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I have a 6.5mm fisheye, and the obvious answer is there is more distortion with it than an ultra wide. I have to be very careful as to what I am framing, because things out of the center get very curvey. If I have a post of something, it can almost become a J on the extreme edges of the frame
Look at the one light post on the left of this image, you can see it starting to curve. ![]() Same pier, 20mm
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Scott Last edited by scootermcq; 04-06-2011 at 04:04 PM. Reason: Added image |
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Have the 10.5mm fishy. I also have a 10-20 which I use more than the fish.
I wouldn't buy it unless you get one for a steal. Only reason I didn't sell the fish is because I got it when the dollar was 2:1 against Gbp so it was really cheap! |
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A fisheye, obviously, is going to give you more distortion, but also more wide-angle coverage than a rectilinear. If you're judging by funhouse factor, the fisheye is funnier.
![]() To mitigate distortion, horizon placement is key. The closer the horizon is to the center of the frame, the less distortion will appear. The closer the horizon is to a frame edge, well.... ![]() Canon XT/350D and Sigma 8mm f/3.5 EX DG circular fisheye Quote:
![]() 5DMkII, Sigma 8mm f/3.5 EX DG circular fisheye [the same lens as above, only on full-frame] A lot of my 5Dii's sensor goes to waste when I put the Sigma 8 on it. But, I'm getting a full 180° coverage from side to side (yes, I have gotten shots with my hat brim and my shoes in them). When I put the Sigma 8 on a crop body camera, like the XT, it becomes closer to diagonal coverage, but I have cut down the field of view. So, a diagonal will give you better resolution (no cropping to cover the frame), but less distortion and less scene coverage than a circular. I use the circular because I shoot spherical panos and prefer stitching a smaller number of shots to cover the entire sphere. I can get away with four handheld shots sometimes with this lens. If I were using the Sigma 10mm, I'd have to do eight shots: six around, and a zenith and nadir (straight up and straight down) to cover a scene, and that would necessitate using a tripod and panohead, rather than going handheld. Most people don't have this issue to consider.
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I shoot with a Canon 5DmkII, 50D, and S90, and Pansonic G3. flickr stream and equipment list |
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I've tried Nikon's 10.5mm fisheye, and own their 10-24mm wide-angle.
The fisheye makes me giggle. Every time. It's a FUN lens. The wide-angle makes me giggle. Every time. Its a USEFUL lens. of course, this is in respect to what I do. I know a friend that has nothing wider than 24mm (on DX; so 36mm) but carries a 10.5mm fisheye around. She shoots weddings and gets great shots from it. But it can be a royal pain to deal with if you're not used to A) working with a prime an B) working with a prime that wide. To her, the fisheye is a FUN and USEFUL lens. To me it's just fun. I also have another friend who has a 10.5 fisheye that she got for a song, but, after trying a 10-24 wide-angle, would prefer the zoom over the fisheye because she's a photojournalist, where the FUN of a fisheye is of little use.
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I am responsible for what I say; not what you understand. OsmosisStudios Gear List |
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A little late but thanks to everyone who replied. The fisheye definetly looks fun and I think it would be a practicle lens for taking to the skatepark. Also, I would eventually like to buy an underwater housing unit so I could take photos of my friends surfing from out in the water. Thanks again.
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D300, D60 Nikkor 18-55mm f/3.5-5.6 VR, Nikkor 55-200mm f/4-5.6 VR, Nikkor 35mm f/1.8, Sigma 10-20mm f/4-5.6 |
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