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Take a series of pictures of a static subject in good light. Vary the aperture and the shutter speed to balance the exposure (a tripod would be useful for consistence even if the light is good enough that hand-holding is feasible). Now compare the results side by side. Even once through will help you draw some conclusions about the lens in question; repeating the test with a range of subjects and locations will help you learn even more.
Wulf |
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In most cases,but not always,sharpest aperture is 2 stops down from wide open,so if your lens has a maximum aperture of F2.8,then F5.6 will be the sharpest-and if this aperture is combimed with 2/3 focal length of a zoom lens-you have the lense's "sweet spot".
regards, Ken Last edited by kencaleno; 04-02-2009 at 10:22 PM. |
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Many many kit lenses have a sweet spot around f/8 -- just as a general starting point for you.
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David Clark Photography, project 365 photo blog, flickr. It is OK to edit and repost my photos on the DPS forums only. |
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Anything about f/8 will beget diffraction: anything below f/2.8 will beget softness (generally). 4-5.6 is usually best.
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I am responsible for what I say; not what you understand. OsmosisStudios Gear List |
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It does depend on the lens. For example, I've heard that Zeiss lenses are sharp all the way open (although, to be fair, you do pay for that precision). That's why I advocate doing your own testing. It doesn't take long and it helps inculcate an observant methodology which will stand you in good stead in all apsects of photography.
Wulf |
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Diffraction is a problem at all apertures (since it always happens when light passes through an opening), but I wouldn't say it becomes noticeable until at least f/16 -- and then, you have to look at least fairly close. I shoot at f/8 all the time and don't notice any problems.
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David Clark Photography, project 365 photo blog, flickr. It is OK to edit and repost my photos on the DPS forums only. |
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Quote:
Sybren
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Website: http://stuvel.eu/ Gear: All Canon: EOS 7D EOS 350D 10-22mm F/3.5-4.4 USM 17-55mm F/2.8 IS USM 70-300mm F/4-5.6 IS USM 85mm F/1.8 USM 60mm F/2.8 USM Macro Speedlite 580EXII, 430EX and 430EXII |
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Quote:
The 50mm in particular has a sweet spot between 5.6 and 7.1, leaning a bit more heavily towards the 5.6 range. With my 18-70, the sweet spot is 6.3, and with my 18-200 it's fairly soft anywhere, but sharpens up around f/5.6-6.3.
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I am responsible for what I say; not what you understand. OsmosisStudios Gear List |
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