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Only issue I had in my limited use was the zoom mechanism: Push-pull is VERY weird when you're not used to it.
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I am responsible for what I say; not what you understand. OsmosisStudios Gear List |
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"A cat's eyes are windows enabling us to see into another world." - Irish Legend OK to edit and repost my photos for DPS only |
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I have owned this lens for three years or so, and while it a great good light lens, if the focal length range meets your needs, it is too slow, as is any F4.5-F5.6 lens for poor light photography, unless shooting on a tripod or for relatively static subjects.
The push-pull zoom mechanism is not a problem. It is rare that I am shooting in dusty conditions. For low light, when not using a tripod, shooting I use fast, ~ F2, primes.
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Flickr stream. http://www.flickr.com/photos/34094515@N00/ 500pics stream http://500px.com/Richard_Taylor Last edited by RichardTaylor; 01-04-2011 at 04:21 AM. |
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Dont know about dust, it's just very different to get used to when you haven't done it before. Im sure youd get used to it.
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I am responsible for what I say; not what you understand. OsmosisStudios Gear List |
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I think the reviews for the 100-400mm amount to a long series of love / hate relations. While I have never owned one I have rented them on several occasions. Though I think for your application it will be too slow and over kill on FL. Perhaps look at a 70-200 F2.8
100-400mm: Pros, great range and usually acceptable images especially if you use a tripod. Cons Does not work well with TCs image quality drops when you try using them. For many the push pull is a royal pain and remembering to lock the zoom down before picking up and moving on is critical. Really the best way to determine if this is a lens that you want to invest inis to contact Lens Rentals and rent one for a week or two. Give it a through testing on the subject matter you are planning on using it for. I think in a week or less you will know if this is a lens that you will love or one that you do not want to drop $1200+ on. Do not take too long to decide Canon prices go up 10% Feb 1.
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Canon 50D, 70-200 f4L IS, 20-35 f2.8L, 100 F2.8L IS, 300mm F4L IS, 430ex, and assorted gadgets.
Last edited by irispatch; 01-04-2011 at 06:57 PM. |
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Wouldn't surprise me if it happened (it's been happening a lot the last few years), but also wouldn't surprise me if someone's playing a game of telephone with the fact that the winter rebates are about to end, and it'll be a few months before the summer ones kick in.
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I shoot with a Canon 5DmkII, 50D, and S90, and Pansonic G3. flickr stream and equipment list Last edited by inkista; 01-04-2011 at 09:13 PM. |
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Thanks everyone for the helpful advise! As put by Irispatch there seems to be a love/hate relationship with this lens. From your suggestions I need to decide whether I want the FL or a faster lens like the 70-200 F/2.8. I do like the idea if renting the lens to try it out...now if I can only convince my husband (I know you're reading this) what a great idea that is.
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"A cat's eyes are windows enabling us to see into another world." - Irish Legend OK to edit and repost my photos for DPS only |
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Oh, wouldn't it be lovely if IS meant f/5.6 was good for available light on anything that moves.
![]() The main thing to keep in mind with IS, is that it's very much like a tripod or a monopod: It only helps you with camera shake blur--it does diddly squat in terms of subject motion blur. You're still using slower shutter speeds. Only more max. aperture or higher ISO is going to help get your shutter speed high enough to freeze action. As I said, I prefer using an EF 135mm f/2L USM. ![]() Canon XT/350D. EF 135mm f/2L USM. iso 100. f/2. 1/4000s.
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I shoot with a Canon 5DmkII, 50D, and S90, and Pansonic G3. flickr stream and equipment list |
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A friend loaned me her 100-400 for as long as I want it and have been using it mostly in good light and have grown to really like it, but after a couple of months decided on the 70-200 f/2.8 II IS for the larger aperture.
I am still enjoying the 100-400 for the reach, but will next get a x2 II for my 70-200 to allow me out to the same focal lengths, but still have the faster lens without it. I have used the 100-400 indoors and had to boost the ISO way too high for my liking and would steer well clear of this lens for indoor pet photography. For indoor pet photography, I have used a EF 50 f/1.8, EF 24-105 f/4 L and even a EF-S 18-200 with very good results. Hopefully you can borrow a few lenses so that you can find out what works best for your tastes.
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Steve Equipment: Entry Level DSLR with a Couple of Lenses and a heap of enthusiasm
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