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I dont think there are many, but those who do usually have their very specific reasons. I know some photojournalists that shoot both, send the jpgs off immediately so that the editor can proof them, then send a processed RAW for the final edit.
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I am responsible for what I say; not what you understand. OsmosisStudios Gear List |
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I rarely shooting RAW+JPEG. Most of the time I shoot with JPEG (I reckon it's enough), but when it comes to a serious landscape or portrait, I shoot RAW
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Nikon D90 - Nikkor AF-S 17-55 F/2.8 DX - Nikkor 50 AF-1.4D Tokina 11-16 F/2.8, Nikkor AF-S 70-200 F/2.8 VR2 & Nikkor 18-200 F/3.5-5.6 Portfolio: www.radityopradipto.zenfolio.com |
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I always shoot RAW as it gives me the best option to do what I want in Post; everything the camera saw is there without any lossy compression. If I do want a quick JPG, I use the Instant JPEG from RAW utility to extract the JPG preview straight from the RAW file.
The other thing about RAW+JPG is that the storage requirements become much larger, and if you want to take a few quick shots then you might be waiting on your camera writing both files before there is enough buffer available for another shot. There is a downside in that you don't get the processing the camera applies to a JPG (vivid, softer, B&W, etc) that are optimised, but using Camera Profiles with Adobe Camera Raw allows you to replicate these pretty well in Post. Just my two pence. |
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I tend to shoot in RAW+JPEG as a safety net. I work mostly with the jpegs, with almost all the settings cranked way down and quality cranked way up, so they are only very minorly altered by my camera, but I have the RAW if I need to try and save an exposure or fix a color problem, or whatever the case may be.
Then I spend months debating internally over whether saving all those RAW files AND jpeg files is every going to be worth it.
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But Mom, Pentax IS rebellious Pentax K-7, K20D Pentax SMCP-FA 35mm f/2.0 AL -- Pentax SMC 50mm f/1.7 -- Pentax DA 50-200mm f/4-5.6 ED -- Sigma 28-70mm f/2.8 EX DG IF Aspherical -- Pentax DA 18-55mm f/3.5-5.6 WR |
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For some reason, lower-end Nikons only offer RAW + basic quality JPEG. While JPEG compression doesn't really show artifacts (in a visible way) even at "basic" quality, it's still a consideration. If you're going this route, I'd mainly use the jpegs as previews, not for serious editing.
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David Clark Photography, project 365 photo blog, flickr. It is OK to edit and repost my photos on the DPS forums only. |
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I shoot exclusively raw and if I need a quick jpeg I also use "Instant JPEG from RAW". It pulls a jpeg out of my raw file that is typically fairly good quality about 1 meg in size.
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Nikon D700, D300, D5000, NIKON GLASS 85mm F/1.8 D, 105mm f/2.8 Micro AF-S VR, 70-200 AF-S VR f/2.8, 28-300 AF-S VRII,10.5mm Fisheye, 24-70 AF-S f/2.8, TC-20E II AF-S, Sigma 12-24 HSM, Sigma 30mm f/1.4 HSM, Sigma 150-500 OS, 2 SB-600 Speedlights, Manfrotto 190MF3 tripod & 322RC2 ball grip head. - NJ, USA Flickr Photobucket Ok to edit and repost my shots on DPS forums |
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Some people can't view the raw file untill they edit.
I use UFRaw and Gimp, and if i didn't have the software that came with my camera, i wouldn't be able to view my raw files untill i uploaded to UFRaw. With a jpeg you can view the files and decide which one's are worth editing. Other than that, i don't know why you would use it................you can alway save a jpeg from the raw file. |
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