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suppose i am shooting sports with a telephoto lens
i'll be shooting to freeze the frame. i have read some books where pros pre-focus a area to get a great shot of hoops or touchdowns. amateurs like me who started in digital age is having trouble with that. how do you focus in a blank space (or know if something comes in to the frame it will be shrap/"in focus")? do you notice the ground or what? does this trick only lies in "Practice" or there is some technique that i missed ? One more Question:: Do new AF systems(like nikon's 3D tracking) come close to match this age-old technique |
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Nikon D3 servo tracking with 51 focusing points using AF-S lens could do it.
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For original poster-You could always lock focus: auto focus on the spot you want (shutter button halfway down)then switch to manual focus, which will lock the focus,then when item hits pre-focused spot,press shutter button all the way down.
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Trap focus or "Catch in Focus", depending on brand, is a great way to do this. That doesn't FULLY answer your question though. There's a few other tricks that will help.
First, how long your camera takes to autofocus depends not only on the speed of the motor and type of lens, but how far out of focus it is in the first place. Depending on what sport and what camera, your autofocus may be perfectly able to keep up, but you can always help it by focusing on something nearby, say the edge of a basket, a yardline, a nearby player, or even just by manually focusing to a certain distance, if your lens has distance markers on the focal ring. Secondly, autofocus may not be necessary anyway. Catch in focus is better for single shots than multiple, and focus confirmation can slow you way down. Manually focusing can be much faster, once you're locked in. Thirdly, you have to know how "in focus" you really need it to be anyway. Using the highest ISO to achieve acceptable results will allow you to bump up the shutter speed and the aperture. You need the shutter speed to lock motion, and the aperture to give yourself enough depth of field to allow room for error. That's part of why pros use flashes even in brightly lit auditoriums.
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But Mom, Pentax IS rebellious Pentax K-7, K20D Pentax SMCP-FA 35mm f/2.0 AL -- Pentax SMC 50mm f/1.7 -- Pentax DA 50-200mm f/4-5.6 ED -- Sigma 28-70mm f/2.8 EX DG IF Aspherical -- Pentax DA 18-55mm f/3.5-5.6 WR |
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