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On a full-frame for portraits, I'd actually go with the 85mm 1.8. Tack sharp lens and gorgeous bokeh.
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I'd go with a 50 or an 85 for general portrait work. The 50 means you have to get a little bit closer, but I quite like working up close with my subject, it makes the shoot feel more personal. The 50 is also a little bit more versatile for taking out and using in other low-light situations (don't get me wrong, the 85 is just as good in low-light, it's just not as versatile a focal length)..
Admittedly, I'm talking about the Canon equivalents, but the principles of focal length and aperture are the same.. ![]() Incidentally, I did a portrait lighting workshop last year, and used my >£100 Canon 50mm 1.8. The pictures are lovely - really crisp and sharp and spot-on. The guy who ran the course was using a >£1500 Canon 85mm L-series lens, which he let those of us who were interested do a few shots with. I have to say that considering the enormous hike in price, it's pretty much impossible to tell the difference between the two. I guess the quality of the really expensive lenses shows itself more when you're not in such a well-controlled, perfectly-lit, perfectly exposed environment... Russ.
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I shoot Canon, and use Elinchrom lights. My Flickr Page - feel free to leave comments |
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If you've had a DX camera, and used a 50mm on there, then the 85 would suit you best. For portraits, especially on FX, 35mm is far too short. (and no, it isnt capable of "macro-like", only closeup as the MFD is fairly short).
The 85/1.8 or /1.4 would be great, but if you're serious about portraits, go for broke and get the 105 f/2 DC
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I am responsible for what I say; not what you understand. OsmosisStudios Gear List |
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