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Either of them will work well. You might be limited with taking pictures indoors where you might not have enough room for the 85.
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Lori Putman flickr ~No one can drive us crazy unless we give them the keys ~~Life isn't about waiting for the storm to pass, it's about learning to dance in the rain! 7D | 300L f/4 IS | 135L | 35L | 100/2.0 | 50/1.4 430 EX, 580 EX II Speedlites |
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As Lori says, both of those are great lenses. So just figure out which lens you use more for taking portraits; your kit lens or your 75-300? If it's the kit, then go for the 50/1.4, if it's the 75-300, then the 85/1.8 is probably a better choice.
If you want to be more specific, though, you can also analyze all the pictures you've taken with your current gear with something like FocalPlot and see what focal lengths you tend to "sit" at. It may turn out that what you really want is a 28/1.8, 35/2, 100/2, or 135/2.8 soft focus--all those lenses cost roughly around the same as the 50/1.4 and 85/1.8. My usual recommendation, though, is to just blow a little bit of money on the 50/1.8 II. Simply because some folks find out that shooting with a prime is not to their taste. Not being able to zoom can be a PITA for some kinds of shooting, and the finicky attention you have to pay to focusing if you're shooting at very wide apertures with a thin depth of field isn't necessarily what some shooters love. There's a reason that zoom lenses are so popular. The 50/1.8 is about $100. It's the best bang-for-the-buck bargain in the Canon lineup, and its optical quality is going to beat both your 18-55 and 75-300. If you find you don't like it, you can sell it, keep it as a trashable travel lens, or use it as a poor man's macro toy by reversing it.I will also say that getting "sharper/crisper" and more "eye appealing" pics may have nothing at all to do with the lens. A lot of beginners make the mistake of assuming that a better lens will get them better pictures, when basic technique may be at fault. The main reason to go for a fast prime like the 50/1.4 or 85/1.8 is actually the wider maximum aperture, not necessarily the better optical performance. Sharpness ain't everything. So, just a few words: 'eye appeal' is typically more about composition than about equipment. So, two books that may or may not help you out here would be Bryan Peterson's Learning to See Creatively and Michael Freeman's The Photographer's Eye. Sharpness and crispness have a bunch of factors involved. The main ones being:
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I shoot with a Canon 5DmkII, 50D, and S90, and Pansonic G3. flickr stream and equipment list Last edited by inkista; 01-06-2010 at 12:14 AM. |
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Lori, thanks for the advice.
inkista, wow thanks so much for the detailed reply. Thats amazing, I have alot to think about. Lots to read too. Very good advice, thats for sure.
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Canon Rebel XSi - 18-55mm IS kit lens - 75-300 - 50mm f1.8 II. |
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