with these. White balance is Digital’s version-you select a white balance based on the condition of the light you are using, so the camera’s meter allows for white to photograph as white Auto white balance does a reasonable job most of the time, but it cannot cope in some situations-especially when subject is in deep shadow. You need to know when to use the white balance settings for all situations, and this table will help you understand: ( degrees Kelvin is a means of determining colour temperature) Sunrise/sunset 2400-3000 Kelvin……………………Use Auto white balance Tungsten lighting (domestic) 3200Kelvin....................Use auto white balance Studio Tungsten-3500 Kelvin ……………………Use tungsten/Incandescent white balance Fluorescent lighting 4000 Kelvin …………… Use fluorescent White balance Early morning/afternoon sun 4000 Kelvin…….Use auto white balance/ --fluorescent white balance (Magenta filter) to counter greenish cast on skin from foliage if under trees or on really green grass Noon sun/Sun overhead…5000-6500 Kelvin…………………….use Cloudy White balance Flash photography in daylight 5500 Kelvin ………………………Use Flash White balance Deep shade………………….6500 Kelvin…………………………Use cloudy/shade white balance Shade in daylight 7500 Kelvin ………………………………......Use shade white balance Heavy overcast, very dark shade 8000 to 10000 Kelvin………Use shade white balance plus 81a-85c glass filter Regards, Ken |
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