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John Sydney Australia Canon 7D, Canon EOS 450D, Canon EFS 18-55, Canon EF 100-300 f5.6, Canon EF 50 f1.8 11; Canon Speedlite 430 EX11, Fuji FinePix F40 and now with new and improved Canon EF-S 18-135mm f/3.5-5.6 IS, Sigma 18-200mm F3.5-6.3 DC and Mamiya ZE-2 35-70mm F3.5-4.5 Macro
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Thanks for the replies everyone... I need to check out the location and see if there are any other light sources on a night time.
I think my level of experience and equipment may make this a step too far and I'd be better off focussing getting good shots in a well lit location and playing it a little on the safe side. It's very important day for the couple and so I'm not sure I'm brave enough to try it just yet. I'll check out the beach at night though and see if it's going to be workable |
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Front curtain sync for long exposures.
With a long enough exposure they can get up and walk out of the scene during the ambient exposure... If they are going to stay in the scene the entire exposure time, then rear curtain.
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Steve the Photographic Academy.com My Portfolio, My Flickr, My Blog D4, D7000, G10, 1030SW and a bunch of other stuff.... |
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haha glad I read this before I commented because your original comment (which I got email notification of) before editing didn't have that last line which I was going to suggest needed to be there..
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night on golf course shot.jpg |
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I'm pleased you reached this conclusion, as what you're thinking of is definitely not an easy thing to pull off well. That's not to say you can't, nor that it's not a great thing to be thinking in adventurous terms. The obvious choice of technique has been brought up already, but if you try to go that route, a couple of points: 1) you'll be surprised at how much ambient can be gathered quickly at a decent ISO. 2) that ambient will have to be balanced temperature-wise with the flash - generally the light of the ambient exposure is going to be warmer, much warmer than the flash... you can see the difference in the example Sweetlifephoto posted. Another option you may wish to look into is light painting. side from anything else, it's a fun skill to learn. Finally, there are still stunning shots you can create without worrying about geting perfect exposures on your models, such as using your flash a rimlight against a well exposed landscape.. the models are in silhouette, dynamic rimlighting and a well-exposed nightscape can be an easy but dramatic shot to produce... |
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You asked for a sample photo back in Feb of '11 and that stopped the conversation !
Funny how that works. Lots of speculation but few pictures to prove the ideas. This is just the thumbnail (14Kb) but I can tell you how I did it. Dark of night, no moon. Light in distance is very faint. Set camera on tripod, Bulb ("B") setting. Use shutter remote: ISO 800. f/4 Now, set up a slave flash on another tripod near portrait subject. Make sure they are wearing reflective clothing or stand away from backlight (if you don't the backlight will burn through and give a 'ghost' effect.) Smile big, trigger shutter and flash; on-camera and off. Step out of the frame and let the exposure run another 30 seconds or so; whatever it takes to record background. If you want to light the beach then do so after subjects have left the scene so they don't blur and use a flashlight or spotlight to do your light.... See more at my Flickr site: UncleSparkles Last edited by Frank Schmidt; 11-28-2011 at 08:52 PM. |
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