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I use the Canon 50mm f/1.8 to shoot indoors all the time. It works really well for those low light situations. The problem is, it's effectively an 80mm lens on our cameras, so you're really limited to tight shots. You're going to have to work to get some variety; i.e., anything but close headshots.
The kit lens will be mostly unusable in low-light situations on that camera. You're probably best off leaving the bag and just taking your camera. I always travel as light as possible. As far as metering, the camera should actually be okay at handling that, but take a few shots and double check. If the camera overcompensates for all the black yes you'll underexpose, but you may also want to overexpose to catch all the details. More important is making sure you have a good white balance setting if you're shooting jpg, color temperatures can change from room to room. |
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How did it go?
I'd generally agree with the above. If I had to make the choice and particularly because you don't mention an off-camera flash, I'd have gone with the 50mm lens. By stepping back to get more than just headshots you get another benefit - increased distance brings greater depth of field even when the lens is wide open or approaching it. Wulf |
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.It was a good learning experience. I was using ISO 1600 all night, typically shooting ~f/1.8 to ~f/3.2, without flash. I probably should have gone with a faster shutter and darker photos, since I had to throw out a ton of blurred shots. I had some focus issues, as well. A very small handful came out with okay sharpness at full size. Since these were more or less just for facebook (~400x600), it wasn't so bad. But I felt like auto-focus had a pretty hard time working quickly/accurately in the low light, and there was a lot of movement, so it was tough to get sharpness. I also did a lot of focus-and-recompose, which maybe threw off the sharpness at such big apertures, but with a crowded scene, I didn't think that AF with all the points would work well. Quote:
. It's still my first month with an SLR, and I've always left white balance on "auto" - until I was looking through what I shot and saw 2 essentially identical photos that had completely different color casts. Though that was a tough situation, with a mix of warmer light from the living room and white fluorescent from the kitchen.Quote:
I did have fun positioning myself farther away to get more in the scene. It was somewhat challenging because of the crowded space, and people inadvertently stepping into the frame. I should have used the opportunity to get more frame-within-a-frame shots, though! Thanks for the suggestions! |
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I wouldn't try to underexpose if you're planning on pulling details back out. Especially at high ISO, all you're going to do is exacerbate the noise. here's an example of what that looks like. I forgot to bump my ISO up there, and trying to get pull anything out of that just made it a mess. Sometimes you just get what you can, for indoor, low-light shooting I tend to leave the 50mm at f/1.8 and 800 or 1600 ISO and not worry too much about it (but then I'm also usually participating in the party too...). Quote:
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But you haven't had your camera long, this is good learning and should get you going pretty quick. The first major shoot I did with my DSLR was a charity event, and the conditions were hell; high cielinged room completely surrounded by plate glass windows, with almost everything facing toward the interior. So here I am with a camera I just got, not a very good one at that, with just the kit lens, forced to shoot toward windows all night, basically into a setting sun... Oh yeah, and the gradual shift from natural light to artifical as the night went on. It was not fun, I was not happy with the results, but man I learned a lot. You can see the results here. It's not pretty. Anyway, you have to do this kind of stuff, challenge yourself, if you want to improve, so good job. |
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