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I've never shot a wedding myself, but I would think it would depend on what the main shooter will be using. If they are using a wide to mid range zoom, like a 24-70, then I would use the 70-300 and grab distance shots. Now if the main shooter is using a longer lens, I think you're best best would probably be either the 50 f/1.8 or depending on the lighting conditions, the kit 18-55. Your 10-20 is wide, but when dealing with people, the distortion even on the 20mm side can produce some unflattering results when photographing people.
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~ Hessa.Zamzam~ *♥ “I always thought good photos were like good jokes. If you have to explain it, it just isn’t that good.” ♥ ! |
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__________________
~ Hessa.Zamzam~ *♥ “I always thought good photos were like good jokes. If you have to explain it, it just isn’t that good.” ♥ ! |
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What's the main photographer doing?
I'd be inclined to let him or her handle the traditional, required group shots, and use your 50mm f/1.8 to focus on getting "behind the scenes" informal portraits.
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Looking to buy a P-TTL flash? Check out my Definitive Guide to Pentax P-TTL Flash Options. —ℳ
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__________________
~ Hessa.Zamzam~ *♥ “I always thought good photos were like good jokes. If you have to explain it, it just isn’t that good.” ♥ ! |
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I have been watching this and would just like to ask, are you working for the main Photog or have they just asked you to bring your camera to supplement him. If you aren't working for him does he know you are going to be there? Many Photogs have terms in their contract that specify they are the only one taking pictures for them or something along those lines.
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