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Looking at future upgraded lens purchases and trying to glean as much info on these forums... is there any reason I should look at one group of lenses vs the other? I do mostly travel and landscape, wildlife, local scenes (I live in an area with alot of Amish- who are photo-shy, so lots of horse & buggies). I have a T2i with EF-S 18-135mm IS lens with plans later to upgrade the body.
1) EF 24-105mm f/4 L IS USM & EF 100-400mm f/4.5-5.6 L IS USM (@ $2,800) 2) EF 24-70mm f/2.8 L USM, EF 70-200 f/4 L IS USM & 400mm lens above (@ $4,400) Trying to cover a wide range without overlapping too much... will the f/2.8 make that much of a difference and give me more options? Which wide angle lens would I need to add to replace the 18-24mm I would give up by upgrading? The cost between the two groups makes me... gulp! Feel free to suggest alternate lenses that would give me a better range... Id just like to move towards the higher quality lenses Thanks in advance
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Canon 5D3 / 24-105L / 70-300mmL |
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Seems like what Im reading on this site... for wildlife, birds, airshows, etc... the 400 seems mentioned more over the 300... I figured a 200mm and a 300mm would have too much overlapping?
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Canon 5D3 / 24-105L / 70-300mmL |
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I'm still making my way through the forum so please forgive me but, are they mentioning using the 400mm on a crop body? I know it's usually the norm for most birdwatchers and whatnot but there is the 1.6x factor in play. What about a 70-200mm f2.8L IS and a 2x TC? Just a thought. I know it's about the same price but the f2.8 is head over heals above the f4 lens. You'd also have two of Canon's holy trinity as well.
I could be wrong, and it may be allot of glass for what you want, but what is the price range you're looking to stay within? |
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Canon 5D3 / 24-105L / 70-300mmL |
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Of the lenses mentioned I'd probably get the 24-70 and the 100-400.
With focal length every time you double you get 2x the crop/ magnification. Starting with a 50mm and 50* dia FOV: 100mm=25*, 200mm=12*, 400mm=6* (not exact but close enough) So you can see the difference between 200 and 300mm is greater than the difference between 300 and 400 (etc etc). Personally I would consider the 300mm minimum on a crop body (400mm effective on a canon 1.3 body) BUT, it's supposed to behave very well w/ TC's. I'm not a canon guy so I can't get too specific. I would consider the 24-70 f/2.8 a "keeper", and the 100-400 a very good entry point lens for wildlife . For some I understand the 300 f/4 (w/ w/o TC's) is a "keeper" for BIF shots etc. Getting that instead of the 100-400 would get you two "keepers" but leave a sizable hole in your kit. Another option for now, the 70-200 f/2.8, 300 f/4, 1.4 TC, and keep your kit lens....splits the price between the two kits and later upgrades won't be "replacements". BTW, I would bet the 300 w/ 1.4x to be better than 200 w/ 2x.
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Steve the Photographic Academy.com My Portfolio, My Flickr, My Blog D4, D7000, G10, 1030SW and a bunch of other stuff.... Last edited by sk66; 03-23-2011 at 06:21 PM. |
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@ Harpo63
I shoot with a 5D & 40D and shoot subjects similar to you + motor sport. I also shoot with a Canon 24-105 and Canon 100-400 and Canon 70-200 F4 L. (non IS). I also have a couple of other of other lenses including fast primes to 135mm. I don't own the 24-70 F2.8. If you are upgrading to a full frame body both the lens combinations will be fine. If you are not then you will be lacking on the wide end (24mm is not real wide on a crop body). If you will be keeping your existing camera as well then you will be ok. If you will be shooting moving subjects in low available light (no flash) I would go for at least one F2.8 lens other wise F4 lenses will be fine. I would not go the TC route. I have a friend who was shooting motor racing with a Canon 70-200 F2.8 IS sometimes with a 1.4TC to give his some reach. He found it a pain swapping the TC in & out and now shoots with the Canon 100-400 all the time, when trackside, mainly because of its versatility. I have a another friend who shoots motor sport with the Canon 400 F5.6 and while he loves that lens he is considering the Canon 100-400, again mainly because of its versatility. Also keep in mind once you start carting three bigish lenses around it becomes a bit of a burden, if you are not working out of a motor vehicle. Two's fine but not 3. I normally work with two bodies. Unless shooting indoors in low light the 24-105 is always on the 5D The lens on the 40D will depend on what and where I am shooting. For real long it will be the 100-400, for events like parades etc it will be the 70-200 F4. If I am in a city where space can be tight it will be a 12-24.
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Flickr stream. http://www.flickr.com/photos/34094515@N00/ 500pics stream http://500px.com/Richard_Taylor |
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