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There are lots of threads on this topic already out there.
Quick summary: if you use photoshop/gimp, then YOU have control (for example, try the channel mixer. It's amazing.) If you do it in-camera, then there's only ONE way to get a B&W image, and it may not be what you wanted.
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David Clark Photography, project 365 photo blog, flickr. It is OK to edit and repost my photos on the DPS forums only. |
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Unless (as I think I've posted about a dozen times now) you're shooting in RAW, in which case you mostly have the best of both worlds. If you shoot RAW with B&W settings, you retain all the color information for B&W conversion in post-processing, but you also get a B&W preview, so you get a better feel for the composition in B&W at the time you shoot it.
If you shoot B&W JPEG, the color information is discarded, and you won't have the ability to do color filtering in B&W. I'd recommend reading the Cambridge in Colour tutorial on B&W conversion to get a feel for why you'd want the color information for a B&W image. And remember that when Ansel Adams took his image of Half Dome, he did it with a red filter over the lens to make the sky darker.
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I shoot with a Canon 5DmkII, 50D, and S90, and Pansonic G3. flickr stream and equipment list |
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