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I'd say the 70-200 f/4, and maybe see if I could switch to an IS.
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I am responsible for what I say; not what you understand. OsmosisStudios Gear List |
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From a person with both a 70-200 f:2.8 and the 70-300 I find myself using the 2.8 only when in need the lens speed. for everything else it is the 70-300 as it is much lighter. The rotating extending barrel is not an issue with me. Using a CPL is the only place it makes a difference in that the CPL needs to be set after composing ( which really is a good thing). I know it is not white and has no red glory ring (does not look as professional) but it works for me.
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I own a 70-200 F4 L and the 70-300 F4.5-F5.6 IS.
The 70-300 gets used a lot more than the 70-200 mainly because of the extra reach. It is not a "hidden" L IQ wise = especially wide open, or with super quick focussing like the 70-200- F4 L. The 70-300 IQ meets my needs for web publishing and prints up to A4 (~10x8) I havn't done any serious testing on the IS however it is my travel tele, if not specifically going to shoot wildlife. (I also own a Canon 100-400) If you don't need the reach I would go for the 70-200. You may find this thread, on the 70-300, of interest. Soft pics with 70-300, please help
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Flickr stream. http://www.flickr.com/photos/34094515@N00/ 500pics stream http://500px.com/Richard_Taylor |
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Thanks for the input. I have gone with the 70-200 F4 non-IS. I think the key here was to simply look back at how people view L lenses, and there seems to be no misconceptions - L is quality. Full stop. So I must just make it work for me and lose the IS but I somehow think it will work out just dandy...
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Gou gou my lens leen se moer. Canon EOS 50D, 70-200mm F4, 17-55 F2.8 IS, 50mm F1.4, 550EX. |
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